La référence GB3468 de l'éditeur Billaudot dont l'auteur célèbre est Vivaldi Antonio, qui a pour titre IL PASTOR FIDO OPUS 13 VOLUME 3 : SONATES 5 ET 6, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par VIVALDI ANTONIO. Sheet Music and CD Play-along Pack also available, see Q 9055 / Urtext / Répertoire / Violon et Piano

La référence GB4895 de l'éditeur Billaudot dont l'auteur célèbre est Vivaldi Antonio, qui a pour titre SONATE EN SOL MINEUR, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par VIVALDI ANTONIO. Révisé par Candela / classique / Répertoire / Violon et Piano

Seule partition au monde à porter le numéro ISBN 9790041385242 cette partition dont le titre est SPRING FROM THE FOUR SEASON comporte des morceaux regroupés et composés par le compositeur Vivaldi Antonio.Son instrumentation exacte est Violon Et Piano. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violon Et Piano / Partition

La référence GB3309 de l'éditeur Billaudot dont l'auteur célèbre est Vivaldi Antonio, qui a pour titre IL PASTOR FIDO OPUS 13 VOLUME 1 : SONATES 1 ET 2, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par VIVALDI ANTONIO. Summer G Minor/ Répertoire / Violon, Cordes et Basse Continue

L'arte del flauto. Par VIVALDI ANTONIO. Fl - Piano/ Répertoire / Flûte Traversière et Piano

an Homage to the Minimalists and Antonio Vivaldi for Solo Piano-This five-minute recital piece juxtaposes to the technical keyboard virtuosity and Baroque melodic filigree of Vivaldi with minimalist composition techniques established in the 20th Century. Dedicated to/ premiered by Amanda Setlik.

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano

The present reduction derives from the critical edition of the score published in this catalog in 2002 (PR 1362). Although it is not possible to establish with certainty the time and the occasion for which it was composed - between the end of 1716 and beginning of 1717 - the Gloria RV 589 is the best known among the works Vivaldi wrote on this subject, enough to be considered the Gloria by Vivaldi. The critical edition is based on the only source available, the autograph full score now kept at the National University Library of Turin, Codex Giordano 32. It restores the famous Vivaldi text based on the revised criteria by the Committee of the Critical Edition. The volume includes a synthetic introduction of the historical context and a choice of the critical Notes to the musical text. / Voix Et Piano

Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719. Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during the Carnival season, elaborate stage sets being provided by Francesco Bibbiena. The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi's autograph and a copy realized by fi ve copyists under the direct control of the composer. / Voix Et Piano