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Trompette, Orchestre (12)
Soli (SSTB) Et Orchestre Choeur Mixte (SATB) Ad Li… (12)
Solistes SATB, Choeur SATB, 2 Hautbois, Taille (Co (12)
Flûte, alto et harpe (12)
Voix basse (12)
Violon, Alto et Orchestre (12)
Instruments en Mib (12)
Voix Mezzo-Soprano (12)
Voix d'Enfants, Piano (12)
Orchestre d'harmonie, Chorale-Voix (11)
Solistes SATB, Choeur SATB, 2 Hautbois, Instrument (11)
Solistes, Div. Instruments à Cordes, Choeur d'Enf… (11)
Soli (STB), Choeur Mixte (SSATB) Et Orchestre (11)
Quintette à cordes: 2 violons, 2 altos, violoncel… (11)
2 Saxophones (duo) (11)
Cornet et Piano (11)
Solistes SAT, Choeur SATB, 2 Hautbois/Hautbois d'A (11)
Alto, Cordes Et Basse Continue (11)
Solistes ATB, Choeur SATB, Trompette, HautboiSBass (11)
Flûte, Clarinette (duo) (11)
Flûte à bec Soprano, Piano (11)
Violon, Cor et Piano (11)
Clavecin Et Instruments A Cordes (11)
Saxophone Soprano et Piano (11)
Flûte et Quatuor à Cordes (10)
Trio à cordes (10)
Solistes SATB, Choeur SATB, 2 Hautbois, 3 Trompett (10)
Solistes (STB), Choeur Mixte (SSATB) et Orchestre (10)
Solistes STB, Choeur SATB, 3 Corni Da Caccia, Timb (10)
Flûte traversière, Basse continue (10)
Flûte, Violon, Piano (10)
Quatuor de Cuivres (10)
ENS::Ensemble d'cole (10)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversiè… (10)
Orgue, 2 Violons, 2 Altos, 2 Violoncelles, Contreb (10)
Trio à Cordes: 2 violons, violoncelle (10)
Saxophone et Orchestre (10)
Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, F… (10)
Marimba (10)
Flûte traversière, Orchestre (10)
Voix et Piano Réduction (10)
Tuba et Piano (10)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale (10)
Accompagnement Piano (10)
Choeur SATB, 2 Trompettes, 2 Trombones, Timbales, (9)
Solistes SST, Choeur SATB/SATB, Flûte Traversièr… (9)
Solistes SATB, Choeur SATB, Flûte Traversière (F… (9)
Solistes SATB, Choeur SATB, HautboiSBasson, Instru (9)
Solistes SATB, Choeur SATB, Flûte Traversière, 2… (9)
Gemischter Chor (SATB) und Orchester (9)
Voix d'Enfants, Instruments (9)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 … (9)
SATB, 4 Parties Mixtes et Instruments à Cordes (9)
Voix Tenor (9)
Solistes SATB, Choeur SATB, 2 Trompettes, Timbales (9)
Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol (9)
Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba (9)
Harpe, Flûte (duo) (9)
Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Ha… (9)
Violon, Ensembles de Cordes et B.C. (9)
Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 C… (9)
Soli (T (Evangelist), B (Jesus), SATB), 2 Choeurs … (9)
Flûte, Clarinette, Piano (trio) (9)
Saxophone Tenor et Piano (9)
Quatuor de Flûtes : Flûte, Violon, Alto, Violonc… (9)
Guitare et Musique de Chambre (9)
Ensemble de Clarinettes (9)
Ensemble De Flûte à bec (9)
Soprano, Piano (9)
Flûte, Clarinette, Cor, Basson (Quartet) (8)
4 Parties Mixtes, Instruments A Cordes Et Basse Co… (8)
Solistes SATB, Choeur SATB/SATB, 4 Trombones, 2 Vi (8)
Clarinette et Quatuor à Cordes (8)
Instruments Sib, Mib et Do (8)
Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse (8)
2 Violoncelles (duo) (8)
Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons (8)
Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS (8)
Flûte Traversière, Hautbois, Clarinette, Basson,… (8)
Libretto (8)
Solistes ATB, Choeur SATB, 3 Trompettes, Timbales, (8)
Hautbois, 2 Flûtes Traversières, 2 Hautbois, 2 C… (8)
Solistes SATB, Choeur SATB, 4 Trompettes, Timbales (8)
Choeur SATB, 2 Tubes en plastique, Violon Solo, 2 (8)
Solistes SATB, 2 Cors, 2 Violons, 2 Altos et Basse (8)
Voix Moyenne (8)
Solistes, 1-2stg Choeur d'Enfants, Flûte Traversi… (8)
Luth (8)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett (8)
Soli (SATB, Soprano Aussi Chorale), Choeur Mixte (… (8)
Alto, Orgue (8)
