Antonio Caldara (1670-1736) est surtout connu pour ses oratorios et des opéras de nombreux qui lui ont valu une grande popularité au cours de sa vie. Outre ces compositions à grande échelle, Caldara a également écrit plus petites oeuvres vocales, dont son 'Stabat mater' est le plus connu.Cette publication est basée sur l'édition Eusèbe Mandyczewski de la 'Stabat mater', qui a, jusqu'à présent, été l'édition définitive. Les signatures de notation et la clé ont été adaptées aux normes d'aujourd'hui. L'instrumentation efficace avec deux trombones et cordes soutient le caractère solennel de l'oeuvre et permet à plus petite échelle des performances.Cette édition corrige et remplace l'ancienne publication par le 'Musikverlag Süddeutscher' (SM 2600). Toute divergence entre la partition et partition vocale ont été corrigées, et le travail est maintenant présenté dans un cadre moderne, mise en page claire.Les parties orchestrales sont disponibles en version imprimée ordinateur pour la première fois.- Convient à plus petite échelle des performances- Simple, réduction pour piano idiomatique / Choeur Mixte Et Orchestre

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2003-02-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre

This work was commissioned by the St. Endellion Festival with financial assistance from South West Arts. The three bass singers consist of a soloist and a duo. The trombones comprise two tenors and two basses. This is aspecial item which is made to order. Please e-mail our Mail Order Department for further information.