Schirmer's Library of Musical Classics Vol. 2117 For Violin and Piano-Three of the most beloved Violin concertos from the Romantic era combined into a convenient and affordable collection.These repertoire staples belong in every violinist's music library.

Romantic violin pieces from the late nineteenth and early twentieth centuries. Brilliantly written by masters of the instrument they are designed for players between grade one to three. Edited by Elizabeth Turnbull.

Dvorak's Opus 75 the Romantic Pieces or Romantische Stucke for Violin with Piano accompaniment comprises four fabulous pieces ideal for concert or recital performance. The solo Violin part is also included on a separate insert.

Par RODE / CATHERINE. Part of the collection ; Concertos Classiques, 7th Concerto & 1st Solo is a piece for Violin and Piano by Pierre Rode with an arrangement by Georges Catherine. Relatively difficult, it features the score and the Violin part. Really melodious, it includes numerous trills, harmonies, accidentals, acciaturas and some indications of the positions and techniques to use. The breathings are also indicated. It is a really nice work to play in recitals and can also be used for contests. Pierre Rode (1774-1830) was a French violinist and musician who composed numerous romantic concertosfor Violin and Piano. He was the Violin soloist to Napoleon and was dedicated a Violin Sonata (Op. 96) by Beethoven. / Pièce de concert / Répertoire / Violon et Piano

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Music Minus One Violin Deluxe 2-CD Set-Tchaikovsky's soaring magnificent violin concerto is one of the summits of the literature and one which every aspiring virtuoso needs to learn. Highly recommended it is truly inspiring music in the great Russian Romantic tradition. Now includes two newly remastered play-along CDs including a slower-tempo practice version. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn

Guest Spot-Ten great contemporary Love Songs in melody line arrangements by Simon Lesley with specially recorded backing tracks included on the CD. These new pop tunes from the past ten years sound absolutely fantastic whenplayed on the vivacious Violin while you will sound even better with the instrumental backing tracks. These brilliant pop tunes were performed by some of the most popular artists of the early Millennium.Featuring Evergreen by Will Young Emotion by Destiny's Child and the amazing What If sung by Kate Winslet these excellent songs all made their impact on the charts in the early 2000s. If you've everwanted to play a song like Hero by Enrique Iglesias on the Violin with Guest Spot you can. Not only can you learn these top Love Songs of the past few years you'll also be able toperform them for your nearest and dearest who will no doubt appreciate your fresh new take on these familiar romantic songs. Not only can you learn from the sheet music within this book you can alsolisten to the CD which features full performance versions of every song that also omits the instrumental part allowing you to play along with some professionally recorded accompaniments. This will make sure you sound even betterwhen you're serenading your sweetheart with a classical-pop rendition of Whole Again or a Violin version of Robbie Williams' Eternity. Even with the pedigree of love songs already out there these modern onesprove that great ballads can still be written.  If you want to learn to play and perform ten really great contemporary love songs by some of the best pop artists of the early 2000s look no furtherthan this New Love Songs Playalong For Violin collection allowing you to learn the songs then play along!

Composed and arranged by Jay Ungar and Molly Mason this beautiful romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requested tunes in concert. Perfectfor weddings this carefully prepared violin solo or duet arrangement with piano accompaniment presents the theme 3 times through beginning in G and modulating D. The piano/violin score also includes suggested guitar chords. Thearrangement accurately captures the rhythms harmonies and chord voicings of Jay and Molly's concert and recorded performances. Convenient pull-out parts are provided for the violinists. Jay Ungar is nationally recognized forhaving composed and performed Ashokan Farewell the theme of the PBS series 'The Civil War.' The Lover's Waltz is also available in a solo piano edition be Molly Mason.

Technique Flies High! is an exciting book of new performance studies for the intermediate to advanced level of violinist. In using baroque romantic contemporary and folk styles these studies makes these studies ideal for unaacompanied concert repertoire. The book includes practice and performance tips to guide the student and outlines the technical and musical goals. The grade standard is approximately 6-8.

Tzigane meaning gypsy was inspired by gypsy lore and music and by the late romantic use of these traditions.Elias was stimulated by 'The Wind on the Heath' an anthology of writings by and about gypsies collected by JohnSampson.

Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle

Sonata in G Minor for Solo Cello was written in 1924 and scored in four movements: Quasi a Piacere Cantabile Sostenuto Recitativo Liberamente Allegro Con Moto Perpetuo. Apparently inspired bythe seminal Kodaly Sonata for the same instrument it is a challenging piece suitable for any aspiring virtuoso performer. Sir Granville Bantock (1868-1946) was a British composer conductor and educator. Hechannelled his energetic and creative personality into many musical projects championing the works of Jean Sibelius founding the City of Birmingham Symphony Orchestra and composing many splendid classical pieces. Viewed by hiscontemporaries as out-of-date his music is now being appreciated as one of the last great contributions from the English Romantic movement.

A collection of six fabulous songs for Cello and Piano by Romantic composer Johannes Brahms. Although these are arrangements they were first published in 1896 by Simrock Brahm's publisher while the composer was still alive and so Brahms must have known of and accepted the arrangements. The notation of the old Simrock edition has been assimilated with that of the original vocal version especially with regard to the dynamics. Some of the cello's closing passages have been rendered more effective and fingering and phrasing have been modernised both technically and stylistically.

One of the most beautiful pieces of Romantic cello literature - edited and fingered by the well-known cellist Prof. Maria Kliegel.