Solistes SSA, Choeur SATB, 2 Flûtes Traversières… (8)
Soli et Orchestre (8)
4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas (8)
Alto et Trio Pour Cordes (8)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse (8)
Soprano, Alto, Cordes et Basse Continue (8)
Soli (STB), Choeur Mixte (SATB) Et Orchestre (8)
Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2… (8)
Instruments A Vent (8)
Solistes SB (B), Choeur SATB, 2 Violons, 2 Altos ( (8)
Flûte Traversière, Clarinette et Piano (8)
Alto (Viole) (8)
Flûte Traversière, Clarinette, Cornet ou Basson (7)
Solistes SSATB, Choeur SSATB, 2 Hautbois, 2 Trompe (7)
Ensemble De Contrebasse (7)
Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W. (7)
Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Cl… (7)
Soli (SB), Choeur Mixte (SATB) Et Orchestre (7)
Petit Choeur AT, 4 Instruments (Choeur TBBB), Cont (7)
Soli (STB), Gemischter Chor (SSTB) und Orchester (7)
Choeur Mixte Instruments Ad Libitum (7)
Solistes SSA, Choeur SSA, 2 ViolonS Basse Continue (7)
Clarinette, 2 Violons, Viole et Violoncelle (7)
Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett (7)
Cor et Quatuor à Cordes (Quintet) (7)
Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C (7)
Flûte irlandaise (7)
Solo S, 2 Violons, Viole de Gambe et Basse Continu (7)
Bass Clef Instruments (7)
CD Chorale (7)
Soli (SATB), Choeur Mixte (SATB), Hautbois, Instru… (7)
DVD concert (7)
Piano, Hautbois et Basson (7)
Choeur Mixte (SATB), Instruments A Cordes Et Orgue (7)
Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet (7)
2 Trompettes, Clavier (piano ou orgue) (7)
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) A… (7)
Quatuor avec Piano (7)
Cor, Orchestre (7)
Soli (SATB), Chor (SATB/SATB) und Orchester (7)
Choeur SSATB, 2 Flûtes Traversières, 2 Hautbois,… (7)
Solistes SATB, Choeur SATB, Flûte Traversière, I… (7)
3 Flûtes à bec (trio) (7)
Guitare et Basse Tablatures, Accords (7)
Voix Mezzo-Soprano, Orchestre (7)
Voix haute (7)
Violon, Alto (duo) (7)
Violon 1, Violon 2, Alto, Violoncelle, Violoncelle (7)
Ensemble (7)
Streichorchester (7)
Voix, Flûte à Bec et Percussion (7)
Violon, Basse continue (7)
4 Violoncelles (6)
Hautbois et Orchestre (6)
Klavier und Orchester (6)
Choeur Mixte (SATB), Soli Et Orchestre (6)
4 Parties Mixtes Et Orchestre (6)
Solistes (SATB), Choeur Mixte (SATB), Orchestre et (6)
Choeur SAB, 2 Violons, Contrebasse et Basse Contin (6)
Basse, Choeur Mixte (SATB) Et Orchestre (6)
Ensemble de Percussions (6)
Soli (SATB), Choeur Mixte (SATB) (Choeur Final) Et… (6)
Piano, Guitare (duo) (6)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol (6)
Guitare, Flûte, Clarinette (6)
Cornemuse (6)
Guitare, Orchestre (6)
Alto et orchestre (6)
Choeur SATB, 2 Violons, Violon ou Violoncelle et B (6)
Solo S, 2 Violons, Alto et 2 Violoncelles (6)
Violine und Orchester (6)
Solistes SS, Choeur SATB, 2 Violons, Violoncelle o (6)
2 Sopranos, Choeur Mixte (SATB) Et Orchestre (6)
Baryton ou Tuba et Brass Band (6)
Flûte à Bec, Piano (6)
Euphonium Ou Saxhorn Et Piano (6)
Concert Band ou Harmonie et Baryton ou Tuba (6)
Hohe Stimme, Melodie-Instrument und Basso continu… (6)
Basson, Orchestre (6)
Choeur SATB, 2 Violons, 2 Altos et Basse Continue (6)
Baryton ou Tuba et Fanfare (6)
Scores (6)
Opéra Full Score (6)
Travaux Pour Choeurs (6)
Voix Mixtes (6)
Trio à Cordes: 2 violons, alto (6)
Eveil Musical (6)
Chorale SSATBB (6)
Solo S, Violon et Basse Continue (5)
Solistes SATB, Choeur SATB, 2 Clarines, Timbales, (5)
Choeur SATBB, Violoncelle, Contrebasse (Choeur SAT (5)
Choeur Mixte (SATB), Orchestre, Instruments A Cord… (5)
Solo à (Ms), 2 Violons, Alto et Basse Continue (5)
2 Flûtes Traversières, Instruments à Cordes et … (5)
2 Flûte à bec (duo) (5)
Trio (5)
Chorale Soprano seul, SATB, Clavier (5)
Clarinette (Clarinette De Basset) Et Orchestre (5)
Ensemble de Violoncelles (5)
