Le livre réel est extrêmement précis, soignée et vise avant tout, pour un usage pratique. Cette deuxième édition nouvelle contient tunes qui sont réarrange et re-transcribed afin que vous pouvez étudier et jouer ces oeuvres avec précision. / Instruments En Do

Trinity Performance Editions showcase new works by contemporary composers. Each edition is dedicated to one composer and instrument. Many pieces from the series are featured on Trinityâ??s exam syllabuses whilst others are simply enjoyable to learn and play and provide great transition pieces between grades. All are excellent recital pieces and performance notes written by the composer are available online along with further digital resources.

Bluegrass Jamming on Fiddle is Wayne's newest instruction book and the second in a 4-part series of fun books that will teach the tools tricks and tunes to jam in bluegrass style. It covers: 31 bluegrass jam standards how to jamwith others how to improvise and make up your own tasteful licks and fills almost painless music theory how to play harmony how to transpose and play in different keys and pretty much everything you'll need to marchfearlessly into your next jam or picking session! This FUN book is fully illustrated with almost 200 vintage photos. Coming soon: Bluegrass Jamming on Banjo (available Winter 2012) and Bluegrass Jamming on Guitar (availableSpring 2013). All the books in the series will teach the same 31 tunes and will be 96 pages 9' x 12' and will include an audio instructional CD. Price: $22.95 (a steal!) You WILL learn how to play and jam on: All theGood Times Are Past & Gone Back Up and Push Black-Eyed Susie Cherokee Shuffle Columbus Stockade Colleen Malone Dark Hollow Deep Elem Blues East Virginia Footprints in the Snow Katie Dear Hand Me Down My Walking Cane High on a Mountain I Am a Pilgrim I've Just Seen the Rock of Ages John Henry Just Over in the Gloryland Little Birdie Lonesome Road Blues Love of the Mountains Mama Don't Allow Man of Constant Sorrow More Pretty GirlsThan One Pig in a Pen Pretty Polly Red Rocking Chair Rocky Road Blues Roll on Buddy Run and Hide Sittin' on Top of the World Working on a Building.

Violin Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the firstperiod of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use of guide tones bebopscales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will beable to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to createyour own lines in the style of John Coltrane

'The greatest jazz secret ' 'Great Dane ' 'Fiddler Supreme.' Danish violinist Svend Asmussen has been dubbed many wondrous titles. Duke Ellington's first reaction 'Man you play a hell of a lot of fiddle!' Mr. Asmussen has played with many other music legends Edith Piaf Benny Goodman Hoagy Carmichael Nat King Cole Herbie Hancock and more. At 95 he is still going strong. After a DVD on his life was presented in 2006 by Universal/Shanachie Entertainments The Extraordinary Life and Music of a Jazz Legend he produced in 2009 the Makin' Whoopee! Cd for Arbors Records and saw the production of Don't get around much anymore in which the classical violin virtuoso KimSjøgren plays the solos Svend Asmussen composed while living in the South of France years ago. Mr. Asmussen has stated 'My unattainable model was of course Johan Sebastian Bach whose famed violin solos I often practice playing.'These solos and the charts of numbers by Gershwin Ellington and Asmussen among others will attract violinists everywhere as swinging encores and as integral parts of their repertoire.The greatest secret is no longer a secret ...