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Opera Arias for Piano & Orchestra: Orchestra and Solo: Instrumental Album
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Opera Arias for Piano & Orchestra: Orchestra and Solo: Instrumental Album
Piano seul
[Partition + CD]
Music Minus One
Music Minus One Piano-Keyboardist/arranger Jim Odrich has created great keyboard...
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Music Minus One Piano-Keyboardist/arranger Jim Odrich has created great keyboard stylings of these magnificent opera classics against full orchestral accompaniments! Suitable for beginning to intermediate pianists! Includes a complete printed music score on high-quality ivory paper and a compact disc containing the complete version of each piece with soloist and accompaniment then a second performance with accompaniments minus you the soloist. Performed by Jim Odrich piano Accompaniment: Plovdiv Philharmonic Orchestra Coductor: Nayden Todorov
15.99 GBP - vendu par Musicroom GB
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Easy Piano Selections Including Material from the Blockbuster Movie-Includes Mat...
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Easy Piano Selections Including Material from the Blockbuster Movie-Includes Material from the Blockbuster Movie. 12 songs from the hit motion picture arranged for easy piano: All I Ask of You · Angel of Music · Learn to Be Lonely · The Music of the Night · The Phantom of the Opera · Think of Me · Wishing You Were Somehow Here Again · and more.
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21 great songs from top Broadway musical specially arranged for easy piano. Hits include Don't Cry For Me Argentina from Evita and The Music Of The Night from The Phantom Of The Opera.
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Opera Completa (Testo Cantato In Italiano-Inglese)
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Andrew Lloyd Webber: The Phantom of the Opera: Vocal and Piano: Vocal Album
23.99
Andrew Lloyd Webber: The Phantom of the Opera: Vocal and Piano: Vocal Album
Piano, Voix
-
Intermédiaire
Hal Leonard
Vocal Line with Piano Accompaniment-This songbook includes 9 songs from The Phan...
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Vocal Line with Piano Accompaniment-This songbook includes 9 songs from The Phantom of the Opera presented in their original keys with piano accompaniments carefully crafted for playability.
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Schubert, Franz : Works for Piano Duet (Four Hands-One Piano), Volume 3
36.95
Schubert, Franz : Works for Piano Duet (Four Hands-One Piano), Volume 3
1 Piano, 4 mains
[Partition]
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Intermédiaire
Barenreiter
This edition marks the beginning of Bärenreiter?s publication of Schubert?s com...
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This edition marks the beginning of Bärenreiter?s publication of Schubert?s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert?s late works, composed between 1826 and 1828 which are amongst the most important works in the piano duet repertoire. '
Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects from the critical commentary of the ?New Schubert Edition? complete the edition, which presents the compositions in a clear score format.'
'
- Based on the Urtext of the ?New Schubert Edition?'
- Scholarly-critical edition reflecting the latest state of research'
- Suggestions on performance practice by Mario Aschauer'
- Detailed foreword (Ger/Eng) and critical commentary (Eng)'
- With optimum page-turns'
'
Contents'
Variations on a Theme from L. J. Ferdinand Hérolds opera ?Marie? by op. 82,1 (D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952) / [Pièces pour Piano 4 Mains 1 Piano Volume 3] / Classique / Partition / Cartonné / Plats de carton /
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Wolfgang Amadeus Mozart: An Operatick Squabble Or Impressario Perplext: Piano
7.99
Wolfgang Amadeus Mozart: An Operatick Squabble Or Impressario Perplext: Piano
1 Piano, 4 mains
[Sheet music]
Chester
An Operatick Squabble Or Impressario Perplext
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Stephen Heller: Tunes from the Operas: Piano: Instrumental Work
Piano seul
[Partition]
Alfred Lengnick
Tunes from the Operas
12.99 GBP - vendu par Musicroom GB
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Franz Liszt: Piano Transcriptions from French & Italian Operas: Piano:
20.30
Franz Liszt: Piano Transcriptions from French & Italian Operas: Piano:
Piano seul
-
Avancé
Dover Publications
This volume spanning the composer's output from 1835 to 1879 presents a selecti...
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This volume spanning the composer's output from 1835 to 1879 presents a selection of his paraphrases and fantasies on operas written chiefly in the French and Italian traditions. His masterful transcriptions and fantasies reveal his exceptional ability to transform the essence of an operatic theme into unforgettable music for the piano. Selected and with an introduction by Charles Suttoni. Published in association with the American Liszt Society.
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Franz Liszt: Complete Piano Transcriptions From Wagner's Operas: Piano:
20.30
Franz Liszt: Complete Piano Transcriptions From Wagner's Operas: Piano:
Piano seul
-
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Dover Publications
Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as...
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Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as well as to compose piano transcriptions from many of them. This volume presents fifteen compositions dating from 1848-1882. Includes 'Liebestod' 'Overture To Tannhouser' 'Wedding March From Lohengrin'.
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Great Operas: Piano: Instrumental Album
7.50
Great Operas: Piano: Instrumental Album
Piano seul
Schaum Publications
Great Operas
7.50 GBP - vendu par Musicroom GB
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Stanislaw Galas: From Operas and Operettas: Piano: Instrumental Work
3.50
Stanislaw Galas: From Operas and Operettas: Piano: Instrumental Work
Piano seul
PWM (Polskie Wydawnictwo Muzyczne)
From Operas and Operettas
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Geoffrey Bush: Songs From The Ballad Operas for Voice and Piano: Voice:
15.99
Geoffrey Bush: Songs From The Ballad Operas for Voice and Piano: Voice:
Piano, Voix
[Partition]
Novello & Co Ltd.
