Par WEDGWOOD PAM. Cool syncopation, funky riffs and smooth, stylish tunes, from dynamic to nostalgic, Pam Wedgwood's series has it all. Christmas Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So celebrate the festive season in style with these jazzy arrangements of popular Christmas carols. / Niveau : Assez Facile / Date parution : 1995-07-20/ Recueil / 2 Pianos

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

A brilliant and instructive treatise on the principles of jazz piano improvisation. Deals with all aspects, including a survey of piano styles from 1900 (Stride Piano) to the present day (Contemporary Jazz Piano). A book which will prove of immense value to both professional pianists and serious students of jazz piano. / Théorie Solfège

Piano 2 et 4 mains / Piano solo : Cache-cache (Tansman) Le jazz et la java (Nougaro/Datin) Valse (Schubert) What a wonderful world (Weiss/Thiele) The girl from Ipanema (Jobim) Norbu 'Himalaya' (Coulais) Prelude (Purcell) Bluesy rock (Bordier) Somewhere (Sondheim/Bernstein) Folksong (Grieg) Le sud (Ferrer) O que sera (Buarque) Concerto pour clarinette (Moazrt) Mackie the knife (Weill) Blue Bossa (Dorham) L'arcoä (Lecussant) I mean you (Monk) S'il suffisait d'aimer (Goldman) Isn't she lovely (Wonder) No woman no cry (Marley) Bluesette (Thielemans) Petite tarentelle (Tarenghi) Crazy boogie (Duflot-verez) Oh Happy day (Hawkins) Marche 'Casse noisette' (Tchaikovski) Piano 4 mains : A bicyclette (Lai/Barouh) Sables dorés (Guinot) Modulating rag (Cornick)

Jazz Play-Along Vol.78. Grands musiciens de jazz ont bénéficié depuis longtemps de jouer et enregistrer les grands classiques de vacances. Ces chansons ont résisté à l'épreuve du temps et ont gagné en popularité généralisée et intemporelle pour leur capacité à inspirer un sentiment de chaleur et de nostalgie. Et e, c'est à partir de Jamey Aebersold, vous pouvez être certain que ces amusant gems ont reçu le traitement stylée, vous pouvez vous attendre. Et avec la section rythmique incroyable, tout se réunit dans un package de grand source d'inspiration pour vous pour les années à venir. Cette playg est comme aucun autre disponible et sera un des plus agréables dans votre collection. Offrez-vous un cadeau inestimable ! Section rythmique : Andy LaVerne, Piano - Lynn Seaton, basse - et Steve Davis, batterie. / Rép International / Recueil / Tout Instrument

Par WEDGWOOD PAM. Syncope cool, riffs funky et lisses, élégants tunes - de dynamique de nostalgique, série de Pam Wedgwood a tout. Jazzine plus sur est une collection vibrante de pièces originales dans un éventail de styles contemporains, taillé sur mesure pour les débutants (grade 2-0). Alors, faire une pause dans les classiques et obtenir dans groove comme vous de croisière de blues, Rock, jazz./ Recueil / Piano

Des morceaux très connus et originaux - Des styles et rythmes variés représentant le piano jazz de 1890 à nos jours - Des pièces courtes, progressives assimilables rapidement pour le plaisir de jouer - Un CD véritable outil de travail moderne pour découvrir et jouer rapidement les morceaux - Le plus : Pour les morceaux à 4 mains, des pistes permettant de jouer en play-back.

Jazz Play-Along Vol.16. Intermédiaire/Advanced niveau suggéré préalables : Volume 3. Si vous travaillez sur jouant des écailles, cordes et l'harmonie en général, cet ensemble est la prochaine étape vers l'obtention de vos oreilles et les doigts coordonnés. Cet ensemble est la continuation du Volume 3, mais en beaucoup plus depth.ontains 5 pistes de redressement, 6 pistes de Cycle, Blues de John Coltrane, certaines des choses l'Am (un exercice de substituer de V7/II), Joy Stick, 6 pistes II/V7, changements de Coltrane dans toutes les clés de 12, les changements de rythme Bb (tempo lent) et deviner quelle clé je suis po vingt-thacks à tous et presque tous aller à travers tous les 12 touches!! Pistes de revirement 5 - 6 pistes II/V7 - 6 pistes Cycle - Coltrane changements dans toutes les clés de 12 - Coltrane Blues - deviner quelle clé je suis - changements de rythme Bb - parmi les choses, je suis … et bien plus encore.Rhythion est Jamey Aebersold, piano - John Clayton, basse - Mike Hyman, batterie - et autres. / Niveau : Débutant / Méthode en anglais / Méthode / Tout Instrument

Lors de sa première en 1924, l''uvre emblématique Rhapsody in Blue de George Gershwin a transformé le monde de la musique en Amérique. Sa fusion du classique et du jazz en a fait l'une des 'uvres de concert américaines les plus populaires de tous les temps. Pour cette nouvelle édition, toutes les sources disponibles à la Bibliothèque du Congrès ont été consultées, y compris les partitions complètes pour piano et orchestre ainsi que les réductions pour deux pianos. Cette édition comprend une deuxième copie de la musique, la rendant idéale pour tous concertos. Le contexte historique et les notes critiques sur les sources offrent un aperçu fascinant du processus de composition de Gershwin.

Jazz Play-Along Vol.52. Tous les niveaux des paroles inclus. Ici est vraiment une collection exceptionnelle de mélodies pour vous apprendre, avec l'accent sur la mélodie. Ecrit sur une période de trente-sept ans, ces chansons tous entrent dans la tradition de la grande chanson populaire. Comme d'habitude, Jazzmen sur l'yearsmade de chacun de ces chansons 'normes' par le biais de leur propres effectuant tradition. En particulier, les grands du jazz comme John Coltrane, Tommy Dorsey, Sarah Vaughn et Benny Carter ont bénéficié des chansons d'assez bien pour enregistrer les dernières décennies. Quel bettersement pour la valeur mélodique et harmonique de ces grandes chansons ? Joignez-vous à notre section rythmique passionnant pour une visite rafraîchissante écrit de grande chanson américaine. Cette section rythmique exceptionnelle comporte Rob Schneiderman, piano - Rufus Reid, basse - Akira Tana, Lorraine drweet / Rép International / Recueil / Tout Instrument

The fact that classical music and jazz are not mutually exclusive is proven by the new volume in the popular series by Uwe Korn: For the tune book, 10 classical themes have been carefully arranged for flute and piano and made into jazz pieces for two. Great fun to play. / Flûte Et Piano