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Distant Voices (HOSOKAWA TOSHIO)
39.96
Distant Voices (HOSOKAWA TOSHIO)
Quatuor à cordes: 2 violons, alto, violoncelle
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simp...
(+)
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of composing, to me, is to find out that concealed distant voices, make those voices spatialized and construct them within the musical time. This work is dedicated to Alois Lageder. Toshio Hosokawa / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
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10.99
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Violon et Piano
[Partition]
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Two Voices is a work by Nico Muhly for Violin and Piano composed in 2010. Commi...
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Two Voices is a work by Nico Muhly for Violin and Piano composed in 2010. Commissioned by Hilary Hahn as part of the Encores Project a full performance lasts around 5 minutes. This is the Score.
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3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same ti...
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3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon
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2 Violons (duo)
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This is an enjoyable arrangement of Pachelbel's well loved Canon in D for two vi...
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This is an enjoyable arrangement of Pachelbel's well loved Canon in D for two violins and piano arranged by Daniel Dorff. The imitative melody lines are also voiced in the piano part thus providing the same texture as with the original version. The violin 1 and 2 parts are also included on separate inserts.
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for Flute, Violin and Piano. Par VALI REZA. Originally written for voice, lute, ...
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for Flute, Violin and Piano. Par VALI REZA. Originally written for voice, lute, oud, harp and percussion, this four-movement, instrumental-only version for flute/clave (with optional doubling on Persian ney), violin and piano was written for Iranian flutist Arya Bastaninezhad. Aside from the original, one more version for voice, guitar, percussion, harp and piano is available from the publisher. / Date parution : 2023-06-01/ Répertoire / Flûte, Violon et Piano
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Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
20.99
Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worce...
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Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. “The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue.” - Andrew Achenbach Gramophone “These five songs for voice with piano and string quartet accompaniment take the Severn Riverand its historical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler.” - James A. Altena Fanfare Magazine
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Pelle Gudmundsen-Holmgreen: All In One: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Avancé
Wilhelm Hansen
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2...
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All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12 13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12 ‘Each in Each’; String Quartet no. 13 ‘Mutual Ordering’ and String Quartet no. 14 ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together as they are tonight the combined work is titled All in One. About this collection Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces which I had written for the two groups: one for Theatre of Voices (Green) and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently on top of each other as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets adding also some percussion instruments as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations resulting in different kinds of
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Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 1 Part): Violin:
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 1 Part): Violin:
Violon
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
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The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Groove Connection Violin (DICKBAUER KLAUS)
22.14
Groove Connection Violin (DICKBAUER KLAUS)
Violon
[Partition + CD]
Universal Edition
Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the...
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Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon
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Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 2 Part): Violin:
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 2 Part): Violin:
Violon
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
2.99 GBP - vendu par Musicroom GB
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Tarik O'Regan: The Ecstasies Above (Full Score): String Quartet: Score
29.99
Tarik O'Regan: The Ecstasies Above (Full Score): String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
Tarik O'Regan's The Ecstasies Above was commissioned by the Robert Baker Commiss...
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Tarik O'Regan's The Ecstasies Above was commissioned by the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music and was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on thevenue and the size of the chorus the string quartet may need to be amplified.
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Niels Rosing-Schow: Voix Interieures: Chamber Ensemble: Score
29.99
Niels Rosing-Schow: Voix Interieures: Chamber Ensemble: Score
Clarinette, Violon, Violoncelle, Piano
[Partition]
Wilhelm Hansen
Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURE...
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Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURES (1990-92). The title has a double reference: to the ’inner voices’ of the mind expressing our (hardly conscious) impulses feelings dreams and to the ’inner voices’ of the music in the sense of internal parts and relations. Thus the title points to the obscure reflections of the ones in the others. During the piece there is a gradual transformation of the internal parts such as interval patterns sonorities and dynamics - running alongside the easily perceptible expansion of register. The music is so to say ’turned inside out’.
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Tarik O'Regan: The Ecstasies Above (String Quartet Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
The Ecstasies Above commissioned from the Robert Baker Commissioning Fund for S...
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The Ecstasies Above commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on the venue and the size of the chorus the string quartetmay need to be amplified.
15.99 GBP - vendu par Musicroom GB
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Tarik O'Regan: Death Is Gonna Lay His Cold Icy Hands On Me: Violin: Parts
3.99
Tarik O'Regan: Death Is Gonna Lay His Cold Icy Hands On Me: Violin: Parts
Violon, Violoncelle (duo)
[Partition]
Novello & Co Ltd.
Violin Cello & Voices Version-These are the Violin and Cello Parts for the Viol...
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Violin Cello & Voices Version-These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately.
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Bruce Molsky: Singing With The Fiddle: Vocal and Other Accompaniment:
22.95
Bruce Molsky: Singing With The Fiddle: Vocal and Other Accompaniment:
Violon
[DVD]
Homespun
The violin can be used to accompany old time country songs with startlingly beau...
