Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.

Arrangeur: Joan Trimble. Par WEINBERGER JAROMIR. Jaromir Weinberger (1896-1967) was a Czech composer who spent most of his life in the United States, becoming an American citizen in 1948. He wrote over 100 works, but the only one which has endured to the present day is the 1926 opera Schwanda The Bagpiper, which has been preformed in 17 different languages, and was performed thousands of times between the wars. The Polka is one of the two orchestral excerpts from Schwanda The Bagpiper which are still regularly performed. It has been arranged here for Piano duet by Joan Trimble. Included are separate scores for each part./ RĂ©pertoire / Piano 4 Mains

for solo piano. Par RUO HUANG. Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having “a distinctive style. ” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism. ” Huang Ruo’s diverse compositional works span fromorchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film. / Niveau : Intermédiaire / Répertoire / Piano

A great selection of 100 of the best film songs ever, arranged for piano, voice and guitar. Features fabulous songs from all your favourite movies including: Casablanca, Cabaret, Mary Poppins, Forest Gump, Midnight Cowboy, Footloose, Jaws, Star Trek, Ghost, Titanic, Schindler's List, Saturday Night Fever, Stand By Me, Love Story, Breakfast At Tiffany's... and many, many more!