Popular tunes step-by-step instructions slow medium and normal speed play-along tracks and thorough explanations of essentials make this the most comprehensive Fiddle method to date. It takes the student from the absolutebeginning through professional repertoire. Genres include Celtic twin fiddling ragtime classical and Scandinavian as well as old time and bluegrass.Modern Fiddling Method Grade 1 establishes a solidfoundation in first position with both easy and standard fiddle and bow holds elementary Fiddle bowings rhythms scales and ornaments and fundamentals of music theory. The student can read and/or listen to each tune. Includesaccess to online audio.

Miller Rag - Boogie For Strings - Jazz Invention - Passacaglia In Jazz - Birthday Serenade. Par SCHMITZ MANFRED. Five quartets at an intermediate level that offer a welcome change to classical literature. / Pop & rock / Répertoire / Quatuor

Arranged by Lindsey Stirling for Violin and Piano-Lindsey Stirling's version of the modern classic song Hallelujah composed by Leonard Cohen is arranged here for violin and piano. Includes a pull-out violin part.

Les dix sonates pour piano et violon de Beethoven, ainsi que celles de Mozart, constituent le c'ur de ce genre de musique classique. Suivant l'exemple des dernières sonates de Mozart, Beethoven laisse la partie violon devenir de plus en plus indépendante de la partie piano. Non seulement l'édition critique de Clive Brown propose un texte méticuleusement édité, mais elle présente pour la première fois une liste de références et un rapport critique. De plus, Brown documente un grand nombre de passages où la notation soulève quelques questions, selon les normes actuelles. Ces passages avaient auparavant été négligés dans le manuscrit autographe, mais leur signification est maintenant clarifiée. Un exemple peut être trouvé dans le « Tempo di Minuetto » de Beethoven, extrait de la Sonat op. 30 n ° 3, où il utilise une idiosyncratie notationnelle basée sur le livre de son fils C.P.E. Bach « Versuch über die wahre Art das Clavier zu spielen », pour indiquer une pause. Ce symbole musical, figurant dans la première édition publiée du vivant de Beethoven, n'a été abordé dans aucune édition moderne à ce jour. De plus, une partition dénotant un accord arpégé ne peut pas non plus être retrouvée dans les éditions modernes précédentes.

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion

Find out what's missing in your musical toolbox and bring your playing up to date. Modernize your capabilities to reflect the music and work opportunities of the 21st century. Classical pedagogy and contemporary skills are not mutually exclusive. The information and practice techniques presented in this book have been designed to enhance listening playing and ensemble expertise while serving to add dimension to traditional methods and repertoire. Creative musicianship technology for strings multi-style-ready contemporary techniques as well as fluency with diverse musical structures from around the world are essential updates whether you're teachingschool orchestra or are an amateur or professional player. Discover your own voice on your own instrument!

Who says you can\'t play pop music on stringed instruments'! This tenth volume of the successful Pop for Violin series offers plenty of material for those string players who don\'t wish to be confined to playing classical music. Arranged specially for the violin, these pieces are easy to play and sound great!. Volume 10 of the Pop for Violin series presents a special selection of hits that made pop history: 12 rock songs, be it classics by David Bowie or Led Zeppelin, and modern rock hymns by Placebo or Muse have been arranged specially for the violin, thus providing new sounds in music lessons or while playing at home.The included CD contains each piece in both demonstration and play-along versions, making practicing even more fun. In addition, a second violin part is provided for every piece. / 2 Violons

This three movement piano trio from Giselher Klebe's late period of creativity originates from his estate. The composition's appeal lies in the clear, restrained diction whilst at the same time a high intensity of expression is achieved. Two diverse slow outer movements with eruptive injections frame a lively middle movement. This work which has a duration of 20 minutes undoubtedly represents an impressive document of a musical style which we perceive today as the classical modern. / Violon, Violoncelle Et Piano

16 Easy Pieces from the Scottish Baroque-Here's your chance to encounter the composers of 18th century Scotland with a special selection of pieces for Violin (Flute or Oboe) and Piano with optional Cello part and a CD of play-along tracks.This unique set of melodies crosses the boundaries between folk and classical music in a delightful and accessible way. You'll find dance tunes love songs two pieces by the Earl Of Kelly (a former student of Stamitz) as wel as the first modern edition of James Oswald's Thistle Sonata.Also suitable for the Flute and Oboe the tunes make creative use of the Violin's first position and are complimented by simple effective accompaniments. There arealso some newly researched authentic texts providing informative insights into the pieces and their composers.An accompanying CD presents both demonstration recordings and play-along backing tracks.

Finally a method that teaches violinists how to improvise! Plug in and take your violin on a journey beyond the world of classical music with Mark Wood and Electrify Your Strings. With instruction right out of Mark's famous music education program you'll learn about improvising solo and rhythm parts modern string techniques playing in a band buying electric gear and much much more! Plus there's valuable information not just for students but for string teachers and school musical directors alike so they can rock their orchestras! A CD is included with recorded examples plus jam tracks in different styles and previously unreleased material.

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano

Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this music booklet of the classic theme song Walking In The Air for Violin and Piano composer Howard Blake recreates the story in music based on thescenes from the film.