Par RICHARDS SCOTT. / Niveau : Intermédiaire / Répertoire / Saxophone Ténor, Trompette et Piano

Par RICHARDS SCOTT. / Niveau : Intermédiaire / Répertoire / Trompette ou Cornet, Euphonium et Piano

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle:Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth LoderFirst performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted byRichard Pittman.Scoring:Flute (doubling alto flute in G)Clarinet in B flatViolinCelloPianoTransposed score

Score and Parts-This 14-minute piece was commissioned by Richard and Judith Hurtig and Viola and Richard Morse in memory of Felix Galimir. It was debuted at the Marlboro Music Festival in Marlboro Vermont in July 2002.

CE LIVRE VOUS DONNE LA FANTASTIQUE OPPORTUNITÉ DE DEVENIR LE SOLISTE DE VOS CHANSONS PRÉFÉRÉES DE FILM DE DISNEY. CHAQUE CHANSON EST PRÉSENTÉES EN NOTATIONS TRÈS LISIBLE. LES MP3 CONTIENT 2 ENREGISTREMENTS DE CHAQUE CHANSONS : UNE DÉMONSTRATION COMPLÉTE ET UNE VERSION SANS SOLISTE POUR VOUS PERMETTRE DE JOUER ACCOMPAGNÉ PAR DES PROFESSIONELS! TITRES : A CHANGE IN ME (BEAUTY AND THE BEAST) (ALAN MENKEN) ARABIAN NIGHTS (ALADDIN) (ALAN MENKEN) HAWAIIAN ROLLER COASTER RIDE (LILO AND STITCH) (ALAN SILVESTRI/MARK KEALI'I HO'OMALU) HONOR TO US ALL (MULAN) (MATTHEW WILDER) I'M STILL HERE (TREASURE PLANET) (JOHN RZEZNIK) IT'S A SMALL WORLD (IT'S A SMALL WORLD) (RICHARD SHERMAN/ROBERT SHERMAN) LOOK THROUGH MY EYES (BROTHER BEAR) (PHIL COLLINS) PROMISE (MILLENNIUM CELEBRATION) (GAVIN GREENAWAY) SUPERCALIFRAGILISTICEXPIALIDOCIOUS (MARY POPPINS) (RICHARD SHERMAN/ROBERT SHERMAN) THE BARE NECESSITIES (THE JUNGLE BOOK) (TERRY GILKYSON) THE MEDALLION CALLS (PIRATES OF THE CARIBBEAN: THE CURES OF THE BLACK PEARL) (KLAUS BADELT) THE SIAMESE CAT SONG (THE LADY AND THE TRAMP) (PEGGY LEE/SONNY BURKE) TWO WORLDS (TARZAN) (PHIL COLLINS) WHERE THE DREAM TAKES YOU (ATLANTIS: THE LOST EMPIRE) (DIANE WARREN/JAMES NEWTON HOWARD) YO HO (A PIRATE'S LIFE FOR ME) (PIRATES OF THE CARIBBEAN) (GEORGE BURNS)

Cool Christmas favourites arranged for violin with CD backing track - a piano accompaniment score is also included. Arranged in a variety of jazz blues and rock styles by Richard Kershaw.

Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes.So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise.The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004.'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.'            - Richard Morrison The Times 11/05/2004

Arrangeur: Paul Juon. Par STRAUSS RICHARD. / Répertoire / Violon 1 (Partie Séparée)

La sonate pour violon et violoncelle a été écrite en 01/01/12 à l'intention de la violoniste suédoise Cecilia Zilliacus et la violoncelliste finlandaise Katti Raitinen, qui l'ont créée cette même année, Elle pourrait porter le sous-titre faisant référence au cinéaste suédois Ingmar Bergman : 'Scènes d'une vie conjugale', puisqu'il s'agit d'un dialogue entre deux personnages, l'un féminin (violon) et l'autre masculin (violoncelle), Durant ce dialogue, avec ses convergences et ses divergences, certaines idées thématiques circulent entre les deux instruments tandis que d'autres sont propres à chacun d'eux, Par un hasard curieux et tout à fait involontaire, le thème des variations qui constitue la dernière partie de l'oeuvre présente le motif du début de l'opéra 'Tristan et Iseult' de Richard Wagner,,, Collection Le Violon Rouge / Violon Et Instruments Divers

Designed for those in the intermediate stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade Four examination, however, even if you do not intend to take an examination, the handbook's appealing content of musical repertoire and educational material provides a structured and comprehensive method of studying the violin. This handbook contains all the required pieces and technical work for the grade and also includes sections on musical knowledge, sight reading and aural ability - in fact, absolutely everything you need for this grade! There are 9 pieces including works by Smetana and Richard Rodney Bennett. Piano accompaniments are included./ Etude / Violon et Piano

for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and

Volume Two Second Position-A second volume of beautiful folk tunes and classical pieces for the advancing beginner. Transcribed and edited by noted American teacher Samuel Applebaum. Contains printed music score and a compact disc featuring all the works in split-channel stereo with the first violin on the right channel the second violin on the left. By adjusting the balance the soloist can remove either violin and play the other. Performed by Richard Henrickson first violin Accompaniment: Andres Jennings second violin

Sextett Prelude. Par STRAUSS RICHARD. Aus 'Capriccio'/ Répertoire / 2 Violons, 2 Altos et 2 Violoncelles