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Johannes Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts): Chamber Ensemble:
28.99
Johannes Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts): Chamber Ensemble:
Piano, Violon et Cor ou Alto ou Violoncelle
[Partition]
G. Henle
for Piano Violin and Horn (Viola / Violoncello)-This Trio’s unusual scori...
(+)
for Piano Violin and Horn (Viola / Violoncello)-This Trio’s unusual scoring for horn violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for thecomposer’s mother recently deceased to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn and bestowed several of his most inspiredmelodies on the instrument. Horn players justifiably adore this Trio op. 40 and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the NewBrahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also providedfor the alternative scoring authorised by Brahms (with viola or cello instead of horn).
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Johannes Brahms: Double Concerto A Minor Op. 102: Piano Trio: Score and Parts
38.25
Johannes Brahms: Double Concerto A Minor Op. 102: Piano Trio: Score and Parts
Piano Trio: piano, violon, violoncelle
G. Henle
Double Concerto in a minor op.102-The cellist Robert Hausmann had actually reque...
(+)
Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
11.50
Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violon et Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
(+)
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
12.50
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Violon et Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
14.50
Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violon et Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
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A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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Brahms J. - Concerto Pour Violon En Re Majeur Op.77 - Violon and Piano
26.40
Brahms J. - Concerto Pour Violon En Re Majeur Op.77 - Violon and Piano
Violon et Piano
G. Henle
Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Stru...
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Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l'unique concerto pour violon de Brahms reste encore aujourd'hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s'était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l'objet d'un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des 'uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu'ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?
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String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
39.04
String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
G. Henle
No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cor...
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No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cordes de Brahms ait connu un vif succès depuis sa parution en 1861, l’éditeur Simrock hésita lorsque le compositeur lui en proposa en 1865 un deuxième «dans le même caractère joyeux». Entre temps Brahms s’adressa même à la concurrence avant que Simrock ne finît par consentir à sa publication. Alors que l’oeuvre fit tout d’abord l’objet de comptes rendus plutôt sceptiques, l’opus 36 publié en 1866 trouva en revanche au sein du cercle des amis de Brahms un accueil des plus chaleureux: Clara Schumann fit l’éloge du travail d’élaboration des motifs particulièrement réussi, tandis que d’autres étaient enthousiasmés par la féerie des effets sonores. L’édition de travail établie par Katrin Eich sur la base de l’édition intégrale des oeuvres de Brahms offre désormais la possibilité de vérifier ces jugements – soit lors d’une exécution de l’oeuvre à partir des parties séparées dont les petites notes et les tournes optimales répondront aux attentes des musiciens, soit à la lecture de notre édition d’étude./ Répertoire / Eich, Katrin
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Trio Für Violine, Violoncello Und Klavier
42.86
Trio Für Violine, Violoncello Und Klavier
Piano Trio: piano, violon, violoncelle
Barenreiter
In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an a...
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In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823-1903).Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.- A much welcomed edition to the piano trio literature- Includes an informative introduction (Eng/Ger) and a Critical Commentary (Eng) / Violon, Violoncelle Et Piano
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Sonate pour violon en Sol majeur op. 78 (BRAHMS JOHANNES) (BRAHMS JOHANNES)
17.94
Sonate pour violon en Sol majeur op. 78 (BRAHMS JOHANNES) (BRAHMS JOHANNES)
Violon et Piano
[Partition]
G. Henle
Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est...
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Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est également connue sous le surnom allemand de Regenliedsonate («Sonate du chant de la pluie»), puisqu?elle cite dans son Finale des motifs mélodiques issus de deux des lieder du compositeur: Regenlied («Chant de la Pluie») et Nachklang («Écho», qui a également la pluie pour thématique). Le motif pointé initial du Finale parcourt déjà les deux premiers mouvements, contribuant ainsi à la cohérence interne de cette ?uvre merveilleusement expressive et élégiaque. Achevée en 1879, cette sonate fut accueillie avec enthousiasme par ses contemporains - Elisabeth von Herzogenberg, liée à Brahms par une profonde amitié, affirma qu?on devait «l?aimer, comme peu de choses en ce monde». Le texte musical de cette édition Urtext révisée repose sur la mise à jour parue dans la Nouvelle édition des ?uvres complètes de Brahms, gage suffisant de fiabilité scientifique. / Date parution : 2023-03-11/ Répertoire / Violon et Piano
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Sextet In G Major Op. 36 (BRAHMS JOHANNES)
19.20
Sextet In G Major Op. 36 (BRAHMS JOHANNES)
Trio à Cordes: violon, alto, violoncelle
[Partition]
Barenreiter
Study Score. Par BRAHMS JOHANNES. Après l'édition Urtext nouveau sextuor à co...
