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Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
29.99
Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of...
(+)
Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of parts: WH31462A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and Idecided to write a new – lighter ground – New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon. The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.
29.99 GBP - vendu par Musicroom GB
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Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
26.99
Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
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Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...
(+)
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
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The Christmas Fiddler
19.98
The Christmas Fiddler
English
Violon et Piano
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Intermédiaire
Boosey and Hawkes
Christmas fiddlers can draw on a rich and varied repertoire. This collection spa...
(+)
Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare
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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
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Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Craig Duncan: Great Fiddling Tunes - Early Music Gems: Fiddle: Instrumental
13.99
Craig Duncan: Great Fiddling Tunes - Early Music Gems: Fiddle: Instrumental
Violon
[Partition + Accès audio]
Mel Bay
Great Fiddling Tunes - Early Music Gems. Early Music Gems contains 49 tunes dati...
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Great Fiddling Tunes - Early Music Gems. Early Music Gems contains 49 tunes dating from 1300-1791, including Medieval, Renaissance, and ancient melodies as well as a ?best of? John Playford's The Dancing Master. These delightful melodies are perfect for contradance, English country dance and concert settings. Suggested bowings, chords, tempos, and variations are included. An audio recording of each of the tunes includes the fiddle melody with guitar accompaniment. Includes access to online audio.
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Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
4.50
Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: howmusic could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. Whatresults is a singular machine geared to an intermittent ostinato in the first violin.This movement for string quartet was first performed by the Arditti Quartet in May 1983 as part of the 40th Anniversary Gala concert of theSociety for the Promotion of New Music at the Barbican Hall London.Score (miniature). Duration c. 5mins.
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Christmas Round The World
25.63
Christmas Round The World
Violon, Violoncelle, Alto et Contrebasse
[Conducteur et Parties séparées]
Faber Music Limited
Christmas round the world brings together carols from five countries, in setting...
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Christmas round the world brings together carols from five countries, in settings which explore the vivid national characteristics of each country through the ages. Ideal for both string orchestra and quartet use, the arrangements exploit all the techniques and colours of the school or amateur ensemble. There is plenty of melodic interest for the inner parts and cello, while jazz, Latin-American and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for violin, viola and cello) allows everyone to join in the fun of festive music making at Christmas. / Ensemble Music / Recueil / Violon, Violoncelle, Alto et Contrebasse
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Bent Sørensen: Adieu - String Quartet No. 2: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Wilhelm Hansen
Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow chora...
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Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval monks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral andthe agitating figures in the first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.Bent Sørensen
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Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
19.99
Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: how music could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. What results is a singular machine geared to an intermittent ostinato in the first violin.Duration c. 5mins.Set of parts. This is a special item which is made to order. Please e-mail our Mail Order Department for furtherinformation.
19.99 GBP - vendu par Musicroom GB
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Jones: Early Music Fiddler: Violin: Instrumental Album
14.99
Jones: Early Music Fiddler: Violin: Instrumental Album
Violon et Piano
[Violin Part only]
Boosey and Hawkes
A rich tapestry of European music from the 13th-16th centuries written and arra...
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A rich tapestry of European music from the 13th-16th centuries written and arranged by Edward Huws Jones for Violin. Includes the medieval Estampie Royale and the famous L'Homme Armé Kemp's Jig and Henry VIII's favourite Pastime With Good Company via a rollicking Morris dance a comical Bouree and more.
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Bent Sørensen: String Quartet No.2 'Adieu': String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Score available: KP30120 The composer writes:The slow choral-like music which in...
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Score available: KP30120 The composer writes:The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval munks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures inthe first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.
34.99 GBP - vendu par Musicroom GB
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Ola Gjeilo: Dark Night of the Soul: Mixed Choir: Score and Parts
56.00
Ola Gjeilo: Dark Night of the Soul: Mixed Choir: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Walton Music
Full Score String Quartet and Piano-Inspired by the grace and passion of a medi...
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Full Score String Quartet and Piano-Inspired by the grace and passion of a medieval poem this extended work offers intense dramatic exchanges between choir piano and string quartet. Sentiments of stillness and peace are beautifully portrayed making this a memorable work for both singers and audience!Duration: ca. 14:00.Also available:Vocal Score: HL08501791Full Score only: HL08501826
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String Quartet No. 4: Traveling Symphony (CROCKETT DONALD)
167.61
String Quartet No. 4: Traveling Symphony (CROCKETT DONALD)
Quatuor à cordes: 2 violons, alto, violoncelle
Hal Leonard
Score and Parts. Par CROCKETT DONALD. Commissioned by Caramoor Music Festival in...
