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Unbeaten Tracks (Cello And Piano)
13.40
Unbeaten Tracks (Cello And Piano)
Violoncelle, Piano
[Partition]
-
Facile
Faber Music Limited
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and P...
(+)
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and Piano, comprises eight contemporary graded pieces grades 4 and 7 in standard. These contemporary eight pieces in this volume are written in an array of musical styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire for players of intermediate level upwards. Handy Biopics collect small details about various composers giving an insight into the inspiration and mood of the music. The solo cello part is also included on a separate insert. / Niveau : Assez Facile / Date parution : 2000-08-17/ Recueil / Violoncelle et Piano
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Pop Romance (SCHMITZ MANFRED)
32.50
Pop Romance (SCHMITZ MANFRED)
Violoncelle, Piano
-
Intermédiaire
AMA Verlag
Par SCHMITZ MANFRED. Have fun learning through the combination of classical play...
(+)
Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano
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Little Pop Music (SCHMITZ MANFRED)
35.23
Little Pop Music (SCHMITZ MANFRED)
Violoncelle, Piano
-
Intermédiaire
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
(+)
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano
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Variations (KOEHLER WOLFGANG)
18.31
Variations (KOEHLER WOLFGANG)
Violoncelle, Piano
Schott
Par KOEHLER WOLFGANG. Wolfgang Köhler, professor of jazz piano at the Berlin Ja...
(+)
Par KOEHLER WOLFGANG. Wolfgang Köhler, professor of jazz piano at the Berlin Jazz Institute, writes music in the border area between classical, jazz and contemporary music. His 'Variations' for cello and piano are cross-over music in the best sense of the word and a rewarding concert and examination piece of medium difficulty (use of thumb position demanded). The three variations on a vocal theme use different styles like Latin (var. 1), ballad (var. 2) to rhythm and harmony inspired by Prokofiev (var. 3). The recapitulation of the cantabile theme concludes the original, effective piece which has a duration of six minutes./ Répertoire / Violoncelle et Piano
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Hungarian Rondo (Cello And Piano)
13.66
Hungarian Rondo (Cello And Piano)
Violoncelle, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
(+)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Fiddler's Nursery For Cello And Piano (CARSE ADAM)
10.24
Fiddler's Nursery For Cello And Piano (CARSE ADAM)
Violoncelle, Piano
[Partition]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Cello part and Piano part A favourite with vio...
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Arrangement: Max. Par CARSE ADAM. Cello part and Piano part A favourite with violinists for nearly 80 years, The Fiddler's Nursery is now available for cellists as well. Wendy Max, one of Britain's most highly respected specialist teachers of young players, has edited the transposed solo part with bowings and fingerings to reflect contemporary approaches to early-stage learning for the instrument, but leaving the music unaltered. No less suited to the cello than to the violin, the results offer ideal material for individual or group tuition of players at pre-grade 1 and elementary level./ Répertoire / Violoncelle et Piano
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My First Concert
16.65
My First Concert
Violoncelle, Piano
Schott
The present volume contains a selection of very easy recital pieces for violonce...
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The present volume contains a selection of very easy recital pieces for violoncello and piano which can be played in the first position after 1-2 years of cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet, the classical sonatina or the Romantic character piece to contemporary music and tango, blues or pop. The pieces are suitable for individual, group and chamber music lessons, for practising on one's own and especially for the first auditions, concerts or competitions. A musical journey through 500 years of cello music! / Violoncelle Et Piano
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Fingerprints (Cello)
12.40
Fingerprints (Cello)
Violoncelle, Piano
[Partition]
-
Facile
Faber Music Limited
Bruce William (Editor). Par BRUCE WILLIAM. Expand your musical scope and your pe...
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Bruce William (Editor). Par BRUCE WILLIAM. Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works, all written by some of today's celebrated composers. Here's your chance to learn some music by real, living composers - not just those only known by their surnames who dies long ago! The musical styles are diverse and exciting, from elements of ragtime and dance to a sombre and gently sad melody, and each piece features a full Piano accompaniment. ...Perhaps you might even be inspired to start composing some new music of your own! / Niveau : Facile / Recueil / Violoncelle et Piano
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Five Romances (KILLMAYER WILHELM)
31.08
Five Romances (KILLMAYER WILHELM)
Violoncelle, Piano
Schott
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt...