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The violin can be used to accompany old time country songs with startlingly beautiful results. On this DVD Bruce Molsky shows you how to accompany Old Time songs and ballads and achieve distinctively rich and compelling harmonies in a musical interaction between your fiddle and your voice. Bruce covers all the basics starting with simple exercises to develop your ear and tune your singing to the pitches of the fiddle. He shows the most common chords for folk songs and how to use your instrument to harmonize with the sung melody. Then he gets you playing and singing along with him on the lively Pig In A Pen. During the course of this ninety-fiveminute lesson you'll learn to accompany songs using a variety of tunings with detailed instruction in rhythmic effects chord movement harmonic variations syncopated bowing patterns and other techniques to bring out the drama and excitement of your song. Join in with Bruce as he takes you phrase-by-phrase through old time classics Omie Wise Stay All Night Bachelor's Hall June Apple and I Truly Understand. Includes a booklet with the music featured on the DVD.
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Ligero y Magenta (PAUS RAMON)
14.69
Ligero y Magenta (PAUS RAMON)
Violon
[Partition]
Unión Musical Ediciones
Par PAUS RAMON. The composition represents an apparently contradictory quality a...
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Par PAUS RAMON. The composition represents an apparently contradictory quality and colour, since the colour enunciated in the title of the work does not have lightness as an essential component of its chromatic nature. In the course of this work, very light arpeggios are traversed where the melody of the upper voice appears fragmented while the performer completes the rest of the notes harmonically associated with this melody. This fragmentation, far from cutting the singing line, gives this melody a special way of being. In contrast to these passages where lightness and fluidity are essential characteristics, others appear where double, triple and even quadruple strings are present, giving the work a more leaden aspect. / Date parution : 2022-02-03/ Répertoire / Violon
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Wind Quintet No. 1 (VASKS PETERIS)
58.83
Wind Quintet No. 1 (VASKS PETERIS)
Flûte Traversière, Hautbois, Clarinette, Cor et Ba
[Conducteur et Parties séparées]
Schott
Muzika aizlidoju'ajiem putniem / Music for Fleeting Birds. Par VASKS PETERIS. Th...
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Muzika aizlidoju'ajiem putniem / Music for Fleeting Birds. Par VASKS PETERIS. This is the first of two works by the successful Latvian composer for this instrumentation. It was written in 1977 and shows his early compositional style: while freely notated in the beginning, improvisational sections then change over to chordal passages with sharply accentuated rhythm. It is particularly in the freely notated parts of the work that birdcalls and nature sounds appear as onomatopoeic sounds. The particular challenge is not in the virtuosity of the individual part, but in creating the special atmosphere through perfect harmony. As in most other works by the composer, the bond with nature plays a special role. Unlike any other composer, he gives nature a musical voice./ Répertoire / Flûte Traversière, Hautbois, Clarinette, Cor et Ba
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Franz Liszt: Liebestraume No.3: Violin: Instrumental Work
10.99
Franz Liszt: Liebestraume No.3: Violin: Instrumental Work
Violon
Bosworth
Liebesträume?(German for ?Dreams of Love?) is a set of three solo Piano works b...
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Liebesträume?(German for ?Dreams of Love?) is a set of three solo Piano works by?Franz Liszt published in 1850. Two versions appeared simultaneously: for high Voice and Piano as well as as transcriptions for Piano two-hands.The three poems depict three different forms of love. Uhland's ?Hohe Liebe? is saintly or religious love: the 'martyr' renounces worldly love and'heaven has opened its gates'. The second song ?Seliger Tod? is often known by its first line and evokes erotic love. Freiligrath's poem for the famous third notturno is about unconditional mature love ('Love as long as youcan!' 'O lieb so lang du lieben kannst').This edition of the latter Liebestraume No. 3 is transcribed for Violin and Piano. The same melody is used throughout the entire popular piece each time varied especially near the middle of the work where the climax is reached.This favourite Piano classic should be a staple in any pianists repertoire and is a great new addition to the Violin programme as well!
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Joaquín Turina: El Poema De Una Sanluquena: Violin: Instrumental Work
11.99
Joaquín Turina: El Poema De Una Sanluquena: Violin: Instrumental Work
Español
Violon et Piano
[Partition]
Unión Musical Ediciones
In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Un...
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In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ?muchachas? the girls of Sanlúcar who it is said ?don?t get married? because the boys of Sanlúcar marry outsiders. Turina wrote the work for ?those beautiful Andalusian girls living in a sad and never-ending dream.? Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina?s years studying in Paris as well as his native Spain combined with the composer?s own unique Voice.
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The Golden Sonata (PURCELL HENRY)
25.60
The Golden Sonata (PURCELL HENRY)
2 Violons et Basse Continue ou Clavecin et, Piano
Schott
For Voice And Ensemble. Par PURCELL HENRY. Durée: 4', Format: New Edition portr...
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For Voice And Ensemble. Par PURCELL HENRY. Durée: 4', Format: New Edition portrait/ Répertoire / 2 Violons et Basse Continue ou Clavecin et, Piano
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin Duet: Instrumental Album
9.99
Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin Duet: Instrumental Album
2 Violons (duo)
[Conducteur]
Spartan Press
Grades 3=-4-Composer's Description:Whether a student or a great artist the desi...
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Grades 3=-4-Composer's Description:Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the second violinpart is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.
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Poul Ruders: Tattoo For Four: Chamber Ensemble: Parts
Clarinette, Violon, Violoncelle, Piano
[Partition]
Wilhelm Hansen
Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017)...
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Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FORTHREE from 1984 but with a fourth voice - for violin - added. Forperformances of the older piece just omit the violin part. The'hidden' 1984 piece has been slightly revised so the originalperforming material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in 1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure.(Poul Ruders)
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John Tavener: If Ye Love Me: String Quartet: Score
13.99
John Tavener: If Ye Love Me: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Facile
Chester
If Ye Love Me by John Tavener was commissioned by Manchester International Fes...
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If Ye Love Me by John Tavener was commissioned by Manchester International Festival (MIF Creative) with thanks to the support of the MIF Commissioning Circle. In If Ye LoveMe there are subtle echo-effects between three String Quartets which are complimented by an upper Voice choir.
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Take The Lead - Latin + Cd - Violin And Piano
15.20
Take The Lead - Latin + Cd - Violin And Piano
Violon et Piano
[Partition + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun.Contents: Bailamos; Cherry Pink And Apple Blossom White; Guantanamera; La Bamba; La Isla Bonita; Livin' La Vida Loca; Oye Mi Canto (Hear My Voice); Soul Limbo
15.20 EUR - vendu par Woodbrass
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Suzuki Violin School Violin Part Vol.2 Rev. Edition - Violon
13.70
Suzuki Violin School Violin Part Vol.2 Rev. Edition - Violon
Violon
Alfred Publishing
Méthode en anglais pour violon avec exercices et études.
Titres : C...
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Méthode en anglais pour violon avec exercices et études.
Titres : Chorus from Judas Maccabaeus (G.F. Handel). Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach). Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber). Long, Long Ago (T.H. Bayly). Waltz, Op. 39, No. 15 for Piano (J. Brahms). Bourrée from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel), The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann). Theme from Witches' Dance (N. Paganini). Gavotte from Mignon (A. Thomas). Gavotte (J.B. Lully). Minuet in G, Wo0 10, No. 2 (L. van Beethoven). Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini).
Auteur/Compositeur : SUZUKI
Support : Livre
Style : Classique
13.70 EUR - vendu par Woodbrass
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Alard D.- 24 Etudes Caprices Op. 41- Violon
24.00
Alard D.- 24 Etudes Caprices Op. 41- Violon
Violon
Schott
24 Etudes-Caprices Op. 41 by Delphin Alard (1815-1888) are excellent study mater...
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24 Etudes-Caprices Op. 41 by Delphin Alard (1815-1888) are excellent study material. Alard, the violin teacher of Sasasate, composed these studies in the 24 keys. Due to their musical variety, melodic beauty and cantabile voice leading, they are much more than technical studies; they might be described as character pieces in the best sense. The studies meet the two demands principally made on this genre: to both cover specifically certain technical tasks and be appealing as a music piece so that the musician likes to play them.Contenu - C major: playing three and four-part chords - playing in high positions on the G string - A minor: string-crossing - shifting with the left arm - spiccato bowing - G major: alternating double-stopping (melodic line)-solo line - E minor: cantabile melodic line - ornamentation - D major: double-stopping - harmonics - ricochet bowing - B minor: consistent legato bowing - expressive melodic line alternating with accompanying figures-A major: double-stopping (mainly in sixths) - three-part chords - ricochet bowing - F minor: legato study - E major: double-stopping (mainly in thirds) - C minor: playing a melody on one string - tremolo - B major: waltzes- lively dance-like patterns - G minor: ornamenting notes - long legato bowing - Gb major: legato string-crossing - Eb minor: lightness and elegance of tone - staccato - Db major: dotted rhythms - Bb minor: alternating solo melodic line- double-stopping - Ab major: Caprice for bringing out tone quality when playing legato - F minor: restless tied notes - lyrical lines in the middle section - Eb major: continuous tremolo accompanying figures - C minor: ricochet bowing - legato string-crossing - Bb major: alternating solo line- double-stopping - G minor: double-stopping with syncopations - F major: double-stopping dotted notes in horn-fifths - D minor: Bolero in virtuoso style - double-stopping - staccato bowing - lyrical middle section
24.00 EUR - vendu par Woodbrass
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