Solo à (S ou T), Choeur SATB, Hautbois, Violon et… (5)
Harpe, Voix (5)
Saxhorn et Piano (5)
Choeur Mixte (SATB), Orchestre Et Orgue (5)
Choeur SS (SA), 2 Violons et Basse Continue, (Choe (5)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (II/… (5)
Violon, Viole Et Orchestre (5)
Voix Baryton (5)
Quintette avec Piano (5)
2 Flûtes Traversières, Instruments A Cordes Et B… (5)
1 Piano, 6 mains (5)
Trompette et Guitare (5)
2 Flûtes traversières, Piano (5)
Soli (SATB), Chor (SATB) und Orchester (5)
Soli (AB), Choeur Mixte (SATB), 2 Flûtes Traversi… (5)
Voix Et Orff-Instruments (5)
Ensemble de cuivres, Orgue (5)
Choeur d'Enfants à 1 Partie, 3 Solistes, Choeur S… (5)
Clavecin et Cordes (5)
Violon I (5)
Violoncelle , Guitare (duo) (5)
Solistes s ATB, Choeur SATB, 2 Flûtes Traversièr… (5)
Solistes SAB, Choeur SATB, (2 Hautbois), 3 Trombon (5)
Choeur SATB, 2 Clarinettes (2 Violons), 2 Bassons, (5)
Violoncelle, Orgue (5)
Euphonium, Piano (duo) (5)
Hautbois, Clarinette, 4 Violons et Violoncelle (5)
Conducteur de poche, d'étude (5)
Piccolo (5)
3 Clarinettes (trio) (5)
Choeur d'Enfants à 1 Partie, Clarinette, Piano et… (5)
Viole de Gambe (5)
2 Violons, Alto, Violoncelle et Contrebasse (5)
Violoncelle, Basse continue (5)
Violon II (5)
1 Ou 2 Flûte(s) A Bec Alto (4)
Violon, Cor Anglais et Piano (4)
2 Violons, Instruments à Cordes et Basse Continue (4)
Violon Ou Flûte, Violoncelle Et Piano (4)
Ensemble de saxophones (4)
Flûte Traversière, Clarinette, Harpe et Quatuor … (4)
S, SATB, B, (2 Grands Choeurs Mixtes à 4 Voix Ad … (4)
Flûte Traversière, Hautbois, Clarinette, Cor et … (4)
Ensemble d'Instruments à Vent (4)
Cor Anglais, 2 Violons et Violoncelle (Arr. Hautbo (4)
Flûte et Mandoline (4)
Hautbois, Violon, Alto, Violoncelle et Contrebasse (4)
Clarinette, Violon, Alto, Violoncelle, Piano et Pe (4)
Instrumentation Flexible (4)
Flûte Traversière Clarinette Basse, Piccolo et P… (4)
Trio avec Piano (4)
Guitare et Quintette à Cordes (4)
Flûte, Hautbois, Clarinette, Basson (4)
2 Violons, Instruments A Cordes Et Basse Continue (4)
Violon, Alto, Violoncelle et Contrebasse (4)
Flûte Traversière, Hautbois, Clarinette, Basson … (4)
Violon, Piano, Guitare Basse et Percussion (4)
Violoncelle, Contrebasse (duo) (4)
Percussion et Violoncelle (4)
Choeur SSATTB et Basse Continue (4)
Orchestre à Cordes, Guitare et Conducteur (4)
Violon, Orgue (4)
Saxophone, Partitions de Groupe (4)
Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe (4)
Educatif (4)
Violoncelle, Contrebasse, Basson ou Orgue (4)
Musique de film et télévision (4)
1 Ou 2 Trompettes (4)
Piano Quatuor: piano, 2 violons, violoncelle (4)
3 Saxophones (trio) (4)
Arts de la table (4)
Flûte Traversière, Clarinette (B), Percussions, … (4)
Cor, Euphonium et Piano ou Orgue (4)
3 Parties Solo, Choeur Et Orchestre De Chambre (4)
Alto, Violon et Violoncelle (4)
Flûte, Clarinette, Violon, Violoncelle (4)
String Quartet (4)
Soli (ATB), Chor (SSATB) und Orchester (4)
Chorale, Orgue (4)
Choeur Mixteor (SATB), Orchestre Et Orgue (4)
Quatuor à Cordes et Enregistrement (4)
Djembe (4)
Flûte Traversière, Hautbois, Violon, Windchimes,… (4)
Flûte Traversière et Tuba (4)
2 Violons, Alto, Hautbois, Cor et Basse Continue (4)
Big band (4)
Piano grosses notes (4)
Guitare, Quatuor à cordes (4)
Clarinette et 4 Violoncelles (4)
Madrigaux (4)
Orgue, Piano (duo) (4)
Soli [AT] et Orchestre (4)
Flûte, Clarinette et Accordéon (4)
Clarinette, Piano, Violon et Violoncelle (4)
Livret (4)
3 Violons, Bas Viol et Basse Continue (4)
Accordéon, Vibraphone et Marimba (4)
Flute, Violin, Cello and Piano (4)
Quatuor à Cordes ou Orchestre à Cordes) (4)
Quatuor à Cordes et Electronique (4)
Flûte à Bec, Guitare et Musique de Chambre (4)
2 Altos (duo) (4)
Flûte Traversière Basson et Harpe (4)
Flûte Traversière, Alto et Harpe (4)
Violon, Guitare (duo) (4)
