Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition./ Répertoire / Orchestre

Par SCHUBERT FRANZ. The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert 's artistic evolution from the First Symphony, which develops a theme from Beethoven's Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score, performance material and study score for all symphonies are available for sale. Symphony No. 1 in D major D 82 (BA5601, TP401) Symphony No. 2 in B-flat major D 125 (BA5602, TP402) Symphony No. 3 in D major D 200 (BA5603, TP403) Symphony No. 4 in C minor D 417 Tragic (BA5604, TP404) Symphony No. 5 in B-flat major D 485 (BA5645, TP405) Symphony No. 6 in C major D 589 (BA5646, TP406) Symphony No. 7 in B minor D 759 Unfinished (BA5647, TP407) Symphony No. 8 in C major D 944 The Great (BA5648, TP408) / Classique / Répertoire / Orchestre

Par SCHUBERT FRANZ. The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert 's artistic evolution from the First Symphony, which develops a theme from Beethoven's Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score, performance material and study score for all symphonies are available for sale. Symphony No. 1 in D major D 82 (BA5601, TP401) Symphony No. 2 in B-flat major D 125 (BA5602, TP402) Symphony No. 3 in D major D 200 (BA5603, TP403) Symphony No. 4 in C minor D 417 Tragic (BA5604, TP404) Symphony No. 5 in B-flat major D 485 (BA5645, TP405) Symphony No. 6 in C major D 589 (BA5646, TP406) Symphony No. 7 in B minor D 759 Unfinished (BA5647, TP407) Symphony No. 8 in C major D 944 The Great (BA5648, TP408)/ Répertoire / Orchestre

Par SCHUBERT FRANZ. The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert's artistic evolution from the First Symphony, which develops a theme from Beethoven's Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score, performance material and study score for all symphonies are available for sale. Symphony No. 1 in D major D 82 (BA5601, TP401) Symphony No. 2 in B-flat major D 125 (BA5602, TP402) Symphony No. 3 in D major D 200 (BA5603, TP403) SymphonyNo. 4 in C minor D 417 Tragic (BA5604, TP404) Symphony No. 5 in B-flat major D 485 (BA5645, TP405) Symphony No. 6 in C major D 589 (BA5646, TP406) Symphony No. 7 in B minor D 759 Unfinished (BA5647, TP407) Symphony No. 8 in C major D 944 The Great (BA5648, TP408)/ Répertoire / Orchestre

Par SCHUBERT FRANZ. The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert 's artistic evolution from the First Symphony, which develops a theme from Beethoven's Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score, performance material and study score for all symphonies are available for sale. Symphony No. 1 in D major D 82 (BA5601, TP401) Symphony No. 2 in B-flat major D 125 (BA5602, TP402) Symphony No. 3 in D major D 200 (BA5603, TP403) Symphony No. 4 in C minor D 417 Tragic (BA5604, TP404) Symphony No. 5 in B-flat major D 485 (BA5645, TP405) Symphony No. 6 in C major D 589 (BA5646, TP406) Symphony No. 7 in B minor D 759 Unfinished (BA5647, TP407) Symphony No. 8 in C major D 944 The Great (BA5648, TP408)/ Répertoire / Orchestre

Clara Wieck?s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ?it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano?? In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara?s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann?s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann?s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann?s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre

Par MAHLER GUSTAV. In this great work, first published in 1912, Mahler experimented with the four-movement symphonic form, producing a masterpiece of musical innovation, satiric writing and poetic drama expressed in purely instrumental terms. Now the full orchestral score of the Ninth Symphony is available in this inexpensive, high-quality edition, reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition. One of the last composers of the great Romantic tradition, Mahler possessed a strong sense ofthe dramatic in life. He chose to record that drama in nine magnificent symphonies, all works of vivid orchestration, innovative symphonic structure, and rich emotional expression./ Répertoire / Orchestre

Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre

Par MAHLER GUSTAV. Among the most popular of Mahler's symphonic works, the 7th symphony has neither a program nor a folk-song theme. It is a purely instrumental composition, both hopeful and romantic in feeling. The restrained mood and thematic economy of the symphony make it one of the least extravagant of the composer's works; it is also one of the most approachable. Now music lovers can study this edition of the complete score, reprinted from the authoritative German edition of 1909./ Répertoire / Orchestre

Nr. 4 G-Dur/Nr. 5 D-Dur/Nr. 6 B-DurInstrument : orchestraType : study score CDSeries : Eulenburg Audio ScoreNombre de Pages : 172The more you read, the more you hear!The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.Eulenburg Audio Score is the new way to hear, read and understand music.Content : No. 4: Preface - Editional Notes - I. Allegro - II. Andante - III. Presto No. 5: Preface/Vorwort - Editorial Notes/Revisionsbericht - 2 Faksimiles des Autographs - I. Allegro - II. Affetuoso - III. Allegro No. 6: Preface/Vorwort - Editorial Notes/Revisionsbericht - Einzelanmerkungen - 3 Faksimiles des Autographs - I. Allegro - II. Adagio ma non tanto - III. Allegro