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Classical Favourites from Russia
20.53
Classical Favourites from Russia
1 Piano, 4 mains
Universal Edition
Countless catchy melodies come from Russian operas, ballets and symphonies and i...
(+)
Countless catchy melodies come from Russian operas, ballets and symphonies and if you have heard them once, you will never forget them. For this collection of pieces, Nicolai Podgornov has produced masterful arrangements of classics from russian operas, ballets and symphonies. Compositions such as the famous waltz from Tchaikovsky's Sleeping Beauty or the main theme from his Swan Lake, the waltz from Shostakovich's Jazz Suite No. 2, Prokofiev's Montagues and Capulets from the ballet Romeo and Juliet, Khachaturian's Sabre Dance from Gayane and his Adagio from the ballet Spartacus. All of these are sure to give great pleasure to intermediate-level piano students. Nicolai Podgornov has expertly arranged these popular pieces with easy fingering so that playing them is straightforward - after all, familiar pieces are easier to master. • Easy to middle-grade arrangements of well-known themes from Russian opera and ballet for piano duet • Well-known, easy-to-play melodies from the Russian classics (’Sabre Dance’, ’Waltz No. 2’, ’Flight of the Bumblebee’ etc.) • Includes illustrations of the composers/ Recueil / Piano 4 Mains
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Giacomo Puccini: Puccini for Piano Solo: Piano: Instrumental Album
14.99
Giacomo Puccini: Puccini for Piano Solo: Piano: Instrumental Album
Piano seul
Ricordi
38 Inspired Selections from 9 Operas-Piano solo arrangements of 38 inspired sele...
(+)
38 Inspired Selections from 9 Operas-Piano solo arrangements of 38 inspired selections from 9 Puccini operas: La Bohème La Fanciulla del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca Turandot and Le Villi.Includes plot notes for each opera information on its premiere listings of librettists pronunciation guides and more.
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La Dorilla Rv 709 (VIVALDI ANTONIO)
36.98
La Dorilla Rv 709 (VIVALDI ANTONIO)
Chant et Réduction Piano
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par...
(+)
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano
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Georg Friedrich Händel: The Arrival Of Queen Of Sheba: Piano: Instrumental Work
7.99
Georg Friedrich Händel: The Arrival Of Queen Of Sheba: Piano: Instrumental Work
Piano seul
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Intermédiaire
Chester
The Arrival of the Queen of Sheba is the best known excerpt from Handel’s...
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The Arrival of the Queen of Sheba is the best known excerpt from Handel’s oratorio Solomon. When audience’s taste for opera waned somewhat Handel turned to the creation of Old Testament-based oratorios in English which werebasically unstaged operas on Biblical themes and which were a great success. This unforgettable music is regal propulsive light-hearted and to 21st century ears extremely familiar. Not only is it frequently chosen as awedding march but can also be found as a ringtone. Nevertheless the joyous message of Handel’s great piece is unbowed and ready to be enjoyed in this Piano arrangement.
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39.43
Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violon et Piano
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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Maria Calles: Maria Callas Collection: Piano Vocal Guitar: Mixed Songbook
15.99
Maria Calles: Maria Callas Collection: Piano Vocal Guitar: Mixed Songbook
Piano, Voix et Guitare
Faber Music Limited
A collection of 24 arias as sung by the opera diva. Arrangements of arias taken ...
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A collection of 24 arias as sung by the opera diva. Arrangements of arias taken from popular operas such as Verdi's Aida and Bizet's Carmen are included along with lesser known works by Gluck and Bellini.
15.99 GBP - vendu par Musicroom GB
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Philip Glass: Knee Play 4 (Einstein On The Beach): TTBB: Instrumental Work
3.50
Philip Glass: Knee Play 4 (Einstein On The Beach): TTBB: Instrumental Work
Piano seul
[Partition]
-
Intermédiaire/avancé
Chester
Einstein On The Beach the opera from which Knee Play 4 was extracted was a sem...
