Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Deux nouvelles ?uvres de Beethoven furent donn?es pour la premi?re fois ? Vienne au printemps 1804 lors de deux repr?sentations priv?es pour le prince Lobkowitz. Il s?agit de sa 3e symphonie op. 55 et du triple concerto op. 56 pour piano violon violoncelle et orchestre. M?c?ne et grand amateur d?art Lobkowitz eut ainsi l?opportunit? de d?couvrir deux ?uvres fra?chement compos?es tandis que ces auditions permettaient ? Beethoven de proc?der ? quelques am?liorations avant impression. La premi?re repr?sentation publique du triple concerto n?eut vraisemblablement lieu que quatre ans plus tard en f?vrier 1808 au Gewandhaus de Leipzig. Depuis l??uvre appartient au r?pertoire deconcert habituel de tout orchestre symphonique. La r?duction pour piano de cette ?dition urtext s?appuie sur la partition de l??dition compl?te des ?uvres de Beethoven ?galement pr?par?e par Bernard van der Linde. La pr?face de l??diteur donne des informations d?taill?es sur l??tat des sources relativement complexe de ce concerto pour trois solistes.

Op de Concerto pour violon de Korngold. 35 parmi les cinq plus a joué à tous les Violinkonzerten de l'histoire de la musique. Pas vraiment un virtuose du violon, difficilement un orchestre éminent, qui avait le travail pas dans son répertoire. / Violon Et Orchestre

Piano Trio in B-flat major Op.133 for Piano Violin and Cello. One year after the completion of the 'Quartett-Konzert' Op.131 Louis Spohr finished his fourth Piano Trio Op.133 (1846). The first Piano Trio was greeted by the musical world with 'uncommon joy'. Whilst Spohr often wrote a final movement in virtuoso form in order to secure an effective ending the strength of the final movement in Op.133 lies in its pleasant lightness transparency and rhythmic pithiness. This Trio is earnestly recommended to professional artists and amateur musicians as a graceful chamber composition of the romantic period.

for Violin and Orchestra-Beethovens concert for violin and orchestra is one of the most famous pieces in music history. It was numerously published in the last 150 years but none lived up to the original composition.

TWV 51:a1 A minor, 51:D9 D major, 51:g1 G minor. Par TELEMANN GEORG PHILIPP. Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1 No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus, though reduced by time, reveals that Telemann, like other composers of his day, regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719, TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728, TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments. Urtext of the Telemann Edition Performance material available for hire/ Répertoire / Violon et Orchestre

Mit dieser Ausgabe stellen wir Ihnen eine Auswahl an Weihnachtsliedern für Violine und Basso continuo vor die sicherlich zu den schönsten und bekanntesten gehören. In Zeiten der Elektronisierung und allgegenwärtiger Popmusik möchten diese Arrangements stilistisch ganz bewusst einen Gegenakzent setzen und damit eine schöne Tradition fortsetzen. Deshalb wurden als Begleitinstrumente auch Orgel Virginal und Viola da Gamba gewählt. Bei einigen Liedern finden Sie eine zweite Stimme für Cello oder Viola da Gamba. Diese kann beliebig gespielt oder auch weggelassen werden. Die Tonarten wurden so gewählt dass die Weihnachtslieder bestmöglich auf der Violine zu spielen sind undsomit einen frühen Einstieg ins weihnachtliche Musizieren ermöglichen.Die vorliegende Ausgabe wurde von der Cembalistin Mechthild Winter die an der Hochschule für Musik und Theater in Leipzig unterrichtet und Manfredo Zimmermann Professor für Blockflöte an der Musikhochschule Köln/Wuppertal und Spezialist für Alte Musik herausgegeben.Bach-Format (230 x 305 mm) CD mit Konzertversion und 2 verschiedenen BegleitungstempiErstklassige LIVE-Einspielungen in herausragender QualitätLesefreundliches Notenbild und klarer scharfer Druck

Par BACH JOHANN SEBASTIAN. / Répertoire / Violon, Instruments à Cordes et Basse Continue