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Encore Violin Grade 4-6 (JENNINGS RACHEL)
14.80
Encore Violin Grade 4-6 (JENNINGS RACHEL)
Violon et Piano
[Partition]
-
Intermédiaire
Faber Music Limited
Arrangeur: Rachel Jennings. Par JENNINGS RACHEL. Red Hot Violin and nbsp - is an...
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Arrangeur: Rachel Jennings. Par JENNINGS RACHEL. Red Hot Violin and nbsp - is an exciting new series of graded performance repertoire with a difference, featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles, violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect for inspiring students as a refreshing change from exam repertoire, and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six, studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teaching studio in Nottingham. The A Team - Canarios - Cotton-Eyed Joe - Dream A Little Dream Of Me - I Wanna Be Like You - If Only I Had and nbsp - A Brain - One Day Like This - Sleigh Ride - Summer Nights. / Niveau : Intermédiaire / Recueil / Violon
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Chanson de nuit
21.65
Chanson de nuit
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Scène De Ballet Op. 100
18.50
Scène De Ballet Op. 100
Violon et Piano
Barenreiter
The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but ...
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The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer.'Scène de Ballet?, perhaps his best-known composition, is a favourite with violin students. One such student was the young Itzhak Perlman, who included it in his collection 'Concertos from my Childhood?. The piece captivates with its beautiful melodies and refined rhythms.The EditorKurt Sassmannshaus is a world-famous violin teacher with a professorship in Cincinnati (Ohio, USA). He is also the founder of the Great Wall Music Academy, an international summer camp for young string players in China. He continues the family tradition of 'Early Start on the Violin?, founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English.The series 'Bärenreiter's Concert Pieces? includes works for solo strings, usually the violin, but also viola and cello, all with piano accompaniment. / Violon Et Piano
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String Quartet F Major Op. 96
10.55
String Quartet F Major Op. 96
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the str...
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After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's 'Pastoral? - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the 'American Quartet?. For the first time since 1955, the quartet is once again being published in an Urtext edition. / 2 Violons, Alto Et Violoncelle
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String Quartet F Major Op. 96 [American Quartet]
17.94
String Quartet F Major Op. 96 [American Quartet]
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the str...
(+)
After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's 'Pastoral? - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the 'American Quartet?. For the first time since 1955, the quartet is once again being published in an Urtext edition. / 2 Violons, Alto Et Violoncelle
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Nelson Sheila M. - Stringsongs - Violin
11.10
Nelson Sheila M. - Stringsongs - Violin
Violon
Boosey and Hawkes
Instrument : violinType : performance bookNombre de Pages : 24Part 2 of Sheila N...
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Instrument : violinType : performance bookNombre de Pages : 24Part 2 of Sheila Nelson's Tetratunes Series.Stringsongs develops reading skills begun in Tetratunes, by the use of singing and part-playing. The edition is part of the ABRSM syllabus (grade 2).Content : Anon: Sound for us - Traditional: London's burning - Sheila M. Nelson: Drummer's march - Traditional: Fiddle and flute - Anon: Favourite round - T.H. Bayley: Long, long ago - Traditional: My dame hath a lame, tame crane - Thomas Tallis: Tallis' canon - Sheila M. Nelson: Summer song - Anon: Summer is a-coming in - Sheila M. Nelson: Echo dance - Anon: Ave Maria - Sheila M. Nelson: Idle cowboy - Traditional: Three blind mice - G.F. Handel: Gavotte - Sheila M. Nelson: I sing when I'm happy - Philip Hayes: The rose - Anon: Oh, how lovely is the evening - Sheila M. Nelson: Rumba time - John Jenkins: A boat, a boat - John Arnold: Haste thee, nymph - L. van Beethoven: The flower wondrous-fair - John Hilton: Come, follow - Anon: O my love - Country dance: The four posted bed - Johann Strauss: Emperor waltz - R.A. Eastburn: Little brown jug
11.10 EUR - vendu par Woodbrass
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Sommertänze (Vasaras Dejas) (VASKS PETERIS)
19.98
Sommertänze (Vasaras Dejas) (VASKS PETERIS)
2 Violons (duo)
-
Facile
Schott
Par VASKS PETERIS. Peteris Vasks' Summer Dances (Vasaras dejas or Summer Dances)...
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Par VASKS PETERIS. Peteris Vasks' Summer Dances (Vasaras dejas or Summer Dances) for two violins consists of seven easy dances of different character. The short pieces are lively throughout and ideal for music lessons and performances. / Niveau : Facile / Répertoire / 2 Violons
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4 Seasons (REGISTER P)
69.64
4 Seasons (REGISTER P)
Flûte Traversière, Violoncelle, Baryton et Piano
[Conducteur et Parties séparées]
Alry Publications
Par REGISTER P. BRENT. A seven movement song-cycle based on poetry of Philip Ter...