Choeur Mixte a Cappella (4)
Violon 2 (4)
Violon, Clarinette, Violoncelle et Piano (4)
Quintette à Cordes (4)
Solo à (B), 2 Cors et Orgue (4)
Flûte Traversière, Alto et Violoncelle (4)
Mezzo-Soprano, Flûte Alto, Alto, Harpe et Electro… (4)
Flûte Traversière (Ensemble à vent-Bois) et Pia… (4)
Flûte, Saxophone Ténor et Piano (4)
Clarinette Basse et Violoncelle (4)
1 Ou 2 Flûte(s) Traversière(s) (4)
Choeur de Femmes (SMezA) (4)
Flûte, Violon, Alto (4)
Voix et Flûte (4)
Trio ou Quatuor à Cordes (4)
Piano Trio: piano, violin, cello (4)
Flûte Traversière, Clarinette, Cor, Triangle, Ma… (4)
Flûte, Saxophone Alto, Guitare et Percussion (4)
Voix, Orgue (4)
Fanfare Band (4)
Alto, Guitare (duo) (4)
Concert Band/Harmonie et Corne de Bugle (4)
Voix et Fanfare (4)
Soli (SATB), Gemischter Chor (SATB), Ausfüllungsb… (4)
CHAM::Musique De Chambre (4)
Soli (T (Evangelist), B (Jesus), SATB), Choeur Mix… (4)
Clarinette, Violoncelle et Piano (4)
Choeur Mixte (SSATB) Et Instrument(s) Ad Lib (4)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (I/1… (4)
2 Trompettes (duo) (4)
Paroles Seulement (4)
Hautbois et Cordes (4)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo (4)
Flûte Traversière, Flûte Traversière Alto et P… (4)
Ensemble de cuivres, Percussion (4)
Xylophone (4)
Instruments en Clé de Fa (4)
Flûte Traversière Hautbois, Clarinette, Cor et B… (4)
Solistes SATB, Choeur SATB, 2 Pianos et Harmonium (4)
Flûte Traversière, Hautbois et Piano (4)
Flûte Traversière Cordes et Basse Continue (4)
Ensemble d'École (4)
Voix Mixtes SAB et Piano (4)
Clarinette Alto et Piano (4)
Ensemble de guitares (4)
Clarinette, Alto et Piano (trio) (4)
Fake Book (4)
Flûte à bec Alto, Piano (4)
Hautbois, Clarinette et Orchestre (3)
Saxophone Ténor ou Ensemble à vent-Bois en Mib e… (3)
Flûte à bec Alto, Basse continue (3)
Saxophone Baryton, Piano (3)
Chœur Mixte [SATB] et Orchestre (3)
5TET/STR ENS::Quintet, String Ensemble (3)
Solo T (S), 2 Violons et Basse Continue (3)
CHAM::Chamber Group (3)
Trompette, Trombone, Piano (3)
Alto ou Violoncelle et Orgue (3)
Concert Band et Solistes (3)
3 Trompettes (trio) (3)
Flûte, Harpe et Piano (3)
Choeur Mixte (SSATB) et Instruments Ad Libitum (3)
Harpe, Violon, Violoncelle (3)
Trombone et orchestre (3)
Flûte, Alto et Piano (3)
Clarinette, Cor, Piano (3)
Tuba Ténor et Piano (3)
CLT/ORCH::Clarinette, Orchestre (3)
Violon, Violoncelle, Clarinette (3)
4 Bassons (3)
PFC/STR QUARTET::Piano De Chambre/Quatuor À Corde… (3)
33 Chanteurs (9 Voix, darunter eine größere Roll… (3)
2 Hautbois et Cor anglais (3)
Solistes ATB, Choeur SATB, Cor Da Caccia, 2 Hautbo (3)
Voix Soprano, Violoncelle (3)
Orchestre Symphonique (3)
Violon 1 (3)
Choeur Mixte (SATB) Avec Solistes (AB), Narrateurs… (3)
Flûte, Alto (duo) (3)
Orgue, Trompette (duo) (3)
Cor, Trompette, Trombone (trio) (3)
4 Parties Mixtes, 2 Trompettes Et 3 Trombones (3)
Orgue et Quatuor de cuivre (3)
2 Pianos, 3 mains (3)
Piano, Guitare, Basse (3)
Choeur d'Enfants et Piano (3)
Soprano et Orchestre de Chambre (3)
Récitant, Choeur D'enfants et Concert Band (3)
Guitare Tablatures Classique et Fingerpick (3)
SATB Et Cordes (3)
Cornet A Pistons (3)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines (3)
Tous instruments (3)
T-shirt (3)
Ensemble de Trompettes (3)
Cor anglais, Piano (3)
Choeur De Femmes A 3 Voix (Choeur De Garçons) (SS… (3)
2 Euphoniums et Piano ou Orgue (3)
Voix Hautes (3)
Ensemble Flexible à 5 Parties (3)
Guitare (Fingerpick) (3)
3 Trombones (trio) (3)
Solistes (SB), Choeur Mixte (SSATB), Cordes Et Bas… (3)
Violoncelle (Partie Séparée) (3)
Partition D'Orchestre (3)
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Flûte traversière, Orgue (duo) (3)
Matériel D'Orchestre (3)
SingSt, Klavier (3)
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Clavier Electronique et Ligne Mélodique (3)
Voix solo - piano (3)