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Study Score. Par BRAHMS JOHANNES. Après l'édition Urtext nouveau sextuor à cordes de Brahms en op si bémol majeur. 18 (BA 9419, publié en Février 2011), Barenreiter présente maintenant l'édition Urtext nouvelles du sextuor à cordes en sol majeur op. 36. Ces deux sextuors à cordes de Johannes Brahms figurent parmi les points forts de la chaîne de répertoire romantique et certains de la musique de chambre les plus populaires de tous les travaux. Christopher Hogwood a pris toutes les sources connues en considération, y compris les versions pour piano à deux et quatre mains par le compositeur écrit ainsi que d'un ensemble de pièces contemporaines du spectacle qui offre variantes et des idées en pratique la performance durant la vie de Brahms. Le score étude inclut les pages de télécopie, un avant-propos (Ger / Eng) et un commentaire critique (Eng) sur le travail et l'histoire de la composition. / Répertoire / Violon, Alto et Violoncelle
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Johannes Brahms: Concerto: Violin: Score
41.00
Johannes Brahms: Concerto: Violin: Score
Orchestre, Violon
[Partition]
Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...
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D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Johannes Brahms: Concerto: Violin: Part
5.00
Johannes Brahms: Concerto: Violin: Part
Orchestre, Violon
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
27.00
Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violon et Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
27.00 GBP - vendu par Musicroom GB
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Johannes Brahms: Concerto: Violin: Parts
Orchestre, Violon
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - vendu par Musicroom GB
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Johannes Brahms: Concerto: Violin: Reference
17.50
Johannes Brahms: Concerto: Violin: Reference
Orchestre, Violon
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary and parts (BA9049) and Violin and Piano reduction (BA9049-90) and study score (TP949) available for sale
17.50 GBP - vendu par Musicroom GB
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Quintette avec clarinette en si mineur Op. 115 (BRAHMS JOHANNES)
50.64
Quintette avec clarinette en si mineur Op. 115 (BRAHMS JOHANNES)
Quintette de Clarinette: Clarinette, Quatuor à Cordes
G. Henle
pour clarinette (La), 2 violons, alto, et violoncelle. Par BRAHMS JOHANNES. En 1...
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pour clarinette (La), 2 violons, alto, et violoncelle. Par BRAHMS JOHANNES. En 1890, Brahms avait pour ainsi dire pris la résolution d’en finir avec la composition. Mais sa rencontre avec le clarinettiste Richard Mühlfeld lui donna tellement d’inspiration qu’en peu de temps il composa aussitôt plusieurs œuvres pour lui. Le Quintette op. 115 aux mélodies célestes fait partie depuis sa création en 1891 des œuvres préférées du public comme des musiciens. Dès la préparation pour la mise à l’impression – et sans doute avec un regard sur la diffusion future de l’œuvre – fut réalisée une version alternative avec un alto à la place de la clarinette, qui fut créée par ni plus ni moins que le grand Joseph Joachim lui-même, et qui reçut l’autorisation de Brahms. C’est pourquoi l’édition Urtext de Henle, revue sur la base du texte de la Nouvelle édition intégrale des œuvres de Brahms, comprend également la partie d’alto alternative. La responsable d’édition Kathrin Kirsch donne dans une courte préface un aperçu sur la genèse de l’œuvre, et fournit dans les Bemerkungen ou Comments d’intéressants éléments de discussion sur les variantes liées à la réception de l’œuvre./ Répertoire / Clarinette (La), 2 Violons, Alto et Violoncelle
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Brahms, Johannes : Violin Concerto in D major Opus 77 - Piano Reduction
26.38
Brahms, Johannes : Violin Concerto in D major Opus 77 - Piano Reduction
Violon et Piano
[Partition]
-
Intermédiaire/avancé
G. Henle
Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour...
