Koeppen Gabriel est l'un des professeurs de violoncelle qui composent la littérature quelques violoncelle facilement jouable dans les styles pop et jazz. Les trois pièces pour violoncelle solo de blues nécessitent la connaissance de la 1ère à 4ème positions, s'adressant à la grande variété du blues. Dans la lente balancer 'Blues Groovy ', le violoncelliste him-/herself demande compte avec gauche pizzicati. Blues avec des variations 'est un mélange de styles - composé de rock-like, shuffle de blues battant, effets goulot d'étranglement guitaristique, be-bop et les rythmes funk phrases. 'Occupé Blues' La troisième pièce est une pièce intense et mouvementé. Un atout précieux pour le répertoire de scolarité, de concert, et 'Jeunes Musiciens' de la compétition. / Violoncelle / 8 pages / niveau : Intermédiaire / Partition

Par WILKINS JACK. This collection of jazz etudes with accompanying CD gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Improvisation / Recueil / Violon

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Getting Into Blues Violin is a comprehensive workshop that specifically addresses improvisation techniques through exercises and ear training studies that relate to the featured licks and scales. Theoriginal tunes by the author  Marty Laster address various technical challenges and old blues standards are also included to build an authentic blues repertoire. The book next touches on the influence of the blueson swing bluegrass Cajun and Gypsy styles while teaching improvisational techniques in each. It pays tribute to the great Blues violinists of the past and present with bios and some photos. Finally ways to develop and varybreaks are explored. The text touches on many aspects of Violin techniques as it relates to the blues and has an easygoing tone that is sometimes humerous. The book begins at a moderate level of difficulty but quickly movesto intermediate material; reaching fairly advanced territory by the end. Both violinists who have been playing a couple of years and serious classical players can benefit from Getting Into Blues Violin. Audiodownload available online.

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Violin Play Along: Blues Classics is a well-selected songbook filled with sheet music for 8 classic blues favorites. Play along with all of the songs with the authentic CD tracks included.Some of the songs featured are Boom Boom, Dust My Broom, My Babe and more. / Violon

25 Blues Fiddling Classics arranged by Craig Duncan for solo Fiddle.Songs are grouped into 12 bar blues 16 bar blues early blues songs minor blues and more. Designed to acquaint the Fiddlerwith various approaches to the styles in blues Fiddling. The audio with Fiddle and Guitar include all twenty-five tunes from the book. Each tune is presented with the 'bare bones' melody first followed by blues solos on thetune. The online audio is great for learning blues Fiddle styles as well as listening enjoyment. Contains Guitar accompaniment/rhythm part. Access to online audio available.

The original version of Triorchic Blues for solo piano was later transformed into this short virtuosic piece for solo violin. Lively and aggressive, the work explores the extremes of the instrument and would make an impressive opener or encore to a recital. / Violon

The blues is an incredibly powerful form of music that creates an environment within which you the soloist can improvise easily and expressively. This one-of-a-kind book for violinists complete with supportive practice CD will provide you with technical musical and stylistic tips designed to activate your imagination. Fine-tune your right and left-hand touch and help you develop a uniquely individual sound within the stylistic tradition of the blues. The book includes 17 solos that demonstrate the unique styles of great blues fiddlers complete with informative biographies.

Evo Bluestein démontre des techniques de violon Old-Time traditionnelle de l'archet, les postes de doigts et de la main, les diapositives et les rythmique mettant l'accent en utilisant une variété de mélodies. Le style des Appalaches fiddle provient de la combinaison unique de musique de danse celtique et de la tradition de l'Afro-américain. Ce DVD est idéal pour les débutants ou les amateurs de musique folk qui cherchent une approche authentique pour le style des Appalaches fiddle. / Violon (Traditionnel)

Now you can be the feature Violin soloist on eight specially recorded arrangements from the classic cult comedy film The Blues Brothers. The CD contains full backing tracks professionally arranged and recorded to help you learn the songs. The book is full of carefully selected and edited Violin arrangements with chord symbols in concert pitch allowing any Guitar or Keyboard instrument to accompany. Take The Lead is an integrated series for Flute Clarinet Alto Sax Tenor Sax Trumpet and Violin. In each edition all the songs are in the same concert pitch key so the different instruments can play together. All accompanying chord symbolsare in concert pitch for use by Piano or Guitar.