Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano

Composer Ted Dicks and songwriter and lyricist Myles Rudge were the team behind this Top Ten hit for Bernard Cribbins along with its B-side Right Said Fred. The Hole In The Ground begins with a working man standing in the hole he’s digging and a ‘bloke in a bowler hat’ standing above him who’s offering criticism. By the end of the song their positions have somewhat changed.British actor Bernard Cribbins had a hit in 1962 with The Hole in the Ground produced by The Beatles’ own George Martin for Parlophone. It’s a jaunty tune with a cheeky lyric -- a crowd-pleaser all around.

PIANO CINÉMA 3 MICHEL MAGNERetrouvez les plus belles musiques de films composées par Michel MAGNE pour pianoContenu du recueil :Angélique Marquise des Anges (Bernard Borderie)Fantomas (André Hunebelle)Fantomas se déchaîne (André Hunebelle and Jacques Besnard)Compartiment tueurs (Costa-Gavras)Germinal (Yves Allegret)Les Barbouzes (Georges Lautner)Le Journal d'une femme en blanc (Claude Autant-Lara)Le Gentleman de Cocody (Christian Jaque)Les Tontons Flingeurs (Georges Lautner)Galia (Georges Lautner)Le Monocle rit jaune (Georges Lautner)Un singe en hiver (Georges Lautner)Par un beau matin d'été (Jacques Deray)Mélodie en sous-sol (Henri Verneuil)Tout le monde il est beau (Jean Yanne)Éditeur : Sidomusic (Genève) / Piano voix guitare / Capte Note

50 Thèmes de musique de films, transposés pour Piano Solo réunis dans ce recueil. / [Film Themes For Solo Piano] / Musiques de films and comédies musicales / Partition /

Les plus grandes 'uvres classiques pour Piano...pleine de vitalité ! / Classique / Partition /

A collection of twenty-seven seductively atmospheric and evocative pieces of incidental music from classic film noir movies and contemporary neo-noir cinema, all arranged for solo Piano. Including music from Blue Velvet, Double Indemnity, Dressed To Kill, LA Confidential and Sin City.

Une méga-collection de descants à tous les airs les plus aimés hymne, nombreux établis dans deux clés afin d'adapter les deux plus anciens et plus récents livres et tous au sein de la gamme de la chanteuse de la paroisse. / Chant Et Piano