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Par REGISTER P. BRENT. A seven movement song-cycle based on poetry of Philip Terman. The movements are titled Prelude, Spring, Summer, Interlude, Fall, Winter, Postlude. A seven movement song-cycle based on poetry of Philip Terman. The movements are titled Prelude, Spring, Summer, Interlude, Fall, Winter, Postlude./ Répertoire / Flûte Traversière, Violoncelle, Baryton et Piano
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Jerry Silverman: Gilbert and Sullivan Favorites for Voice & Guitar: Guitar:
18.99
Jerry Silverman: Gilbert and Sullivan Favorites for Voice & Guitar: Guitar:
Violon, Guitare (duo)
-
Débutant
Mel Bay
As you read this somewhere in the English-speaking world a production of a Gilb...
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As you read this somewhere in the English-speaking world a production of a Gilbert & Sullivan operetta is being rehearsed or presented. It may be taking place in an elementary secondary or high school; a university; an amateurmusical theater group; a summer-stock ensemble; a professional light-opera company. The musical accompaniment may consist of a piano or two - perhaps plus a few other instruments - or a full orchestra. Audiences be theyfirst-time listeners or dyed-in-the wool G&S fanatics will be captivated by the scintillating melodies and effervescent lyrics of those highly unlikely collaborators: Sir Arthur Seymour Sullivan and Sir William Schwenck GIlbert.Incredibly despite the seemingly endless popularity of these works which have been published staged recorded broadcast televised and cinematized over the years since their first performances by the D’Oyly Carte Opera inLondon in the 1870s and 1880s there has never been an edition which permitted the guitar-playing masses to enjoy these Victorian gems. Until now. Here for the first time are 52 G&S favorites (or if you will favourites) drawnfrom five of their most popular operettas: H.M.S. Pinafore The Pirates of Penzance Patience Iolanthe The Mikado. arranged with guitar chords in guitar-friendly keys! The very model of a modern music manuscript! Allselections include melody lyrics and guitar chords.
18.99 GBP - vendu par Musicroom GB
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Asiago op. 107 b (HUMMEL BERTOLD)
25.53
Asiago op. 107 b (HUMMEL BERTOLD)
Percussion et Violoncelle
[Conducteur et Parties séparées]
Schott
for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Humm...
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for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Hummel composed the present work as a commission for the 'Asiago Festival' and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works./ Répertoire / Percussion et Violoncelle
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Waltzes (LERDAHL FRED)
105.45
Waltzes (LERDAHL FRED)
Violon, Alto, Violoncelle et Contrebasse
[Conducteur et Parties séparées]
Schott
Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola,...
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Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes and is dedicated to the violist Scott Nickrenz, who directed the chamber music series at Spoleto. In arranging the commission, Mr. Nickrenz made three stipulations: make my modernist idiom accessible for summer-festival listening, provide a challenge for brilliant string players accustomed to 19th-century repertory, and give the piece a loud ending. The idea of composing a set of waltzes came from the pleasure I took in playing waltzes by Schubert and Chopin at the piano. Waltzes incorporates occasional references to the music of past composers, but always in ways that fit within my own musical language. Its instrumentation for “low” string quartet is reminiscent of Schubert’s Vienna./ Répertoire / Violon, Alto, Violoncelle et Contrebasse
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Il Mio Primo Anno Di Violino (PERLINI SILVANO)
15.76
Il Mio Primo Anno Di Violino (PERLINI SILVANO)
Violon
Ricordi
In 120 Esercizi. Par PERLINI SILVANO. A new method for violin spread over two ye...
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In 120 Esercizi. Par PERLINI SILVANO. A new method for violin spread over two years that teaches how to use the first, second and third fingers of the left hand from the very first lesson. Over the course of the first year the student learns all the “applications” for the first fourfingers in the first position and the main bow strokes. The first volume contains a brief look at the history and construction of the violin, together with a functional inroduction to the theory of music, plus basic explanations and exercises ideal for practice and revision over the summer holidays. The second volume is split into lessons, each concentrating on a fixed tonality. The two volumes are aimed at students in their first year of Music at Secondary School (Corsi ad Indirizzo Musicale della Scuola Secondaria di 1° grado), but can also beused by other students at any music school and by students at Music Academies. / Etudes et exercices / Date parution : 1905-07-07/ Etude / Violon
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PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN)
28.49
PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN)
Piano Quatuor: piano, 2 violons, violoncelle
[Partition]
G. Henle
Par DVORAK ANTONIN. For several years following composition of his first piano q...