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Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour violon de Brahms reste encore aujourd?hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s?était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l?objet d?un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des ?uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu?ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann. / Classique / Réduction pour piano: Johannes Umbreit, Doi / Partition / Edition Urtext
26.38 EUR - vendu par Note4Piano
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Johannes Brahms: Violin Concerto D major op. 77: Violin: Score
16.75
Johannes Brahms: Violin Concerto D major op. 77: Violin: Score
Orchestre, Violon
[Conducteur d'étude / Miniature]
G. Henle
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument...
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Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument dont il ne ma?trisait que tr?s peu la technique. C?est pourquoi lorsqu?il composa son concerto pour violon et orchestre op. 77 dans les ann?es 1877/1878 ce fut en collaboration ?troite avec son ami Joseph Joachim qui est ?galement l?auteur de la cadence. Ses contemporains accueillirent l??uvre avec enthousiasme et elle reste consid?r?e aujourd?hui comme une pi?ce majeure du r?pertoire. Une ?dition urtext dans un petit format maniable destin? ? l??tude s?av?re par cons?quent tr?s utile. Reposant sur la partition parue dans la nouvelle ?dition compl?te des ?uvres de Brahms elle contient?galement en annexe la cadence de Joachim dans deux versions diff?rentes: d?une part la version originale et d?autre part une version tr?s int?ressante plus condens?e mise au point par Brahms ult?rieurement avec la violoniste Marie Soldat.
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Bach Ludwig van Beethoven Johannes Brahms: Bach Beethoven & Brahms: Violin
16.99
Bach Ludwig van Beethoven Johannes Brahms: Bach Beethoven & Brahms: Violin
Violon
[Partition + CD]
Music Minus One
Music Minus One Violin-Here are many of the best-loved melodies by the 'three B'...
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Music Minus One Violin-Here are many of the best-loved melodies by the 'three B's' for violin and orchestra. Suitable for a range of technical levels they will challenge and delight any violinist amateur student or professional for years to come. The solo parts are performed by American violinist Geoffrey Applegate then you take his place in these beautiful classics alongside maestro Emil Kahn and the Stuttgart Symphony Orchestra. Includes a high-quality printed music score and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Includes: BRAHMS- Arioso Sleeper's Awake Come Sweet Death Gigue BEETHOVEN - Moonlight Sonata Prometheus In God's Honor BRAHMS - 3 Waltzes Lullaby Hungarian Dance No. 2. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn
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Johannes Brahms: Violin Sonatas: Viola: Instrumental Work
25.95
Johannes Brahms: Violin Sonatas: Viola: Instrumental Work
Violon et Piano
-
Intermédiaire/avancé
Peters
Johannes Brahms an uncompromising perfectionist was one of the leading compose...
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Johannes Brahms an uncompromising perfectionist was one of the leading composers of his time. His popularity and influence were considerable and his music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. Johannes Brahms: Violin Sonatas (Complete) contains expertly arranged sheet music for Violin and Piano. Including Violin Sonatas Op.78 100 and 108.
25.95 GBP - vendu par Musicroom GB
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Johannes Brahms: Streichquartett Op.67: String Quartet: Study Score
9.25
Johannes Brahms: Streichquartett Op.67: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
G. Henle
Urtext Edition-Brahms had already composed over 20 String quartets (he confessed...
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Urtext Edition-Brahms had already composed over 20 String quartets (he confessed to a friend that he had burnt all of that ?stuff?) before he finally presented his Opus 51 to the public. In the end only three surviving works managedto withstand his high self-criticism; numerous layers of corrections bear witness to his struggle with each detail. We are now publishing the two passionate dark Quartets Op. 51 separately from the rather more lively Opus67. The basis for this edition is the volume in the New Complete Edition of Brahms? works published in 2004 by Henle for which previously missing sources in a Swiss bequest were consulted for the firsttime.
