Frédéric Chopin composa son trio de piano quand il avait 18 ans, étudiant. À propos de la performance du trio le 31 Août 1830, il écrit: 'Le dimanche, nous avons répété le trio. Peut-être parce que je n'ai pas entendu parler pendant un moment, j'étais très heureux avec moi-même (l'homme chanceux!) 'Par ailleurs, Robert Schumann a également partagé cette opinion, écrivant dans une revue: '. N'est-ce pas aussi noble que possible, plus plein d'enthousiasme que n'importe quelle chanson jamais écrite par un poète, original dans les moindres détails comme dans l'ensemble, chaque note de musique et de la vie? 'Nous sommes d'accord avec ce verdict et recommandent ce trio dans notre nouvelle édition Urtext à tous les amateurs de musique de chambre très romantique. / Trio De Pianos

Compositeur : Beethoven, Ludwig van Instrumentation : Piano Trio Editeur Musicologique : Raphael, Günter Couverture Reliée Contenu : Trio E flat major op. 1,1 Trio G major op. 1,2 Trio c minor op. 1,3 Trio B flat major op. 11 (Piano, Clarinet [Violin], Violoncello) B flat major op. 11

Fragments K. 442. Par MOZART WOLFGANG AMADEUS. Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer, and on this basis they were given the number “442” in Köchel’s catalogue. The first edition used completions by Mozart ’s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed, highly rewarding completions by Robert D. Levin. / Seiffert, Wolf-Dieter / Répertoire / Violon, Violoncelle et Piano

Trio in g-moll op. 17. Par SCHUMANN CLARA. / Répertoire / Violon, Violoncelle et Piano

Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the 'Mozart of the 19th century”, whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements.The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for the alternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made. / Classical / Répertoire / Violon, Violoncelle et Piano

Klaviertrio-As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio composed in 1914. Thus the ?Passacaglia? movement corresponds to the underlying form of theBaroque Period. The music on the other hand was according to Ravel ?like that of Saint-Saëns? which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: froma constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianistPascal Rogé.

Dvo?ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms' music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the 'Dumky? Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the piano part. / Piano

Edition Urtext, réduction pour piano, reliure paperbacken préparationd'après le texte de l'édition complète des oeuvres de Brahms- matériel d'orchestre disponible chez Breitkopf and Härtel / Violoncelle, Violon Et Piano

Compositeur : Schubert, Franz Instrumentation : Piano, 4-hands Editeur Musicologique : Kahl, Willi Couverture Reliée Contenu : Divertissement à la Hongroise g minor op. 54 D 818 Divertissement on a French motif b minor op. 84,1 D 823 Divertissement on a French motif e minor op. 63,1 D 823 Divertissement on a French motif e minor op. 84,2 D 823 Grand funeral March c minor op. 55 D 859 6 Grandes Marches et Trios E flat, g, h, D, E flat, E op. 40 D 819 4 Ländler E flat major, A flat major, C minor, C major D 814 3 Marches Militaires D major, G major, E flat major op. 51 D 733 6 Polonaises D minor, F major, B flat major, D major, A major, E major op. 61 D 824 Grand Duo C major op. post. 140 D 812 Variations on an Original Theme A flat major op. 35 D 813