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Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harmonic turns, leading it quickly to conquer the hearts of both performers and audiences. The engraver?s model for the first edition is lost; but together with the first edition the autograph survives as a second source for our critical edition, with which Henle continues its series of Urtext editions of this composer. / Date parution : 2023-05-06/ Répertoire / Quatuor avec Piano
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Il Mio Secondo Anno Di Violino (PERLINI SILVANO)
17.73
Il Mio Secondo Anno Di Violino (PERLINI SILVANO)
Violon
Ricordi
In 60 Lezioni. Par PERLINI SILVANO. A new method for violin spread over two year...
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In 60 Lezioni. Par PERLINI SILVANO. A new method for violin spread over two years that teaches how to use the first, second and third fingers of the left hand from the very first lesson. Over the course of the first year the student learns all the “applications” for the first fourfingers in the first position and the main bow strokes. The first volume contains a brief look at the history and construction of the violin, together with a functional inroduction to the theory of music, plus basic explanations and exercises ideal for practice and revision over the summer holidays. The second volume is split into lessons, each concentrating on a fixed tonality. The two volumes are aimed at students in their first year of Music at Secondary School (Corsi ad Indirizzo Musicale della Scuola Secondaria di 1° grado), but can also beused by other students at any music school and by students at Music Academies. / Etudes et exercices / Date parution : 1905-07-07/ Etude / Violon
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Wolfgang Amadeus Mozart: Concerto in D KV Anh.56: Violin: Study Score
49.99
Wolfgang Amadeus Mozart: Concerto in D KV Anh.56: Violin: Study Score
Orchestre, Violon
[Partition]
Chester
reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f w...
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reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestraconducted by Diego Masson. This is the Study Score. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS.The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.
49.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Concerto in D KV Anh.56: Violin: Instrumental Work
Violon et Piano
[Partition]
Chester
This reconstruction of the Concerto in D K.315f was first performed on 15th Aug...
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This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestra conducted by Diego Masson. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS. The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.
19.99 GBP - vendu par Musicroom GB
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Piano Trio #3 In F Minor Op. 65
35.87
Piano Trio #3 In F Minor Op. 65
Piano Trio: piano, violon, violoncelle
G. Henle
Dvo?ák worked longer and more intensively on this Trio than on just about any o...
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Dvo?ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms' music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the 'Dumky? Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the piano part. / Piano
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William Bolcom: Second Sonata: Violin and Accomp.: Instrumental Album
18.99
William Bolcom: Second Sonata: Violin and Accomp.: Instrumental Album
Violon et Piano
[Partition]
Edward B. Marks Music Company
Violin and Piano. First performed in 1979 at the Library of Congress in Washingt...
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Violin and Piano. First performed in 1979 at the Library of Congress in Washington D.C. by Jazz Violinist Sergiu Luca and the composer at piano. The Sonata is in four movements: Summer Dreams Brutal-fast Adagio and In Memory of Joe Venuti. Duration ca. 16 minutes.
18.99 GBP - vendu par Musicroom GB
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The Piano Guys: The Piano Guys - Wonders: Violin Solo: Instrumental Album
19.99
The Piano Guys: The Piano Guys - Wonders: Violin Solo: Instrumental Album
Violon
[Partition + Accès audio]
Hal Leonard
Violin Play-Along Volume 58-The Violin Play-Along series will help you play your...
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Violin Play-Along Volume 58-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music listen to the demonstration tracks to hear how the Violin should sound and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. The online audio player Playback+ allows you to slow down audio without changing pitch set loop points change keys plan left or right and more! This volume features 12 selections from The Piano Guys' 2014 release: Ants Marching/Ode to Joy Batman Evolution Because of You Don't You Worry Child Father's Eyes Home How GreatThou Art/The Mission Kung Fu Piano: Cello Ascends Let It Go Pictures at an Exhibition Story of My Life and Summer Jam.
19.99 GBP - vendu par Musicroom GB
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Søren Nils Eichberg: Piano Quartet: Chamber Ensemble: Score
22.99
Søren Nils Eichberg: Piano Quartet: Chamber Ensemble: Score
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
Wilhelm Hansen
Søren Nils Eichberg's Piano Quartet 'Natsukusa-Ya' (2005) - for Violin Viola ...