Voix Et Ensemble (3)
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Baryton, Choeur Mixte Et Orchestre (3)
CLT/STR INST::Clarinette/Instruments À Cordes (3)
Solistes (SATB), Choeur Mixte (SATB) et Orchestre (3)
Conga (3)
SOP/STR QUARTET::Soprano/Quatuor À Cordes (3)
Carte Postale (3)
Clarinet, Bass Clarinet, Violin, Viola, Double Bas… (2)
Trompette I (2)
Solistes et Choeur SATB/SATB et Basse Continue (2)
REC/STR ENS::Fl–te … Bec, Ensemble De Cordes (2)
Timbales (2)
Ensemble de Bassons (2)
Chant et Réduction Piano (2)
Clarinette Ou Trompette Et Piano (2)
Choeur A L'Unisson Et Orgue (2)
Flute/Piccolo, Hautbois, Clarinette en Sib, Cor e… (2)
ST (A) BarB et Piano (2)
Choeur (SA), 2 Violons et Basse Continue, (Choeur (2)
MAR::Marimba (2)
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2 Bassons (duo) (2)
SOP/BAR/ENS::Soprano, Baritone Voice, Ensemble (2)
Soli, Gemischter Chor 1 & 2, Orchester 1 & 2 (2)
Percussions Et Brass Band (2)
Concert Band ou Harmonie et Clarinette (2)
Dobro (2)
Quintette De Pianos (2)
2 Flûtes Traversières et Basse Continue (2)
Viole de Gambe, Basse continue (2)
Quatuor de cuivres: 4 cors (2)
Voix (Flûte A Bec Et Violon) Et Piano (2)
2 Ukulélés (2)
Trompette et Quatuor à Cordes (2)
Partition D'Orchestre In 16 Poche (2)
SSAX/ASAX/ACDN/MAR/DB::Soprano Saxophone, Alto Sax… (2)
Section Rythmique (Piano, Guitare, Basse, Batterie… (2)
Choeur Mixte et Hautbois (2)
Clarinette, 2 Violons, Alto et Violoncelle (2)
Voix (avec Boîtes d'Accords) (2)
Flûte A Bec Soprano (Solo Ou En Groupes) Ou Choeu… (2)
Clarinette, Basson, Trompette, Violon, Violoncell… (2)
2 Ou 4 Voix Mixtes Et Piano (Ou Orgue) (2)
Batterie et Piano (2)
Choeur Mixte et Orchestre (2)
VLN/VLC/PF DUET::Violon, Violoncelle, Piano Duo (2)
Banjo Tenor (2)
Sac (2)
Mezzo-Soprano, Baryton et Piano (2)
Voix et Piano ou Guitare (2)
Saxophone Soprano (2)
VCE/VLN/VLC/DB::Voice, Violin, Cello, Double Bass (2)
Quatuor de percussions (2)
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2 Clarinettes, Piano (2)
VLN/VLA/CLT/BSN::Violin, Viola, Clarinet, Bassoon (2)
BAR/STR QUARTET::Baryton, Quatuor Ã? Cordes (2)
Cornet (2)
Choeur SSTBar et Orgue (2)
Basse electrique, Batterie (2)
Quintette de Saxophone: 5 saxophones (2)
Ensemble de Cors (2)
Chamber Ensemble (2)
Choeur De Femmes (2)
VLN/VLA/VLC::Violin, Viola, Cello (2)
Quatuor de cuivres: 4 trombones (2)
Euphonium et Orchestre d'Harmonie (2)
Trompette et Concert Band ou Harmonie (2)
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String Quartet #2 B-Flat Major B 17
36.00
String Quartet #2 B-Flat Major B 17
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
-
Intermédiaire
Barenreiter
Like Dvorák's third and fourth quartets (in D major and E minor respectively), ...
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Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text from the 'Antonín Dvorák Complete Edition?, together with a new foreword by Hartmut Schick.- Musical text based on the 'Antonín Dvorák Complete Edition?, volume IV/5- New foreword by Hartmut Schick (Ger/Cz/Eng) / Quatuor A Cordes
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Clarinet Quintet In A Major Op. 146
53.30
Clarinet Quintet In A Major Op. 146
Quintette de Clarinette: Clarinette, Quatuor à Cordes
G. Henle
With his clarinet quintet, begun in 1915, Reger was remembering his role models ...
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With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger's last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube. / Quintette De Clarinettes
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Maurice Onderet: Violin Method Book 2a: Violin: Instrumental Tutor
4.50
Maurice Onderet: Violin Method Book 2a: Violin: Instrumental Tutor
Violon
Bosworth
Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and...
