Karl Aage Rasmussen's Triple Tango 1984 for Piano solo. Dedicated to Ivar Mikhashoff.

The Syncopated Piano Music-This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms which are really African rhythms brought to the Americas by slaves and appliedto the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America but also in theUnited States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this'Latin tinge' is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like 'The Buena Vista Social Club.' Includes historic tangos written by Ignacio Cervantes - Cuba Manuel Saumell - Cuba Juan Morel Campos - Puerto Rico Jose Quinton - Puerto Rico Ernesto Nazareth -Brazil Tomas Leon - Mexico Sebastian Yradier - Spain Eduardo Sanchez du Fuentas - Cuba Will Tyers - USA Vincente Greco -Argentina Anselmo Rosendo (Mendizabal) - Argentina Angel Villoldo - Argentina Eduardo Arolas - Argentina Juan Maglio - Argentina

Without Jealousy-Per Nørgård's A Tortoise Tango (Without Jealousy) is a work for Piano Solo composed in 1984.Programme noteA Tortoise´s Tango(1984) ´Light of a Night - Paul with bird (1989) and ´Esperanza - Hermit Crab Tango´(1997) are (the first) three movements of a suite ´Animals in Concert´ for piano. 1. A Tortoise´s Tango - Skildpadde-tango (1984) - dur.: 4´ 2. Light of a Night - Paul meets bird (1989) - dur.: 6´ 3. Hermit Crab Tango Esperanza (1997) - dur.: 5´ The movements can be performed separately. The tortoise as tango dancer must presumably possess certain rhythmic peculiarities which I have chosen to express by letting the tune of the tortoise shuffle broadly tripartite through the strict four partite time of tango. Tortoise Tango was the original title of this piece 'written for Achilles' (the pianist Yvar Mikhashoff) for his so called tango project' including new tangos for piano by composers from all over the world. Esperanza and Tortoise Tango were later arranged for saxophone quartet (by Jesper Nordin) and for bandoneon and small ensemble (by Niels Rosing-Schow ) Per Nørgård

This is how tango should sound! The first decades in the history of this music brought some of its most beautiful and famous pieces. The arrangements from tango pianist J. M. Solare enable players who are not familiar with the tango style to make these pieces sound absolutely authentic. Includes tangos by E. Arolas, C. Gardel, A. Greco, V. Greco, E. Ponzio, and A. Villoldo. Sous-titre : 10 Famous Tangos for Piano Solo Édition musicale : Ricordi München Instrumentation : Piano Type de produit : Recueil Année d'édition : 2006 ISMN : 9790204228409

Cette méthode a été créée dans le but de mettre en lumière les éléments
rythmiques et mélodiques qui donnent sa ?couleur? spécifique au tango. / Méthodes and études instrumentales / Partition /

15 magnificent tangos and other characteristic pieces from the Argentinean master of tango nuevo, arranged for intermediate piano solo, and now in print for the first time. / Partition /

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.
Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha' (Tango) (Ernesto Nazareth) - Por Que, Eh' (Why, Eh') (I.Cervantes) - Que Le Importa a Usted' (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)