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Brahms Johannes - Konzert A-moll Op. 102 - Violin, Cello, Piano
31.20
Brahms Johannes - Konzert A-moll Op. 102 - Violin, Cello, Piano
Piano Trio: piano, violon, violoncelle
Breitkopf & Härtel
Composer : Brahms, JohannesInstrumentation : Vl,Vc,KlavEdition : Piano and solo,...
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Composer : Brahms, JohannesInstrumentation : Vl,Vc,KlavEdition : Piano and solo, UrtextEditor : Brahms, Johannes
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Johannes Brahms: Piano Trios: Piano Trio: Score and Parts
63.50
Johannes Brahms: Piano Trios: Piano Trio: Score and Parts
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
G. Henle
Les trios avec piano comptent parmi les grands genres de la musique de chambre c...
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Les trios avec piano comptent parmi les grands genres de la musique de chambre classique et Brahms s?y consacra très tôt. Il composa son opus 8 au cours de l?automne et de l?hiver 1853/54 c?est-à-dire à l?âge de 20 ans. Par contre ses deux autres trios avec piano op. 87 en Ut majeur et op. 101 en ut mineur ne virent le jour que 28 et 32 ans plus tard. On sait que pa-rallèlement au trio en Ut majeur Brahms travaillait aussi à un autre trio en Mi bémol majeur qu?il détruisit probablement. En 1889 il décida de reprendre son premier trio avec piano et le remania à tel point qu?il écrivit à Clara Schumann: «J?ai réécrit mon trio en Si majeur». L?édition Henle-Urtext reprendle trio op. 8 dans la seconde version parue en 1891 mais pro-pose également la première version en annexe.
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Johannes Brahms: Trio For Violin Horn: Piano Trio: Score and Parts
28.50
Johannes Brahms: Trio For Violin Horn: Piano Trio: Score and Parts
Violon, Cor et Piano
Barenreiter
Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a wor...
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Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a work of considerable significance within the composer?s output. Up until now the work was believed to have a strong emotional connection to the death of his mother three months earlier.However Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio movement some twelve years earlier in 1853 and that it was originally intended for solo piano. This piano movement is printed in the appendix.This Urtext edition offers notonly the standard instrumentation of violin horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.The introduction (Eng/Ger) describes the compositional process includes information on the performance and publication history of the work and offers comments on performance practice. A critical commentary with facsimile pages of the manuscript rounds off this pioneering edition.Appendix with the 1853 piano version of the trio movementIncludes alternative parts for violoncello and viola
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Johannes Brahms: Violin Concerto In D Op.77: Violin: Instrumental Work
19.99
Johannes Brahms: Violin Concerto In D Op.77: Violin: Instrumental Work
Violon
Schirmer
Brahms's Concerto for Violin and Orchestra Op.77 begins unusually with a gentl...
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Brahms's Concerto for Violin and Orchestra Op.77 begins unusually with a gentle Allegro ma non troppo in 3/4 time which becomes more virtuosic as it progresses. This is followed by a whimsical Adagio which begins with wind solos. The final movement opens with the soloist playing a fast fanfare-like theme in thirds with minimal accompaniment. The orchestra burst in after eight bars to answer the violin and the movement becomes a joyful yet frantic Finale.Available here for Solo Violin and Piano accompaniment/orchestral reduction is a Great Performer's Edition of Brahms’ Violin Concerto in D Op.77 as edited by the great Yehudi Menuhin.
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Johannes Brahms: Piano Quintet f Minor Op. 34: Piano Quartet: Score and Parts
47.99
Johannes Brahms: Piano Quintet f Minor Op. 34: Piano Quartet: Score and Parts
Piano Quintette: piano, 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
G. Henle
Johannes Brahms’s Piano Quintet is not only one of the mightiest works in...
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Johannes Brahms’s Piano Quintet is not only one of the mightiest works in its genre but also a climax in his chamber music oeuvre. This new volume adopts the definitive text from the New CompleteEdition of Brahms’s Works.