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Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and worked in Canada from 1927-1946 and from 1965-1971. He is best remembered for concerts in Toronto and Montreal where he gave the Canadian premiere of the Sibelius Violin Concerto a formidable piece well beyond the technical ability of most soloists. He also taught at the McGill Conservatory Mons La Louvière and Montreal. His Violin Method Book 2a was part of the second of the five volumes of his Méthode de Violon subtitled Systéme des Intervales. It was published in 1948 soon after his first return to Belgium.
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Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A (SUK JOSEF)
16.41
Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A (SUK JOSEF)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Barenreiter
for String Quartet op. 35a. Par SUK JOSEF. Josef Suk played second violin in the...
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for String Quartet op. 35a. Par SUK JOSEF. Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas” hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. - First Urtext edition/ Répertoire / Quatuor à Cordes
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Franz Schubert: Ave Maria: Violin: Instrumental Work
2.50
Franz Schubert: Ave Maria: Violin: Instrumental Work
Español
Violon et Piano
[Partition]
Unión Musical Ediciones
'Ave Maria' (Hail Mary) by Franz Schubert is one of his many exquisite musical ...
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'Ave Maria' (Hail Mary) by Franz Schubert is one of his many exquisite musical gifts to the world.This 'Ave Maria' is a simple moving piece which is universally known and loved and was composed in about 1825 when Schubert was twenty-eight years old. That was only three years before his death at the young age of 31. It is part of a setting of several songs Schubert wrote for Sir Walter Scott's 'Lady of the Lake'.
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Simon Holt: The Sharp End Of Night: Violin: Instrumental Work
10.99
Simon Holt: The Sharp End Of Night: Violin: Instrumental Work
Violon
[Partition]
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Avancé
Chester
This work was commissioned by Bill Colleran. It was first performed by David Alb...
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This work was commissioned by Bill Colleran. It was first performed by David Alberman on 19th November 2005 at St Paul’s Hall Huddersfield as part of the Huddersfield Contemporary Music Festival.The Sharp End OfNight was written especially for David Alberman by way of an enormous thank you for his breathtaking playing and acting in the composer's music theatre piece Who put Bella in the Wych Elm? (2003). The music is derivedentirely from the Violin part of that work.
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John McCabe: Clarinet Quintet - 'La Donna': Clarinet: Score
20.99
John McCabe: Clarinet Quintet - 'La Donna': Clarinet: Score
Quintette de Clarinette: Clarinette, Quatuor à Cordes
[Partition]
Novello & Co Ltd.
For Clarinet and String Quartet.Published in 2011.Score.This work was commission...
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For Clarinet and String Quartet.Published in 2011.Score.This work was commissioned by Linda Merrick and the Kreutzer Quartet to whom it is dedicated as a project involving commission performance recording and educational and outreach work. It was supported by funds provided by the PRS for Music Foundation RVW Trust The Holst Foundation the Royal Northern College of Music and the Ida Carroll Trust. The first performance was given at the Royal Northern College of Music Manchester on June 15th 2011.
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Sonate In D (PISENDEL JOHANN GEORG)
10.90
Sonate In D (PISENDEL JOHANN GEORG)
Violon, Basse continue
[Partition]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Fiser Lubos - Variations On An Unknown Theme - For String Quartet
26.40
Fiser Lubos - Variations On An Unknown Theme - For String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...
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Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
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Bohuslav Martinu: Trio à cordes n°2 H238: String Trio: Score and Parts
Trio à Cordes: violon, alto, violoncelle
[Conducteur et Parties séparées]
Heugel
Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large s...
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Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes the String Trio for Violin Viola and Celloprovides advanced string players with an exciting challenging and inspiring ensemble work addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles.
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
40.30
Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violon et Piano
[Partition]
Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented somethi...
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano
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Gustav Holst: String Trio In G Minor: String Trio: Score and Parts
Trio à cordes
[Partition]
S J Music
This String Trio is technically quite accessible for competent players. It's a v...
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This String Trio is technically quite accessible for competent players. It's a very early work by Holst who is best known for 'The Planets'. It was written while he was still a student but it is nevertheless a mature piece worthy of a place in the String Trio repertoire. Gustav Holst was born in Cheltenham in 1874 and died in 1934.
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Datura op. 57 (YE XIAOGANG)
41.20
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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Willem Ten Have: Capriccio For Violin And Piano Op.24: Violin: Instrumental Work
13.99
Willem Ten Have: Capriccio For Violin And Piano Op.24: Violin: Instrumental Work
Violon
Bosworth
Willem Ten Have (1831 - 1924) was a Dutch violinist and composer who studied un...
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Willem Ten Have (1831 - 1924) was a Dutch violinist and composer who studied under Charles De Beriot before spending the remainder of his long life in France. He wrote around 40 published works mostly for solo Violin or Violin and Piano. The Capriccio for Violin and Piano (Op. 24) was probably written at some point in the 1870s or 1880s while Ten Have was a Professor at the University of Lyon.
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String Quartet
20.00
String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
Debussy's new string quartet received a very cool reception at its première in ...