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Score and Parts. Par CROCKETT DONALD. Commissioned by Caramoor Music Festival in New York and premiered July 14, 2017 by the Argus Quartet, this work is in no small part a response to this quartet's sense of adventure and expressive emotional range. Inspired by two end-of-civilization novels the composer was reading prior to composing the work, the quartet unfolds in a single movement, loosely based on plot lines in both novels. One of the novels includes a Traveling Symphony, an assortment of musicians and actors who travel the countryside for decades playing symphonies, jazz and orchestral arrangements of popular music alongside performances of Shakespeare plays, reminiscent of medieval troupes traveling the countryside in plague-ridden times. The work is written so that the quartet embodies the Traveling Symphony, not only playing music but also singing and 'stage whispering' fragments of King Lear and other text across the collection of nine scenes./ Répertoire / Quatuor à Cordes
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Suite Medievale Conducteur
En Français
Orchestre de chambre
Durand
/ Musique De Chambre
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Suite Medievale Flûte/Violon/Alto/V ioloncelle/Harpe
En Français
Orchestre de chambre
Durand
/ Musique De Chambre
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Medieval Music For Violin Cd
26.90
Medieval Music For Violin Cd
Violon
[Partition + Accès audio]
-
Intermédiaire
ADG productions
Musique médiévale pour violon contient des morceaux solo de trente-quatre pour...
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Musique médiévale pour violon contient des morceaux solo de trente-quatre pour violon. Auteur Allan Alexander a sélectionné une variété fantastique de l'époque médiévale et la plupart des morceaux ont été étendues avec des variations de rendre une longueur plus convenable et d'augmenter la jouissance du violoniste ! Chaque morceau dans le livre est également inclus sur un CD qui l'accompagne, qui donne une démonstration parfaite et est agréable dans son propre mérite. / Violon / Partition Cd
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Prelude Medieval Cor 3 Trp 2 Trb Et Tuba
Orchestre de chambre
Salabert
/ Musique De Chambre
15.76 EUR - vendu par LMI-partitions
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Medieval Scene (CAPODAGLIO LEONELLO)
20.26
Medieval Scene (CAPODAGLIO LEONELLO)
Ensemble à vent
[Conducteur et Parties séparées]
-
Débutant
Soldano
Par CAPODAGLIO LEONELLO. / Niveau : 1er Cycle / Répertoire / Ensemble à Vent...
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Par CAPODAGLIO LEONELLO. / Niveau : 1er Cycle / Répertoire / Ensemble à Vent
20.26 EUR - vendu par LMI-partitions
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Medieval Royal Suite (CRANE MALCOLM)
19.65
Medieval Royal Suite (CRANE MALCOLM)
Flûte, Hautbois, Clarinette et Basson
[Conducteur et Parties séparées]
Forton Music
Par CRANE MALCOLM. / Niveau : Moyen-Difficile / Répertoire / Flûte, Hautbois...
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Par CRANE MALCOLM. / Niveau : Moyen-Difficile / Répertoire / Flûte, Hautbois, Clarinette et Basson
19.65 EUR - vendu par LMI-partitions
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The Early Music Fiddler
25.60
The Early Music Fiddler
Violon et Piano
Boosey and Hawkes
Voici une collection qui s'étend sur quatre siècles et plus de cinq pays - cer...
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Voici une collection qui s'étend sur quatre siècles et plus de cinq pays - certains threads vibrantes de la tapisserie de la musique ancienne. Nous ne pensons pas nécessairement du violon comme un instrument de musique au début, mais en fait il a évolué rapidement après 1500, durin / Violon (2 Violons) Et Piano Et Guitare Ad Libitum
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Playing Through The Blues
21.65
Playing Through The Blues
Violon
[Partition + CD]
Advance Music
Ce livre de lecture de niveau intermédiaire avec CD d'accompagnement (12 pistes...
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Ce livre de lecture de niveau intermédiaire avec CD d'accompagnement (12 pistes d'écoute- 12 titres de jeux-long) contient très mélodique, amusant à jouer du blues et des riffs lignes dans divers styles / sent. Les touches et les tempos sont confortables.C'est un excellent outil pour apprendre ce que le jazz solo est tout au sujet. Outre la lecture, vous pouvez improviser sur le play-along pistes à l'aide des cordes pour les titres figurant dans le livre. / Violon
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