For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

15 Well-Known Melodies In Easy Arrangements. The music chosen for this book ranges from the early classical period through to the 20th century and includes Vanhal, Leopold and Wolfgang A. Mozart through Diabelli, Bruckner and Tchaikovsky, to Ravel. Two lively compositions by Maria Holzeis-Augustin are also included. All arrangements are suitable as concert pieces and can be used alongside any flute tutor. - Easy arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart through to Tchaikovsky and Ravel - Two lively compositions by Maria Holzeis-Augustin - All arrangements are suitable as concert pieces and can be used alongside any flute tutor / Niveau : Facile / Recueil / Flûte Traversière et Piano

Easy-to-intermediate arrangements designed to bring out the best qualities of the flute. The side range of compositions inlcude works by Beethoven, Brahms, Dvorak and Schubert, as well as folk songs, dances, jigs and reels from all over the world. Arranged for flute and piano. Includes score and part. / Flûte Traversière

Par LISZT FRANZ. Liszt ’s Piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie Espagnole is a late reminiscence of Liszt ’s extended travels to Spain and Portugal in 1844–45. On the basis of two popular Iberian dance tunes, Folia and Jota, Liszt here sets off fireworks of representative rhythms and tone colours with a highly virtuosic presto finale. The long inaccessible autograph manuscript of the composition is now accessible once more – an occasion for G. Henle Publishers to revise its Urtext edition. / Heinemann, Ernst-Günter / Répertoire / Piano