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Debussy's new string quartet received a very cool reception at its première in Paris in December 1893, performed by the famous Quatuor Ysaÿe. The critics were upset by its unusual harmonies and orchestral sounds, and the musicians who were later presented with it considered it 'unplayable?. Nevertheless the work was able to establish itself in the years that followed and today belongs to the core chamber music repertoire. The work was published in 1894 as '1er Quatuor? - showing that the composer was at least toying with the idea of writing another such work at this time - yet he never did fulfil this promise. / 2 Violons, Alto Et Violoncelle
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Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
4.50
Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: howmusic could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. Whatresults is a singular machine geared to an intermittent ostinato in the first violin.This movement for string quartet was first performed by the Arditti Quartet in May 1983 as part of the 40th Anniversary Gala concert of theSociety for the Promotion of New Music at the Barbican Hall London.Score (miniature). Duration c. 5mins.
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Fratres (PART ARVO)
28.40
Fratres (PART ARVO)
Violon et Piano
[Partition]
Universal Edition
Par PART ARVO. Fratres (original setting for violin and piano) was commissioned ...
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Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Daniel Hope, internationally acclaimed violin soloist, says about the piece: 'Fratres opened up my ears in a completely new way. Recently when I recorded it, I was extremely pleased about the edition by Universal Edition. A masterpiece needs an illustration that clearly depicts the composer's wishes, as it was done with this piece. ' Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to aspecific klangfarbe (tone color)./ Répertoire / Violon et Piano
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Cheryl Frances-Hoad: Cloud Movements: Chamber Ensemble: Score & Parts
Violon, Clarinette, Piano (trio)
[Partition]
Cadenza Music
Cheryl Frances-Hoad's Cloud Movements for Clarinet Violin and Piano. Cloud Move...
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Cheryl Frances-Hoad's Cloud Movements for Clarinet Violin and Piano. Cloud Movements was premiered by Ensemble Matisse on the 8th January 2015 at the Purcell Room (South Bank) as part of the Park Lane Young Artists New Year Series. 'On honeymoon in Tuscany I was determined to come home inspired by a great work of art on which to base my next commission. However it was watching the gradually changing shape of a cloud crossing the sky over a glass of Tuscan Red that eventually inspired this work: the idea influences the harmonic progressions in the piece which gradually metamorphose in shape following no particular rules. Backhome I started reading Naomi Klein's This Changes Everything about Climate Change and Capitalism. A chapter about 'Solar Radiation Management' a potentially hazardous proposed geoengineering practice in which sulfates are sprayed into the stratosphere (with the intention of reflecting sunlight back into space) influenced the piece as it progressed (in particular the final movement). The second and fourth movements are both canons - the first a three part canon the second a four part palindromic one (palindromes also feature in the final movement).' - Cheryl Frances-Hoad
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Sonata Da Chiesa
25.10
Sonata Da Chiesa
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the en...
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Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert.Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas? hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ.This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584).The orchestral version differs in some details and has an added part for double bass. - First Urtext edition / Quatuor A Cordes
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Nathaniel Stookey: String Quartet No. 1: String Quartet: Score & Parts
39.99
Nathaniel Stookey: String Quartet No. 1: String Quartet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Associated
String Quartet No. 1 was inspired by The Lindsays who gave its first British pe...
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String Quartet No. 1 was inspired by The Lindsays who gave its first British performances and helped in the preparation of this edition. The work was commissioned by WUNC-FM with funds from the North Carolina State Department of Cultural Resources for the inaugural concert and broadcast of the WUNC Composers-in-Context Series. The premiere was given by The Ciompi Quartet at Hill Hall on the campus of the University of North Carolina at Chapel Hill on November 21 1998. The work is dedicated with gratitude and affection to Ronnie and Susanne Birks in celebration of their 20th anniversary of marriage.
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Triple Set (JALBERT PIERRE)
86.00
Triple Set (JALBERT PIERRE)
Flûte Traversière, Clarinette et Piano
[Conducteur et Parties séparées]
Schott
For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commiss...
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For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked “With great energy”, is rhythmically propelled forward by the piano’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked “Timeless” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ Répertoire / Flûte Traversière, Clarinette et Piano
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Robert Trory: Concert Collection: Violin: Instrumental Album
Violon
Waveney Music Publishing
for Violin & Piano-Progressive pieces for beginners - grade 2. Original composit...
