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Sonata Op. 40A (CALLIGARIS SERGIO)
83.80
Sonata Op. 40A (CALLIGARIS SERGIO)
Flûte traversière et Piano
[Conducteur et Parties séparées]
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Intermédiaire
Ricordi
Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ro...
(+)
Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano
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J. Mouquet: Flute De Pan Sonate Op.15: Flute: Instrumental Work
24.20
J. Mouquet: Flute De Pan Sonate Op.15: Flute: Instrumental Work
En Français
Flûte traversière et Piano
[Conducteur et Parties séparées]
Lemoine, Henry
Perhaps Jules Mouquet's best known work La Flûte de Pan Op.15 a symphonic that...
(+)
Perhaps Jules Mouquet's best known work La Flûte de Pan Op.15 a symphonic that consists of three sonatas. This evocative and moving work is set here for Flute and Piano to replace the original orchestralaccompaniment.
24.20 GBP - vendu par Musicroom GB
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Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
12.50
Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
Flûte traversière et Piano
[Partition]
Spartan Press
With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other...
(+)
With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.
12.50 GBP - vendu par Musicroom GB
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Beat Furrer: presto: Flute: Instrumental Work
29.50
Beat Furrer: presto: Flute: Instrumental Work
Flûte traversière et Piano
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Composed in 1998; score & separate Flute part included. Beat Furrer was born in ...
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Composed in 1998; score & separate Flute part included. Beat Furrer was born in Schaffhausen (Switzerland) in 1954 and received his first musical training on piano at the Music School there. After moving to Vienna in 1975 he studied conducting with Otmar Suitner and composition with Roman Haubenstock Ramati at the Hochschule für Musik und Darstellende Kunst. In 1985 he founded the Klangforum Wien which he directed until 1992 and with which he is still associated as conductor. Commissioned by the Vienna State Opera he composed his first opera Die Blinden. Narcissus was premiered in 1994 as part of the Festival ?steirischer herbst? at the Graz Opera. In 1996 hewas composer-in-residence at the Lucerne Festival. His music theatre work BEGEHREN was premiered in Graz in 2001 the opera invocation in Zürich in 2003 and the sound theatre piece FAMA in Donaueschingen in 2005. In autumn 1991 Furrer became a full professor of composition at the Hochschule für Musik und Darstellende Kunst in Graz. He has been guest professor in composition at the Hochschule für Musik und Darstellende Kunst in Frankfurt 2006 2009. In 2004 he was awarded the Music Prize of the City of Vienna and in 2005 became a member of the Academy of Arts in Berlin. He was awarded the Golden Lion at the Venice Biennale in 2006 for his work FAMA. In 2010 his music theatre WÜSTENBUCH was premiered in Basel.
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Toirdhealbhach Ó Cearbhalláin: Carolan's Concerto: Chamber Ensemble:
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Toirdhealbhach Ó Cearbhalláin: Carolan's Concerto: Chamber Ensemble:
Flûte traversière et Piano
[Partition + CD]
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15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to ...
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15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to the fast-growing 'Baroque Around the World' series is an Irish album consisting of fifteen haunting melodies by the legendary 18th-century Irish harpist Turlough O'Carolan. The selection of easy to intermediate standard has been made by Patrick Steinbach; the pieces range in style from the Corelli-influenced 'Carolan's Concerto' through the rumbustious 'Carolan's quarrel with the landlady' to the composer's moving final air 'Carolan's dream'. Arrangements for flute (violin oboe) and keyboard with optional cello or bassoon are by Jeremy Barlow who has edited three other volumes in 'Baroque Around the World' of English French and Swedishmusic.
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