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Søren Nils Eichberg's Piano Quartet 'Natsukusa-Ya' (2005) - for Violin Viola Cello and Piano. Commissioned by the Berbersee Festival.In memory of the Victims in Hiroshima 6 August 1945. The piece was inspired by a Haiku by Japanese poet Matsuo Basho (1644-1694): Summer grass alone Remains as faded trace of Ancient warrior’s dreams Parts are available: WH31307A
22.99 GBP - vendu par Musicroom GB
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12 Hot Singles - Violin
20.70
12 Hot Singles - Violin
Violon
Hal Leonard
A dozen contemporary hits are included in this collection perfect for budding in...
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A dozen contemporary hits are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Broken (lovelytheband) · Havana (Camila Cabello) · Heaven (Kane Brown) · High Hopes (Panic! At the Disco) · The Middle (Zedd, Maren Morris and Grey) · Natural (Imagine Dragons) · No Place like You (Backstreet Boys) · Shallow (Lady Gaga and Bradley Cooper) · Sucker (Jonas Brothers) · Sunflower (Post Malone and Swae Lee) · thank u, next (Ariana Grande) · Youngblood (5 Seconds of Summer). / Pop and rock / Recueil / Violon
20.70 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Real Easy Book Vol.1 C
37.79
Real Easy Book Vol.1 C
Instruments en Do
Advance Music
The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland...
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The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser: Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines, and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshops summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. Available in C, Bb, Eb and Bass Clef. / Instruments En Do
37.79 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Septet (LANGGAARD RUED)
29.04
Septet (LANGGAARD RUED)
Ensemble de Vents
[Conducteur]
Wilhelm Hansen
Par LANGGAARD RUED. Langgaard sketched out the work at the Tyringe Badesanatoriu...
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Par LANGGAARD RUED. Langgaard sketched out the work at the Tyringe Badesanatorium in Scania (Sweden) in the course of just three summer’s days in 1915 – 28-30 June/ Répertoire / Ensemble de Vents
29.04 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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W. Ashwell: American Sketches: Violin: Instrumental Album
7.95
W. Ashwell: American Sketches: Violin: Instrumental Album
Violon et Piano
[Conducteur et Parties séparées]
Spartan Press
Music invoking a variety of styles emanating from the U.S.A. - The Banjo Mexica...
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Music invoking a variety of styles emanating from the U.S.A. - The Banjo Mexican Dance Hoe Down Rondo Tropical Dance Summer Sea Caught in the Rain Pogo Stick Blues Circus Ragtime Waving Goodbye and Private Eye.Grade: 3 - 4
7.95 GBP - vendu par Musicroom GB
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Joachim Joseph - Fantasy On Hungarian Themes (1850) / Fantasy On Irish (scottish) Themes (1852) - Vi
37.00
Joachim Joseph - Fantasy On Hungarian Themes (1850) / Fantasy On Irish (scottish) Themes (1852) - Vi
Orchestre, Violon
Barenreiter
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] ...
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Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim's 'Fantasies on Hungarian and Irish [Scottish] Themes' was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the 'Fantasy on Hungarian Themes' in German cities met his need for self-display as the 'Hungarian lad', to use Mendelssohn's jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.
37.00 EUR - vendu par Woodbrass
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Fantasy On Hungarian Themes (1850), Fantasy On Irish [Scottish] Themes (1852) For Violin And Orchestra
36.55
Fantasy On Hungarian Themes (1850), Fantasy On Irish [Scottish] Themes (1852) For Violin And Orchestra
Violon et Piano
[Partition]
Barenreiter
Fantasy on Irish [Scottish] Themes (1852). Par JOACHIM JOSEPH. Joseph Joachim's ...
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Fantasy on Irish [Scottish] Themes (1852). Par JOACHIM JOSEPH. Joseph Joachim's 'Fantasies on Hungarian and Irish [Scottish] Themes” was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the 'Fantasy on Hungarian Themes” in German cities met his need for self-display as the 'Hungarian lad”, to use Mendelssohn's jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals./ Répertoire / Violon et Piano
36.55 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Esa-Pekka Salonen: Lachen Verlernt: Violin: Instrumental Work
13.99
Esa-Pekka Salonen: Lachen Verlernt: Violin: Instrumental Work
Violon
[Partition]
Chester
Work for Solo Violin commissioned by the La Jolla Chamber Music Society’s...
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Work for Solo Violin commissioned by the La Jolla Chamber Music Society’s SummerFest La Jolla. Lachen Verlernt starts with a lyrical expressive melody that gradually becomes faster and more frenzied until it develops analmost frantic character as if the imaginary narrator had reached a state of utter despair.
13.99 GBP - vendu par Musicroom GB
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