Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's Sonate No. 6 Op. 82 In A for Piano. Available in France and Belgium only! Sergei Prokofiev's Sonate No. 6 Op. 82 In A for Piano./ Répertoire / Piano

Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's Romeo Et Juliette Ballet Op. 64 for Piano. Available in France and Belgium only! Sergei Prokofiev's Romeo Et Juliette Ballet Op. 64 for Piano./ Répertoire / Piano

Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's Pierre Et Le Loup for Piano. Available in France and Belgium only! Sergei Prokofiev's Pierre Et Le Loup for Piano./ Répertoire / Piano

Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's Cendrillon Ballet Op. 87 for Piano. Available in France and Belgium only! Sergei Prokofiev's Cendrillon Ballet Op. 87 for Piano./ Répertoire / Piano

Par PROKOFIEV SERGEI. Sergei Prokofiev's Romeo And Juliet was premiered in Brno, Czechoslovakia, on December 30, 1938. It was his first attempt at writing a full-length ballet, and has earned its place alongside Tchaikovsky's Swan Lake, The Sleeping Beauty and The Nutcracker as the greatest full length ballets ever./ Répertoire / Piano

For piano-Sergei Prokofiev was born in Sontsovka in the Ukraine on the 23rd of April 1891. Soon showing a talent for piano and composition by the time he was fourteen he was attending the St. Petersburg Conservatoire where he received extensive schooling inpiano harmony composition and conducting. Prokofiev was greatly interested in contemporary composers (Reger dIndy Debussy and Richard Strauss) and quickly made a name for himself with his revolutionary aesthetic language of great harmonic andrhythmic impact. His compositions were inspired by Symbolism and Futurism two artistic movements predominate at the time. Prokofiev attracted attention through his early works – the Etudes Op.2 and the Pieces Op. 3 and 4 – owing to his specialtechnique and percussive treatment of the piano (similar in some respects to Bartok) although he was also capable of rich melodic invention.Actually composed in 1907-08 before his Four Etudes for Piano Op. 2 Prokofiev’s Four Pieces for Piano Op. 3 and 4 were only published in 1911. Concert pieces some show Scriabin’s influence on the composer especially in the titles.

Sergei Prokofiev's nine piano sonatas span the years 1907 to 1953. This collection, edited by Thomas Schumacher, addresses the first four of these masterworks: Op. 1 (in F minor), Op. 14 (in D minor), Op. 28 (in A minor), and Op. 29 (in C minor). In prefatory matter, Schumacher discusses Prokofiev's compositional style and the form of each sonata, in addition to analyzing the various themes and compositional nuances of each work. Helpful fingering and pedaling suggestions are also offered in this comprehensive, clearly engraved edition. Thomas Schumacher, professor emeritus of piano at the Eastman School of Music, has toured and lectured throughout the United States, Canada, Italy, Sweden, Belgium, China, Taiwan, and Japan. He studied at the Manhattan School of Music and the Juilliard School. / Piano

This collection features piano works by prominent G. Schirmer composers including: Adams Barber Cowell Dello Joio Harbison Kabalevsky Khachaturian Prokofiev Shostakovich Tan Dun and others. Includes previouslyunpublished first editions by John Corigliano and Gabriela Lena Frank. Suitable for advanced high school and college-level pianists.

op. 2 3 4 12 for piano-Collection of compositions by Prokofiev: Four Studies op. 2: Allegro - Moderato - Andante semplice - Presto energico / Four Pieces op. 3: Tale - Jest - March - Phantom / Four Pieces op. 4: Souvenirs - Impulse - Diabolical Influence / Ten little pieces for piano: March - Gavotte - Rigaudon - Mazurka - Caprice - Legend - Prelude - Allemande - Humorous scherzo - Scherzo.

(from the ballet Cinderella)-Six pieces from Sergei Profokiev's Cinderella Op. 102 for Piano.

Par PROKOFIEV SERGEI. Interestingly there are two different versions of Prokofiev’s second piano concerto, the first written between 1912 and 1913, the second written in 1923. However, during the Russian Civil War, the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory, effectively composing the second edition of the work, which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime). At the time of composition, the concerto's wild temperamentleft some exalted, whereas others were horrified by the jarring and at the time futuristic sound. Today, however, it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire. Available here is the Hawkes Pocket Score edition (No. 877) of Prokoviev’s virtuosic Piano Concerto No. 2 in G minor Op. 16, and is ideal for study and perusal usage. / Hawkes Pocket Scores HPS 877 / Répertoire / Piano et Orchestre

Par PROKOFIEV SERGEI. Serge Prokofiev: Sonate No. 2 en Re Majeur Op. 94b pour violon et Piano, ou flûte et piano./ Répertoire / Violon et Piano