The lyrical Air and Dance for strings was written by Delius in 1915. The arrangement here which is for Violin and Piano was made in 1929 by Peter Warlock (Philip Heseltine) who was an admirer and friend of Delius. In this form it was played by Grace Thynne to Delius who considered that the arrangement was well done and that it made 'quite a pretty little piece'.

Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Learn Music By Ear. Par WOOD JIM. Pour ceux d'entre vous qui n'ont jamais joué fiddle. Les 8 leçons comprennent tuning, tenant le violon et incliner correctement, et 6 complète tunes. Chaque note a expliqué, chaque coup d'archet a expliqué. Aucun onglet ne comprend Cripple Creek, coton-Eyed Joe, Sally Goodwin, vieux Joe Clark, bouillir les choux, Amazing Grace. (2 heures) / Niveau : Débutant / Bluegrass - Methods / Méthode / Violon

Wedgwood Blue a graceful dance was first written as an orchestral intermezzo in 1920. It remains one of the composer's most popular works still regularly performed and recorded today. It has been arranged for solo Violin with Piano accompaniment by the composer.Albert William Ketelbey (1875-1959) was a British composer pianist and conductor. He studied Piano at Trinity College of Music in London before branching out and earning a living as a composer and arranger. He became the foremost composer of cinema and light music between the wars so much so that he was hailed as ?Britain?s greatest living composer? in some circles.

Score and Parts-Generations of aspiring students use De Beriot's graceful concertos as an entrée into the concert world. This piece is arranged for 2 Violins.

Pavana – Capricho is one of the last pieces from Isaac Albeniz’s early period before he turned to Spanish influences – a style that would characterise the rest of his compositions. In this earlier period Albeniz who was a child prodigy on the Piano composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau Bach Beethoven Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell a leading figure in the development of nationalist Spanish music.Pavana-Capricho is graceful andlight-hearted at the same time. The playfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for Violin and Piano and with a performance time of ca. 3:30 this piece of Romantic chamber-music is a perfect addition to any concert programme.

Les plus belles chansons populaires. Par . / Date parution : 2022-07-28/ Recueil / 1-2 Violons

C'est le premier volume d'une nouvelle série de chaînes qui veulent jouer des chansons pop aux côtés de classique. Les arrangements sont édités spécialement pour le violon, c'est à dire ils sont facilement jouable et sonne bien.Le CD fourni contient toutes les pistes dans une version complète et une version play-avec-nous. Ainsi, la pratique et de jouer encore plus de plaisir. Sinon, jouer un second rôle, parce que, pour toutes les pièces il ya une deuxième Voix. / 1 Ou 2 Violon(s)

Si vous pratiquez un instrument depuis quelques temps déjà, vous avez certainement envie de jouer des airs connus. Cette collection propose un large choix de morceaux célèbres, notamment des tubes de la pop, des musiques de films, ou encore des airs classiques. Différents recueils sont disponibles : Flûte Traversière, Clarinette, Saxophone, Trombone, Trompette, et Violon./ Recueil / Violon

Huws Jones Edward (Editor). Par HUWS JONES EDWARD. Invaincues Tracks ' offre huit pièces contemporaines pour le violon et le piano. Les compositeurs ont créé des pièces qui sont agréables à jouer ainsi que pour aider au développement de nouvelles techniques. Cet ensemble d'aproachable de pièces introduire des sons contemporains et les styles de façon intéressante et jouable. Le livre contient aussi ' Mishima ' pour chaque compositeur où ils expliquent leur inspiration et donnent en outre un aperçu de la musique. / Date parution : 1999-05-20/ Recueil / Violon et Piano

Hymns Made Easy for Violin is a collection of favorite traditional hymns with guitar accompaniment suitable for church teaching or recreational settings. The material includes violin parts and bowing indications in first position with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Viola and Hymns Made Easy for Cello.

for Violin. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violon

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Flûte Traversière, Clarinette et Piano ou Orgue