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Einstein On The Beach the opera from which Knee Play 4 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 4 is one of the number songs composed for scene changes using numbers and solfege syllables as text.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This seven minute piece is the fourth Knee Play from Einstein On The Beach and is scored for TB chorus and Violin.
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Giuseppe Verdi: Triumphal March from 'Aida': Piano Duet: Instrumental Work
2.95
Giuseppe Verdi: Triumphal March from 'Aida': Piano Duet: Instrumental Work
1 Piano, 4 mains
Kjos Music Company
This showy duet arrangement is sure to be a hit in any recital or multiple piano...
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This showy duet arrangement is sure to be a hit in any recital or multiple piano festival concert. It is an accessible arrangement of a stately instrumental piece from one of the world's most famous operas as composed by one ofthe finest opera composers of all time Giuseppe Verdi.
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Henry Bishop: Lo! Hear The Gentle Lark: Soprano: Vocal Work
En Français
Piano, Voix
[Sheet music]
Edwin Ashdown
Lo! Here the Gentle Lark is a Coloratura aria with virtuoso Flute and Piano acco...
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Lo! Here the Gentle Lark is a Coloratura aria with virtuoso Flute and Piano accompaniment whose flourishes cadenzas trills and Vocalise passages create much musical excitement. A high duet between Flute and Soprano near the endis particularly flamboyant and thrilling. Henry R. Bishop was a composer active throughout the early 19th century writing operas though in the old style that was more akin to today’s musical theatre than to through-sungContinental opera as well as many songs for theatrical performances and reworkings of other composers’ creations.One of Britain’s most famous composers of his time he was the first musician ever to be knighted by QueenVictoria in 1842 and has since fallen mostly into obscurity.
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Henry Mollicone Gioachino Rossini: La Cenerentola: Piano: Instrumental Work
14.50
Henry Mollicone Gioachino Rossini: La Cenerentola: Piano: Instrumental Work
Piano seul
ECS Publishing
Fantasy for Piano Solo. Although based on music from Rossini's opera, this piano...
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Fantasy for Piano Solo. Although based on music from Rossini's opera, this piano solo is influenced by other Romantic composers: Chopin, Schumann, Tchaikovsky, and most of all Franz Liszt, whose transcriptions of songs and operas served as an inspiration. Duration: 11:30
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Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
24.99
Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
Piano, Voix
[Vocal Score]
-
Facile
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The ...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi's La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.
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Carl Nielsen: Piano Music For Young And Old Op.53: Piano: Instrumental Work
11.40
Carl Nielsen: Piano Music For Young And Old Op.53: Piano: Instrumental Work
Piano seul
[Partition]
Carl Nielsen Edition
This edition combines Books 1 and 2 of Piano Music For Young And Old a fantasti...
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This edition combines Books 1 and 2 of Piano Music For Young And Old a fantastic collection of 24 Five-tone pieces in all keys. This critical edition is designed to accurately reflect the Danish composer Carl Nielsen's intentions and musical ideas and to provide a guide to understanding the composition within the context of his artistic and intellectual development.With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music Organand Piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of this century. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.
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Favourite Operatic Collection for Piano: Piano: Instrumental Album
8.99
Favourite Operatic Collection for Piano: Piano: Instrumental Album
Piano seul
Kevin Mayhew
An irresistible collection of show-stopping Arias from the great Operas all arr...
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An irresistible collection of show-stopping Arias from the great Operas all arranged as concert pieces for the solo Piano. From Mozart and Offenbach to Rossini and Puccini some of the most powerful poignant and beautifulmelodies reside in the arias of the Opera canon. Just imagine Carmen without Habañera or Turandot without Nessun Dorma...A selection of 14 stunning musical moments have now been lovingly arrangedas Piano Solos for the confident student representing a spectacular addition to any performance repertoire and a satisfying challenge to your skills and techniques. With melodies from Rigoletto Lakmé and LaBohème you'll never be stuck for a suitable solo piece that's both familiar and impressive!
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Philip Glass: Four Mouvements For Two Pianos: Piano Duet: Score
21.99
Philip Glass: Four Mouvements For Two Pianos: Piano Duet: Score
1 Piano, 4 mains
[Partition]
Dunvagen Music Publishers
Composer Philip Glass returned to composition for chamber ensemble after several...
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Composer Philip Glass returned to composition for chamber ensemble after several years of work for films ballet opera and solo instruments. Four Movements For Two Pianos was commissioned by hislong-time advocate the conductor and pianist Dennis Russell Davies and pianist Maki Namakawa and after the success of this piece at the Ruhr Piano Festival the pair decided to continue performing as a duo. The piece can belocated more at the classical end of Glass’ compositional spectrum retaining all the propulsive rhythms arpeggiation and repetitiveness that are the hallmarks of the composer’s work. American composerPhilip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music withrepetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his ownperforming group The Philip Glass Ensemble.
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Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
6.90
Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
Piano seul
[Partition]
Carl Nielsen Edition
Carl Nielsen is perhaps the best known Danish composer and this volume contains ...
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Carl Nielsen is perhaps the best known Danish composer and this volume contains his Five Piano Pieces Op. 3. There is an interesting range of feeling and sentiment in the 5 intimate miniatures composed in 1890. Includes the following movements: Folk Tune Humoresque Arabesque Mignon and Elf-Dance. With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music Organ and Piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of this century. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.
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ChordTime Piano Classics Level 2B CD: Piano: Instrumental Album
9.95
ChordTime Piano Classics Level 2B CD: Piano: Instrumental Album
Piano seul
[CD]
Faber Piano Adventures
Level 2B-Contents include: Aria (from the Peasant Cantata) by J.S. Bach; La Donn...
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Level 2B-Contents include: Aria (from the Peasant Cantata) by J.S. Bach; La Donna e Mobile (from the opera Rigoletto) by Verdi; Largo (from the opera Die Fliedermaus) by J. Strauss Jr.; The Little Man in the Woods (from the opera Hansel and Gretel) by Humperdinck; March Militaire by Shubert; Overture (from the opera William Tell) by Rossini; Pizzicato Polka by J. Strauss Jr. and J. Strauss; Polvetzian Dance No. 17 (from the opera Prince Igor) by Borodin; Roses from the South by J. Strauss Jr.; The Rage Over the Lost Penny by Beethoven; Theme from 'The Surprise' Symphony by Haydn; Theme from Trumpet Concerto in Eb by Haydn; Trepak (from the ballet The Nutcracker) byTchaikovsky.
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Trovatore (VERDI GIUSEPPE)
37.00
Trovatore (VERDI GIUSEPPE)
Piano, Voix
Ricordi
Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verd...
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Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano
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Ricercare And Toccata
8.82
Ricercare And Toccata
Piano seul
Alfred Publishing
Italian-American composer and librettist Gian Carlo Menotti composed his first o...
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Italian-American composer and librettist Gian Carlo Menotti composed his first opera in English, The Old Maid and the Thief, in 1939. It was commissioned by NBC as a radio opera (to be performed on air) and was premiered by the NBC Symphony Orchestra. Years later, Menotti adapted a theme from the opera's third scene, transforming and expanding it into an advanced two-movement work for solo piano. The first movement is a lyrical and emotive ricercare, which contains contrapuntal writing, elaborate flourishes, and flamboyant improvisatory gestures. By contrast, the second-movement toccata unfolds in steady, 16th-note perpetual motion with moments of musical humor combined with brilliant pianistic display. The concise work, approximately seven minutes in length, is often used in competitions and recitals. This edition contains helpful fingering and pedaling suggestions, as well as a discussion of form and a brief synopsis of the original opera. / Piano
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Christoph Willibald Gluck: Orfeo ed Euridice (Vienna Versiion 1762): Mixed
37.50
Christoph Willibald Gluck: Orfeo ed Euridice (Vienna Versiion 1762): Mixed
Piano seul
Barenreiter
Azione teatrale per musica in 3 Acts-The premiere of the Azione teatrale “...
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Azione teatrale per musica in 3 Acts-The premiere of the Azione teatrale “Orfeo ed Euridice” took place in Vienna in 1762 and plays a significant role in the history of the music theatre. With this work the composer for the first time rejected the rigid conventions of the Italian opera seria and made an important first contribution towards the renewal of opera genre. In collaboration with his librettist Calzabigi Gluck reduced the plot to its essentials and freed it from the typical political and romantic intrigues which prevailed at that time. The choir takes on a larger role and the ballet is integrated into the plot. Solo and choral parts instrumental music as well as pantomimeand dance are closely connected. The style of singing has a natural simplicity and coloratura is largely abandoned. This stands in stark contrast to the vocal acrobatics of opera seria. Urtext edition based on the “Gluck Complete Works” Revised and newly set Italian libretto with singable German translation Comprehensive foreword (Ger/Eng/Ital) on the genesis of the work and its reception as well as on the plot Clear idiomatic piano reduction
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Georges Bizet: Carmen: Mixed Choir: Vocal Score
27.99
Georges Bizet: Carmen: Mixed Choir: Vocal Score
Piano, Voix
Schirmer
Although almost unanimously condemned by contemporary Parisian critics for its o...
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Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac and Halevy who wrote the libretto) had been to transform the flaccid moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work and he seems to have suceeded in Carmen. Each character has a musical significance and a unique expressive idiom the ultimate example being the dangerous exotic sensual Carmen herself depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. Ina classic plot device she is contrasted with the 'good girl' of the opera Micaela whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature. Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession. This is the Schirmer edition of the Vocal Score with an English translation by Ruth and Thomas Martin.
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Rêverie Et Caprice (Violin And Piano)
11.40
Rêverie Et Caprice (Violin And Piano)
Violon et Piano
Guitare classique
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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Giuseppe Verdi: Messa da Requiem: Voice
18.50
Giuseppe Verdi: Messa da Requiem: Voice
Piano, Voix
Ricordi
A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known...
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A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from theoriginal autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question.This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
18.50 GBP - vendu par Musicroom GB
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THE BIG BOOK OF WEST END SONGS - PVG
21.99
THE BIG BOOK OF WEST END SONGS - PVG
Piano, Voix et Guitare
Hal Leonard
64 hits from the best musicals the West End has to offer, specially arranged for...
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64 hits from the best musicals the West End has to offer, specially arranged for piano and voice with chord symbols, guitar chord boxes and full lyrics. Includes songs from Cats, The Lion King, Matilda, The Sound of Music, Blood Brothers, Dear Evan Hansen, Waitress and many more!