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for Violin & Piano-Progressive pieces for beginners - grade 2. Original compositions by Robert Trory with piano accompaniments by Sally Mays.This volume was devised by my husband Robert Trory and replaces his First Book of Concert pieces and his Second Book of Concert Pieces. As well as using material from these books he arranged a further 4 pieces from his VIOLIN PLAYING books 1 and 2 and composed another seven original pieces to complete this collection all with piano parts expertly written by Sally Mays.The graded pieces presented here are intended to provide performance experience for the student. The pieces incorporate different styles and genres and it is hoped thatthey will enhance concerts for both performer and listener.Those arrangements of compositions first published as violin duets in VIOLIN PLAYING books one and two presented here for violin and piano incorporate small differences in the violin parts. Robert Trory's work of assembling this book was interrupted in the spring of 2013 when illness made it impossible for him to proceed. His fight to overcome a brain tumour was sadly lost in August 2013. However he had asked me to oversee the production of 'CONCERT COLLECTION' and this I do on his behalf.The task would have been impossible for me without the very great help and guidance of Mark Goddard of Spartan Press. He has expended his time and expertise on the project as well as giving me great encouragement and for this I extend to him my heartfelt thanks. Sincere thanks also go to Sally Mays for her painstaking proof reading and for writing such beautiful and imaginative piano accompaniments. Nina Trory 2014
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
229.90
Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Orchestre de chambre
[Partition]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Lennox Berkeley: Sonata No. 1 For Violin And Piano: Violin: Score and Parts
20.99
Lennox Berkeley: Sonata No. 1 For Violin And Piano: Violin: Score and Parts
Violon et Piano
[Partitions]
Chester
Lennox Berkeley's Sonata No. 1 for Violin and Piano.Written when Berkeley was st...
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Lennox Berkeley's Sonata No. 1 for Violin and Piano.Written when Berkeley was studying with Nadia Boulanger this sonata was premiered by Yvonne Astruc and Madeleine Grovlez for theSociété musicale indépendante at the Ecole normale de musique in Paris on 4 May 1932. The work is dedicated to Gladys Sophia Bryans an elderly admirerof Berkeley who died in 1951. She lived at Rudge House Painswick Gloucestershire and her house parties included Berkeley and Britten when they were working on their joint orchestral suite Mont Juic in 1937.The first recording of this Sonata along with No. 2 Berkeley?sofficial Op. 1 was made in 2013 by Edwin Paling and Arabella Teniswood-Harvey on Move MD3361. Their performing score has been consulted for this first publication which has had the support of the Lennox Berkeley Society.The source is a manuscript in a copyist?s hand now at the British Library.
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Bent Sørensen: Sieben Sehnsuchte: Violin: Instrumental Work
Violon
Wilhelm Hansen
Work for Violin and Piano dating from 1999.The composer writes: 'Sieben Sehnsüc...
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Work for Violin and Piano dating from 1999.The composer writes: 'Sieben Sehnsüchte was written in 1999 for David Alberman and Rolf Hind. As the title suggests it is in seven movements - each more insanely difficult and bothersome than the other. All sorts of possible and impossible playing techniques have been used and the performers have to both whistle and sing. However it is not the intention that the slightly more unusual sound should be heard as effects. Everything is supposed to fuse together into something that is in itself a little opera - a ?chamber piece?. It was written in a period when I was waiting impatiently for the libretto for Under the Sky and I seeit as a meeting (or seven meetings) between two people - two instruments - longing for each other; longing to merge together. The piece is a kind of sister work to Roses are Falling.'
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Johann Christian Bach: Concerto en ut mineur: Violin and Accomp.: Instrumental
15.99
Johann Christian Bach: Concerto en ut mineur: Violin and Accomp.: Instrumental
Violon et Piano
-
Intermédiaire
Salabert
Henri Casadesus was passionate about early instruments, as we know from a number...
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Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d?amore, the subject of a manual he wrote entitled Tecnique de la viole d?amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called ?original? part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the ?original? version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.
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Trio (MARTINU BOHUSLAV)
63.50
Trio (MARTINU BOHUSLAV)
Trio à Cordes: violon, alto, violoncelle
Heugel
Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer,...
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Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Celloprovides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles./ Répertoire / Violon, Alto et Violoncelle
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Romanesca Op. 13/1
11.50
Romanesca Op. 13/1
Violon et Piano
Schott
Any violinist who hears the name Sitt nowadays will probably just think of the a...
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Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano
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Violin Method Book 4 - Sixth Edition
18.40
Violin Method Book 4 - Sixth Edition
Violon
[Partition + CD]
Novello & Co Ltd.
Eta Cohen 's world famous Violin method broke new ground when it was first relea...
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Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. It includes a beautifully recorded CD containing demonstration tracks of all the pieces. Book 4 is suitable for students from grades 4-7 and includes studies and pieces introducing the 2nd, 4th and 5th positions as well as trills, double stopping, chords, spiccato and sautillé bowings. 'It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original' - James Murphy Director, Southbank Sinfonia / Violon
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Maurice Onderet: Violin Method Book 1: Violin: Instrumental Tutor
4.50
Maurice Onderet: Violin Method Book 1: Violin: Instrumental Tutor
Violon
Bosworth
Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and...
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Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and worked in Canada from 1927-1946 and from 1965-1971. He is best remembered for concerts in Toronto and Montreal where he gave the Canadian premiere of the Sibelius Violin Concerto a formidable piece well beyond the technical ability of most soloists. He also taught at the McGill Conservatory Mons La Louvière and Montreal. His Violin Method Book 1 was the first of the five volumes of his Méthode de Violon subtitled Systéme des Intervales. It was published in 1948 soon after his first return to Belgium.
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