Songs From The Ballad Operas for Voice and Piano
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Smetana, Bedrich : The Bartered Bride
43.50
Smetana, Bedrich : The Bartered Bride
Piano, Voix
[Reduction]
Barenreiter
Bedrich Smetana (1824?1884) only began to devote himself intensively to the proj...
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Bedrich Smetana (1824?1884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of ?The Bartered Bride?, the second of Smetana?s nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary.
The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis.
The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer?s last version of the work was also performed in 1870.
This vocal score contains the musical text of the critical edition of Smetana?s own vocal score.
The newly-set edition contains both Czech and German vocal texts; the German singing translation is by Kurt Honolka.
The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire. / [La Fiancée vendue] / Classique / Partition /
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Thais Meditation Flûte Et Piano (MASSENET JULES)
15.80
Thais Meditation Flûte Et Piano (MASSENET JULES)
Flûte traversière et Piano
[Partition]
Heugel
Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from...
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Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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Piano Sonatas Op. 24+39+49+70 Wev Q-2, 3, 4, 5
314.69
Piano Sonatas Op. 24+39+49+70 Wev Q-2, 3, 4, 5
Piano seul
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano
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Konzertante Werke Op. 32 Wev N.15
Piano et Orchestre
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
42.50
DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
Piano, Voix
Ricordi
Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Camma...
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Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Cammarano, a ete cree au Teatro di San Carlo de Naples le 26 septembre 1835. Il est reste au repertoire sans interruption comme l'un des operas les plus populaires de Donizetti tout au long de son existence de pres de 200 ans. L'edition propose comme texte principal une version de l'opera qui, en majeure partie, est aussi fidele que possible a celle donnee lors de la premiere a Naples. L'edition critique retablit les tonalites originales, conservant ainsi la conception harmonique globale de Donizetti, mais aborde les transpositions qui sont entrees plus tard dans la tradition d'interpretation et d'edition de l'opera. Nous presentons ici la reduction pour voix et piano. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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Jean-Philippe Rameau: Airs D'Opéra: Soprano: Vocal Score
52.00
Jean-Philippe Rameau: Airs D'Opéra: Soprano: Vocal Score
Voix Soprano, Piano
Barenreiter
Operatic Arias - Vol. 1-Operatic Arias Based on the Opera Omnia Rameau (OOR)This...
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Operatic Arias - Vol. 1-Operatic Arias Based on the Opera Omnia Rameau (OOR)This volume contains the first half of the great monologues arias and ariettas for lyrical soprano from the following operas by Rameau:Acanthe et Céphise (Céphise)Anacréon (Chloé)Castor et Pollux (Téla re)Dardanus (Iphise Vénus)Les Fêtes de l?Hymen et de l?Amour (Memphis Orie)Les Fêtes de Polymnie (Hébé Argélie)Les Fêtes d?Hébé (Iphise)La Guirlande (Zélide)Hippolyte et Aricie (Aricie)The second half of the numbers for lyrical soprano has been published in volume 2 (BA 9192).With a detailed historicalintroduction (Fr/Eng)Idiomatic piano reduction based on the Opera Omnia RameauEach number is introduced by a brief account of the dramatic situation and an English translation of the vocal textCo-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau
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Giacomo Puccini: Manon Lescaut: Voice
28.99
Giacomo Puccini: Manon Lescaut: Voice
Piano, Voix
Ricordi
Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?...
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Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?The operas of Giacomo Puccini? - Critical Edition - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera thathave survived in various sources: an 1893 version with the original Act I finale the fi rst version of Manon?s Act IV aria and the uncut version of the fi nal duet in Act IV; a ?midcareer? version imagined by Puccini in the fi rst decade of thenew century when he sanctioned the almost complete omission of Manon?s Act IV aria; and fi nally the last version that Puccini lived to approve with Manon?saria restored albeit with a revised literary text. The volume is introduced by a preface to the Puccini Critical Edition an historical introduction a detailed description of the opera?s many sources and a lengthy critical commentary whichdiscusses numerous problematic details in the musical text.
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Hansel & Gretel (Heumann) (HUMPERDINCK ENGELBERT)
17.76
Hansel & Gretel (Heumann) (HUMPERDINCK ENGELBERT)
Piano seul
Schott
Par HUMPERDINCK ENGELBERT. This volume presents the probably most beautiful and ...
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Par HUMPERDINCK ENGELBERT. This volume presents the probably most beautiful and most popular children's opera that has ever been written, in an easy arrangement for piano, with all excerpts being in the respective original key. Among the seven operas composed by Humperdinck, 'Hänsel und Gretel' is his first and best masterpiece. The magical mood of this fairy-tale and the brilliant music explain why this opera still fascinates both children and adults. The series 'Get to Know Classical Masterpieces' provides an introduction to well-known compositions in simple arrangements for piano by Hans-Günter Heumann. Complete with texts and colour illustrations throughout, these editions will appeal not only to both child and adult pianists, but to any music-lover who wishes to get to know these works better./ Répertoire / Piano
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Engelbert Humperdinck: Hansel & Gretel ( Heumann ): Piano: Instrumental Work
14.99
Engelbert Humperdinck: Hansel & Gretel ( Heumann ): Piano: Instrumental Work
Piano seul
[Partition]
-
Facile
Schott
This volume presents the probably most beautiful and most popular children's ope...
(+)
This volume presents the probably most beautiful and most popular children's opera that has ever been written in an easy arrangement for piano with all excerpts being in the respective original key. Among the seven operas composed by Humperdinck 'Hänsel und Gretel' is his first and best masterpiece. The magic mood of this fairy-tale and the brilliant music explain why this opera still fascinates both children and adults.
14.99 GBP - vendu par Musicroom GB
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