Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavier

Quatre saisons' Vivaldi sont parmi les plus beaux et plus largement connu pièces maîtres baroques. Chacun des concertos pour quatre violon est précédée par un sonnet qui caractérise la saison représentée dans le concerto. On pense que les poèmes par Vivaldi himse / Piano

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d'oeuvres classiques, allant de la Renaissance à l'époque moderne.Proposer tout à la fois des 'incontournables' du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d'une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l'unité, a fait l'objet d'un travail éditorial attentif, tant sur le plan de l'établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces oeuvres.Les partitions sont proposées sous la forme d'ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Les quatre saisons (opus 8, #1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu'édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.Cette oeuvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d'Antonio Vivaldi. Le printemps est le nom que porte le concerto #1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.Son introduction, comme le troisième mouvement de l'oeuvre (L'Eté), sont les passages les plus célèbres de cet opus.Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L'ensemble de l'oeuvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :AllegroVoici le Printemps,Que les oiseaux saluent d'un chant joyeux.Et les fontaines, au souffle des zéphyrs,Jaillissent en un doux murmure.Ils viennent, couvrant l'air d'un manteau noir,Le tonnerre et l'éclair messagers de l'orage.Enfin, le calme revenu, les oisillonsReprennent leur chant mélodieux.LargoEt sur le pré fleuri et tendre,Au doux murmure du feuillage et des herbes,Dort le chevrier, son chien fidèle à ses pieds.AllegroAu son festif de la musetteDansent les nymphes et les bergers,Sous le brillant firmament du printemps. / Piano Solo

Instrumentation : Clavecin / Pianoforte / Piano / Descriptif : 6 Concerti nach Vivaldi und anderen

Ed. Critica M.Talbot - Reduction for voice and piano by Antonio Frigé-The present reduction derives from the critical edition of the score published in this catalog in 2002 (PR 1362). Although it is not possible to establish with certainty the time and the occasion for which it was composed - between the end of 1716and beginning of 1717 - the Gloria RV 589 is the best known among the works Vivaldi wrote on this subject enough to be considered the Gloria by Vivaldi.The critical edition is based on the only source available the autograph full score now kept at the National University Library of Turin Codex Giordano 32. It restores the famous Vivaldi text based on the revised criteria by the Committee of theCritical Edition. The volume includes a synthetic introduction of the historical context and a choice of the critical Notes to the musical text.

Transcription for Pianoforte / Italian - English Edition-Ever since their first publication in 1725 LE QUATTRO STAGIONI (The Four Seasons) have collectively been known as one of the most significant compositions by Vivaldi. Today they are without doubt the most frequently programmed of Vivaldi´s works provided here in transcription for piano solo based on the critical edition of the score by Paul Everett and Michael Talbot published by Casa Ricordi in partnership with Istituto Italiano Antonio Vivaldi Fondazione Giorgio Cini (Venice).

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.

Extracts-A selection of the wonderful Baroque works of Antonio Vivaldi featuring extracts from The Four Seasons arranged as accessible Piano Duets by Mark Goddard.Suitable for performers of standard grade 3-5 the book is complete with a CD containing demonstration performances as well as separate recordings of both primo and secondo parts for a CD-accompanied solo performance.

Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition CONC. PER VL. ARCHI E B.C.: IN FA MIN. L'INVERNO OP.VIII N 4 RV 297 - F.I/25 vous retrouverez tout le talent de ce compositeur. Ecrite pour Flûte Traversière et plus précisément pour Flûte Ou Plusieurs Flûtes Traversières Et Piano Ou Clavecin cette partition a été éditée par les éditions Ricordi sous le numéro NR13298900. / Flûte Ou Plusieurs Flûtes Traversières Et Piano Ou Clavecin / Partition

Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Concerto for Flautino (Recorder/Flute) and Orchestra C major op. 44, 11 RV 443 vous retrouverez tout le talent de ce compositeur. Ecrite pour Flûte Traversière et plus précisément pour Flûte Traversière Et Piano cette partition a été éditée par les éditions Henle sous le numéro 689. / Flûte Traversière Et Piano / Chanson En Séparée

Antonio Vivaldi (1673-1741) was an Italian composer violinist and teacher in the Baroque era. His name has become synonymous with the series of Violin concertos known as the Four Seasons but he also wrote over 500 other concertos for various instruments as well as dozens of operas and several sacred works. The Concerto No. 23 (RV 425) was written in 1725. Set in the key of C major it was originally scored for solo Mandolin with String Orchestra and Continuo Bass (Cembalo). It has been arranged for Guitar or Mandolin with Piano accompaniment by the French composer Fernand Oubradous .

Instrumentation : Clavecin / Pianoforte / Piano / Descriptif : 7 Concerti nach Vivaldi und anderen

Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa a dramma per musica in three acts by Scipione Maffei with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona which took place on 6 January 1732 during theCarnival season elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer.