Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifiée de sa très acclamée \' Klezmer Collection \', Stacy Phillips a compilé une sélection de pièces pour compter les instrumentistes de ce livre classique. Musique klezmer venait à l\'origine les ghettos juives d\'Europe de l\'est de la XIXe et au début du XXe siècle. Le style reflète son mélange de patrimoines d\'Europe, Near East et tzigane. Ces arrangements sont fondées sur certaines des premiers enregistrements classiques en Europe et en Amérique. À ce titre, ils sont une grande introduction à cette musique qui est maintenant un phénomène mondial. Chaque numéro est arrangé pour C, Bb, Eb et instruments de bass clef. Laiton, reed, piano, flute et acteurs de la chaîne peuvent recevoir la gratification instantanée de ces accords de niveau d\'entrée. Le CD accompagnant montre des versions de l\'ensemble de la musique, effectuée au rythme lent, par des artistes de Klezmer de classe mondiale sur la clarinette, violon, guitare et basse. / Niveau : Débutant à Intermédiaire / Jewish - Solos / Recueil / Violon

Easy Klezmer Tunes was created in response to many requests for a simplified version of Stacy Phillips' highly acclaimed "Klezmer Collection". Phillips has compiled a selection of pieces for beginning instrumentalists from that classic book. Klezmer music originally came from the Jewish ghettoes of Eastern Europe of the 19th and early 20th Centuries. The style reflects its mix of heritages from Europe, Near East and Gypsy. These arrangements are based on some of the earliest classic recordings in Europe and America. As such, they are a great introduction to this music which is now a world-wide phenomenon. Each number is arranged for C, Bb, Eb and Bass Clef instruments. Brass, Reed, Piano, Flute and String players can receive instant gratification from these entry level arrangements. The accompanying audio demonstrates ensemble versions of all the music, performed at slow tempos, by world class Klezmer artists on Clarinet, Violin, Guitar and Bass. Includes access to online audio.

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

1. Violin, 2. Violin (Viola) Violoncello. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. The Sassmannshaus 'Early Start” string methods cultivate playing together as early as possible, initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon: each piece is notated in violin, viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fuchs. Here the middle part may optionally be performed by a viola or second violin./ Recueil / Violon, Violon ou alto et Violoncelle

Deux mouvements agréables et pastoral par Christopher Le Fleming, qui peut être joué avec violon, flûte ou hautbois comme soliste, avec un accompagnement au piano plein. Une version basse-clef est disponible avec le violoncelle en tant que soliste, le numéro de code article CH56275-01. / Violon (Violoncelle/Flûte/Hautbois) Et Piano