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Arthur E. Godfrey: Benedicite Omnia Opera In G: SATB: Vocal Score
Chorale SATB
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[Vocal Score]
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Novello & Co Ltd.
Benedicite Omnia Opera In G
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H. Elliot Button: Benedicite Omnia Opera: SATB: Vocal Score
2.25
H. Elliot Button: Benedicite Omnia Opera: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Benedicite Omnia Opera
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Henry Purcell: Benedicite Omnia Opera: SATB: Vocal Score
3.25
Henry Purcell: Benedicite Omnia Opera: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Benedicite Omnia Opera
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Ivor Atkins: I Benedicite Omnia Opera: SATB: Vocal Score
2.25
Ivor Atkins: I Benedicite Omnia Opera: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
I Benedicite Omnia Opera
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John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
51.00
John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
Chorale SATB
SATB A Cappella
Hal Leonard
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rocki...
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Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
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Lallegro, Il Penseroso Ed Il Moderato (HAENDEL GEORG FRIEDRICH)
298.12
Lallegro, Il Penseroso Ed Il Moderato (HAENDEL GEORG FRIEDRICH)
Chorale SATB
[Conducteur]
Barenreiter
Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. In quite characteristic fa...
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Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. In quite characteristic fashion for the times, Handel's opera ; Alessandro looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel's opera is Alessandro being in love with two women, Lisaura and Rossane, who compete for his favour. In addition, his claim to be of divine parentage is underlined, occasioning him to demand the subservience of his followers, which meets with vigorous disapproval. Handel composed ; Alessandro for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King's Theatre in London on 5 May 1726. ; Alessandro was the first of five operas for the Royal Academy, operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni. Ortensio Mauro's libretto ; La superbia d'Alessandro, which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title ; Il zelo di Leonato but with numerous alterations, served as the source text for Handel's ; Alessandro. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced, yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view, it made good sense, for such rivalry would surely increase public interest in the opera. It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33, Handel made substantial revisions to the opera: six numbers were deleted in their entirety, the finale in part as well, and the recitatives were made much shorter, with the parts of Cleone and Leonato omitted / Oratorio / Répertoire / Choeur Mixte
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Hartmann: Carmen(Hartmann): SATB: Vocal Score
Chorale SATB
[Vocal Score]
Edition Choudens
Composer arranger and Pianist Bizet might have become the most renowned opera ...
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Composer arranger and Pianist Bizet might have become the most renowned opera composer in France had he not died aged 36 just one month after the premiere of Carmen. He was admitted to the Paris Conservatoire in 1848 and excelled under the tutelage of Zimmerman Halévy and Gounod as well as winning major prizes including the Prix de Rome in 1857. After travels in Italy he settled back in Paris and while struggling to secure commissions for his operas worked as a rehearsal pianist and an arranger of works for piano. His first staged work Les pêcheurs de perles was premiered at the Théâtre Lyrique in 1863 and met with a hostile press but itimpressed Berlioz and the director of the theatre Léon Carvalho would become a firm supporter. More successful were La jolie fille de Perth (1866) his suite from the incidental music to L’Arlésienne (1872) and his Jeux d’enfants for piano duet. In Carmen the scandalous story and Bizet’s depiction of the tragic heroine both outraged and intrigued and the opera ran for 47 performances in its first year and soon spread internationally. The music was a fulfilment of his genius for characterisation that had been seen in glimpses in his earliest works and the abundance of memorable tunes and fine orchestration continues to inspire generations of singers and musicians. Based upon the 1875 published version of the opera—with revisions and restorations by Jean-Claude Hartemann and further editorial overview by David Lloyd-Jones— the edition includes both the original spoken text as well as recitatives by Ernest Guiraud and the following sections: •Scène et pantomime N° 2 (Attention! Chut! Taisons-nous!) •Original Mélodrame after Marche et Choeur des gamins N° 3 (Il y a une jolie fille) •Original version of Carmen’s entrance aria N° 5 (L’Amour est enfant de Bohême) •Original version of N° 6 Scène (Carmen! sur tes pas nous nous pressons tous!) •Chanson et mélodrame N° 9 (Tra la la la … Ce ne sont pas des chansons que je te demande) •Original version of N° 17 Duo
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Symphony No. 3: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Wilhelm Hansen
Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony co...