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Johannes Brahms: Klaviertrios: Piano Trio: Study Score
32.25
Johannes Brahms: Klaviertrios: Piano Trio: Study Score
Piano Trio: piano, violon, violoncelle
[Conducteur d'étude / Miniature]
G. Henle
Piano Trios-Les trios avec piano comptent parmi les grands genres de la musique ...
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Piano Trios-Les trios avec piano comptent parmi les grands genres de la musique de chambre classique et Brahms s?y consacra très tôt. Il composa son opus 8 au cours de l?automne et de l?hiver 1853/54 c?est-à-dire à l?âge de 20 ans. Par contre ses deux autres trios avec piano op. 87 en Ut majeur et op. 101 en ut mineur ne virent le jour que 28 et 32 ans plus tard. On sait que pa-rallèlement au trio en Ut majeur Brahms travaillait aussi à un autre trio en Mi bémol majeur qu?il détruisit probablement. En 1889 il décida de reprendre son premier trio avec piano et le remania à tel point qu?il écrivit à Clara Schumann: «J?ai réécrit mon trio en Si majeur». L?édition Henle-Urtext reprendle trio op. 8 dans la seconde version parue en 1891 mais pro-pose également la première version en annexe.
32.25 GBP - vendu par Musicroom GB
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Johannes Brahms: Piano Quintet in F minor op. 34: Chamber Ensemble: Instrumental
45.00
Johannes Brahms: Piano Quintet in F minor op. 34: Chamber Ensemble: Instrumental
Piano Quintette: piano, 2 violons, alto, violoncelle
Barenreiter
Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F...
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Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and well researched musical text based on Brahms? autograph as well as the first edition and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work?s historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings.The editor Daniel Boomhower deals with the conflicting readings between the stringparts in the autograph engraver?s copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary.New Bärenreiter Urtext editionExhaustive study of conflicting readingsNotes on performance practice (Eng/Ger)Informative Foreword (Eng/Ger) and Critical Commentary (Eng)
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Johannes Brahms: Streichquartett Op.51: String Quartet: Study Score
17.25
Johannes Brahms: Streichquartett Op.51: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
G. Henle
String Quartets in c minor and a minor op. 51-Brahms had already composed over 2...
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String Quartets in c minor and a minor op. 51-Brahms had already composed over 20 String quartets (he confessed to a friend that he had burnt all of that ?stuff?) before he finally presented his Opus 51 to the public. In the end only threesurviving works managed to withstand his high self-criticism; numerous layers of corrections bear witness to his struggle with each detail. We are now publishing the two passionate dark Quartets Op. 51 separatelyfrom the rather more lively Opus 67. The basis for this edition is the volume in the New Complete Edition of Brahms? works published in 2004 by Henle for which previously missing sources in a Swiss bequest wereconsulted for the first time.
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Johannes Brahms: Sonatas for Piano and Violin: Violin: Instrumental Album
50.75
Johannes Brahms: Sonatas for Piano and Violin: Violin: Instrumental Album
Violon et Piano
[Partition]
G. Henle
Sonatas for Piano and Violin-Johannes Brahms s?int?ressa tr?s t?t au genre de la...
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Sonatas for Piano and Violin-Johannes Brahms s?int?ressa tr?s t?t au genre de la sonate pour violon. ? l?automne 1853 il proposa ? un ?diteur de Leipzig une sonate pour violon en la mineur. L??uvre ayant ?t? refu-s?e il semble que le compositeur tr?s critique envers lui-m?me l?ait ensuite d?truite de ses propres mains. Ses trois grandes sonates datent de sa maturit? l?op. 78 des ?t?s 1878 et 79 les opus 100 et 108 de l??t? 1886. Le scherzo en ut mineur constitue la contribution de Brahms ? la sonate pour violon ?crite conjointement avec Robert Schumann et Albert Dietrich en 1853 en guise de cadeau surprise pour le violoniste Joseph Joachim. Elle est connue sous le nom de sonate F-A-E(fa-la-mi). Avec ses contrastes marqu?s entre l?Allegro v?h?ment et le Pi? moderato d?une grande sensibilit? ce mouvement de scherzo constitue un morceau de bravoure tr?s appr?ci?.
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