Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Elegie de Badura-Skoda Paul. Cette partition qui est éditée par les éditions Leduc fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

La référence AL18190 de l'éditeur Leduc dont l'auteur célèbre est Migot, qui a pour titre Elegie A Clymene, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Piano. Cette partition musicale appartient à la catégorie Classique. / Chant Et Piano / Partition

Référence unique par son ISBN 9790044043378 cette partition musique de Saint-Saëns Camille n'est autre que ELEGIE N 2 OP 160 VIOLON/PIANO qui a été composée pour Violon Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DF00986300. / Violon Et Piano / Partition

Werke von 1961 bis 1979-The pieces in this edition are in a chronological and stylistic order. Fünf Stücke (1961) Triade (1962) and Elegie (1967) which Silvestrov retrospectively describes as 'lyrische Dodekaphonie' were composed in a short period inwhere he learned the musical language of the 20th century. The following sonatas (I-III 1972 1975 1979) are characterized - as per Silvestrov 'Identität der Stile'. The piano cycle Kitschmusik (1977) is one of the mostimpressive reference to his 'metaphorischen Stils' (V. Silvestrov). Irrespective of the different phases all pieces show his unique thinking and writing process. It is expressed in nuances of agogicism dynamics and tempi. Thepedal needs particular attention - the composer was convinced that it creates an overtone. Pieces from the 60s were reviewed and given with typical notes - just like Silvestrovs later period - for ex. 'leggero' 'dolce'as well a additional tempi dynamic- and pedal-instructions.Inhalt Sonata Nr. 1 (1972)Sonata Nr. 2 (1975)Sonata Nr. 3 (1979) (all three sonatas have been revised by the composer in1999)Fünf Stücke (1961; rev. 1999)Triade (1962; rev. 1999)Elegie (1967; rev. 1999)'Kitschmusik' (1977)

From an earlier Belwin Mills edition, this is Volume 4 of a series of the piano works of the great Russian-American composer. Contains: Piece in D Minor * Nocturne No. 1 * Nocturne No. 2 * Nocturne No. 3 * Elegie, Opus 3, No. 1 * Prelude in C# Minor, Opus 3, No. 2 * Melodie, Opus 3, No. 3 (Revised) * Polichinelle, Opus 3, No. 4 * Serenade, Opus 3, No. 5 * Prelude (Posthumous) * Oriental Sketch * Fragments * Melodie, Opus 3, No. 3 (Original) * 18th Variation on a Theme of Paganini.

Par BABADJANIAN ARNO. Arno Babadjanian Elegie pour piano soli./ Répertoire / Piano

Par HUMMEL BERTOLD. As an educational and recital piece, Bertold Hummel's Sonatina Op. 35, composed in 1969, has accompanied many a young musician following his or her own path. Having sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. The three movements are characterized by warmth and exciting rhythms: in the powerful Maestoso, the sonority of the main theme is contrasted with a lyrical side theme - the recapitulation ends with an impulsive Fugato. The second movement Elegie consists of a single soulful melody over spherical harmonies of the piano. As a highlight, playful ease, marching rhythms and dramatic intensifications alternate in quick succession in the Finale vivace, followed by wild arpeggios that conclude the piece. Originally composed for violin, versions for viola and violoncello were already commonly used. To mark its 50th birthday, Simrock / Boosey and Hawkes present the work in a revised, newly set edition. Written in the 1990s by the composer himself and now available for the first time, the versions for alto and tenor saxophone are valuable additions to the repertoire for beginning instrumentalists./ Répertoire / Violon et Piano

Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:/ Recueil / Piano