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Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’. In the concluding “Capriccio”, shifting time signatures and dynamic ?uctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players./ Répertoire / Violoncelle et Piano
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Richard Rodney Bennett: Six Country Dances (Cello/Piano): Cello: Instrumental
13.99
Richard Rodney Bennett: Six Country Dances (Cello/Piano): Cello: Instrumental
Violoncelle, Piano
[Partition]
-
Intermédiaire
Novello & Co Ltd.
Six Country Dances is an anthology of tunes from Playford’s ‘The En...
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Six Country Dances is an anthology of tunes from Playford’s ‘The English Dancing Master’ selected and arranged by Richard Rodney Bennett. Playford’s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett’s skilful and inspired arrangements are perfect for intermediate standard players adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.
13.99 GBP - vendu par Musicroom GB
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David Graham: Ten Dreams: Cello: Instrumental Album
15.00
David Graham: Ten Dreams: Cello: Instrumental Album
Violoncelle, Piano
Musica Ferrum
Ten dreams, ten work pieces inspired by different places around the world, intro...
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Ten dreams, ten work pieces inspired by different places around the world, introducing the violoncello player to a variety of contemporary techniques, with the imaginative notation offered by David Graham. For solo violoncello and piano.
15.00 GBP - vendu par Musicroom GB
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Buxton Orr Georges Bizet: A Carmen Fantasy: Cello: Score and Parts
25.99
Buxton Orr Georges Bizet: A Carmen Fantasy: Cello: Score and Parts
Violoncelle, Piano
[Partition]
-
Intermédiaire
Novello & Co Ltd.
Buxton Orr’s fantasies on famous themes are expert explorations of their ...
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Buxton Orr’s fantasies on famous themes are expert explorations of their source work rendered as brilliant new composition as is the virtuoso A Carmen Fantasy. It is equally demanding and rewarding in both parts. The composer also arranged it for Orchestra.British composer Buxton Orr was best known for his film and television scores particularly for the Hammer horror films and for a successful one-act opera The Wager. Upon becoming a professor at the Guildhall School of Music he founded their Contemporary Music Ensemble and was later conductor of the London Jazz Composer’s Orchestra.
25.99 GBP - vendu par Musicroom GB
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Snyder Jerry - Tab Guitar Method - Guitar
20.00
Snyder Jerry - Tab Guitar Method - Guitar
Violoncelle, Piano
[Conducteur et Parties séparées]
Alfred Publishing
Jerry Snyder's TAB Guitar Method is an easy approach to lead and rhythm guitar. ...
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Jerry Snyder's TAB Guitar Method is an easy approach to lead and rhythm guitar. It provides the guitarist with a thorough introduction to tablature, chords, standard music notation and music fundamentals. Over 30 original and popular tunes in a wide range of contemporary styles (pop, rock, blues, jazz, Latin and country) are included to help teach lead and rhythm guitar concepts.
20.00 EUR - vendu par Woodbrass
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Sonata For Violoncello And Piano F Major Op. 99
17.34
Sonata For Violoncello And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
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Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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Sonata For Violoncello And Piano E Minor Op. 38
19.14
Sonata For Violoncello And Piano E Minor Op. 38
Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
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The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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Easy Contemporary Pieces (CHABRIER EMMANUEL)
23.40
Easy Contemporary Pieces (CHABRIER EMMANUEL)
Violoncelle, Piano
[Partition]
-
Facile
Simrock
In Cinq Morceaux Pour Piano. Par CHABRIER EMMANUEL. Format: New Edition portrait...
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In Cinq Morceaux Pour Piano. Par CHABRIER EMMANUEL. Format: New Edition portrait / Niveau : Facile / Recueil / Violoncelle et Piano
23.40 EUR - vendu par LMI-partitions
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