1. Anthem from Chess
2. As Long as He Needs Me from Oliver!
3. Any Dream Will Do from Joseph and the Amazing Technicolor® Dreamcoat
4. Bright New Day from Blood Brothers
5. Bring Him Home from Les Misérables
6. Can You Feel the Love Tonight from the Lion King
7. Chim Chim Cher-ee from Mary Poppins
8. Circle of Life from The Lion King
9. Consider Yourself from Oliver!
10. Damn It, Janet from The Rocky Horror Picture Show
11. Dancing Queen from Mamma Mia!
12. December 1963 (Oh, What a Night) from Jersey Boys
13. Defying Gravity from Wicked
14. Do-Re-Mi From The Sound Of Music
15. Don?t Cry for Me Argentina from Evita
16. Electricity from Billy Elliot
17. Everyday from Buddy ? The Buddy Holly Story
18. Five Guys Named Moe from Five Guys Named Moe
19. For Good from Wicked
20. I Believe from The Book of Mormon
21. I Don?t Know How to Love Him from Jesus Christ Superstar
22. I Dreamed a Dream from Les Misérables
23. I Know Him So Well from Chess
24. I?d Give My Life for You from Miss Saigon
25. I?ll Be There from Thriller ? Live
26. It?s the Hard-Knock Life from Annie
27. Jacob and Sons from Joseph and the Amazing Technicolor® Dreamcoat
28. The Last Night of the World from Miss Saigon
29. Light at the End of the Tunnel from Starlight Express
30. Love Never Dies from Love Never Dies
31. Make ?em Laugh from Singin? in the Rain
32. Mamma Mia from Mamma Mia!
33. Me and My Girl from Me and My Girl
34. Me and the Sky from Come From Away
35. Memory from Cats
36. Mr. Mistoffelees from Cats
37. The Music of the Night from The Phantom of the Opera
38. My Favorite Things from The Sound of Music
39. Naughty from Matilda
40. Nine to Five from 9 to 5 the Musical
41. No Matter What from Whistle Down the Wind
42. Peggy Sue from Buddy ? The Buddy Holly Story
43. The Phantom of the Opera from The Phantom of the Opera
44. Pure Imagination from Charlie and the Chocolate Factory
45. Raise Your Voice from Sister Act
46. River Deep ? Mountain High from Tina: The Tina Turner Musical
47. She Used to Be Mine from Waitress the Musical
48. Sherry from Jersey Boys
49. Shine from Billy Elliot
50. Singin? in the Rain from Singin? in the Rain
51. Somewhere from West Side Story
52. Starlight Express from Starlight Express
53. Stayin? Alive from Saturday Night Fever
54. Stick It to the Man from School of Rock
55. Superstar from Jesus Christ Superstar
56. Tell Me It?s Not True from Blood Brothers
57. Tell Me on a Sunday from Tell Me on a Sunday
58. Tomorrow from Annie
59. We Are the Champions from We Will Rock You
60. We Will Rock You from We Will Rock You
61. When I Grow Up from Matilda
62. You Must Love Me from Evita
63. You Will Be Found from Dear Evan Hansen
64. You?re the One That I Want from Grease
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD
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Giuseppe Verdi: Il trovatore: Voice: Vocal Score
34.99
Giuseppe Verdi: Il trovatore: Voice: Vocal Score
Piano, Voix
Ricordi
Vocal Score-This is the Complete Vocal score of the entire opera with singing te...
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Vocal Score-This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi’s most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.
34.99 GBP - vendu par Musicroom GB
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Catone In Utica
73.80
Catone In Utica
Piano, Voix
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
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The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Giuseppe Verdi: Il trovatore: Voice
25.99
Giuseppe Verdi: Il trovatore: Voice
Piano, Voix
Ricordi
A cura di D. Lawton - Riduzione per canto e pianoforte-Ricordi the well-known p...
(+)
A cura di D. Lawton - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
25.99 GBP - vendu par Musicroom GB
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Catone In Utica
36.86
Catone In Utica
Piano, Voix
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
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The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known...
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A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from theoriginal autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question.This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
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An Opera in Two Acts. Par BOLCOM WILLIAM. Manhattan socialite Millicent Jordan p...
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An Opera in Two Acts. Par BOLCOM WILLIAM. Manhattan socialite Millicent Jordan plans a lavish dinner party for visiting English nobility, unaware that her guest list abounds with people linked by business intrigues and romantic entanglements. In adapting the witty and biting depression-era play by Kaufman and Ferber, Pulitzer Prize- and Grammy-Award winning composer William Bolcom (A View from the Bridge, A Wedding) and renowned librettist Mark Campbell (Silent Night, The Shining), have created a winning opera that successfully weds American musical comedy and opera. / Opéra-opérette / Répertoire / Chant et Piano
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