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Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony commissioned by The Danish Radio Symphony Orchestra (conductor Herbert Blomstedt) was premiered in Copenhagen in 1976 and received wide attention. The work gives comprehensive expression to a new realm of musical experience which the composer began to explore toward the end of the 1960s. While the first period in Nørgårds production in the 1050s represents his personal interpretation of the Nordic music tradition – evidenced for example in his “Piano Sonata No. 2” (1957) and“Constellations” for chamber orchestra (1958) – and the second period in the 1960s saw him working with serial techniques musical collage and a new sound-palette - especially in the orchestral works “Iris” (196-67) and “Luna” (1967) – with “Voyage into the Golden Screen” (1968) Nørgård arrived at a new compositional technique based on the use of a special form of a so-called “infinity series” a principle of musical motion to be applied to all kinds of scales (chromatic diatonic et cetera). It is characteristic that that Nørgård in the 1970s chose to cultivate diatonic infinity series already evident in the mythological opera “Gilgamesh” (1971-72). Thus the Symphony No. 3 begun directly after the opera combines the infinity series major and minor scales the partial series of natural harmonics and “sub-harmonics” (Nørgårds terminology) with rhythmic patterns based on the Golden Section (the Golden Mean) in a nexus of synchronous yet disparate elements which serve the composers vision of musical coherence.. The works which followed the symphony – the operas “Siddharta” (1975-79) and “The Divine Circus” (1981-82) and Symphony No. 4 (1981) – usher a new
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Philip Glass: Knee Play 3 (Einstein On The Beach): SATB: Vocal Score
3.99
Philip Glass: Knee Play 3 (Einstein On The Beach): SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
-
Intermédiaire
Chester
From Einstein On The Beach-Einstein On The Beach the opera from which Knee Play...
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From Einstein On The Beach-Einstein On The Beach the opera from which Knee Play 3 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 3 is one of the number songs composed for scene changes using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This eight minute piece is the third Knee Play from Einstein On The Beach and is scored for unaccompanied SATB chorus.
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Bright Mass With Canons
8.48
Bright Mass With Canons
Chorale SATB
SATB, Orgue
St Rose Music Publishing
In Bright Mass With Canons, the canonical motifs are present right from the begi...
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In Bright Mass With Canons, the canonical motifs are present right from the beginning and carry through almost every bar of the work.There are echoes of early English Choral writing and abstracted sections with flurries of sound interspersed with more Choral writing, all in the most modern idioms.Contemporary American composer Nico Muhly is a prolific writer and arranger who, at 32, is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas, and many solo pieces and works for small ensemble, Orchestra, and Chorus, and he has collaborated with artists such as Philip Glass, Björk and Sigur Rós. / Choeur Mixte (SATB) Et Orgue
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Nico Muhly: A Good Understanding: SATB: Vocal Score
4.50
Nico Muhly: A Good Understanding: SATB: Vocal Score
Chorale SATB
[Vocal Score]
-
Intermédiaire
St Rose Music Publishing
Contemporary American composer Nico Muhly is a prolific writer and arranger who ...
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Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely. A Good Understanding displays Muhly’s early Choral influences from his years as a boy chorister alternating thrilling Organ passages with contemplative sections that demand quite a lot of all the performers. This piece for Treble Semi-Chorus SATB Percussion and Organ incorporates words from psalms 99 and111.
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Russell Hepplewhite: Jubilate Deo: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Banks Music Publications
Vocal score for Russell Hepplewhite's Jubilate Deo for SATB choir unaccompanie...
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Vocal score for Russell Hepplewhite's Jubilate Deo for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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Russell Hepplewhite: Star Of The East: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Banks Music Publications
Vocal score for Russell Hepplewhite's Star Of The East for SATB choir unaccomp...
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Vocal score for Russell Hepplewhite's Star Of The East for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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Russell Hepplewhite: The Everlasting Voices: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Banks Music Publications
Three W B Yeats Settings-Vocal score for Russell Hepplewhite's The Everlasting ...
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Three W B Yeats Settings-Vocal score for Russell Hepplewhite's The Everlasting Voices (Three W B Yeats Settings) for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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Child Jesus so dear: SATB: Vocal Score
2.25
Child Jesus so dear: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Banks Music Publications
Vocal score for Russell Hepplewhite's Child Jesus So Dear for SATB choir unac...
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Vocal score for Russell Hepplewhite's Child Jesus So Dear for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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Russell Hepplewhite: Christ's Nativity: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Banks Music Publications
Vocal score for Russell Hepplewhite's Christ's Nativity for SATB choir unaccom...
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Vocal score for Russell Hepplewhite's Christ's Nativity for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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