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Sonatas For Violin And Basso Continuo Op. 5, VII-XII
34.22
Sonatas For Violin And Basso Continuo Op. 5, VII-XII
Violon, Basse continue
Barenreiter
Arcangelo Corelli, le virtuose du violon de son temps, a publié son 'Sonates po...
(+)
Arcangelo Corelli, le virtuose du violon de son temps, a publié son 'Sonates pour violon et basse continue opus V' à Rome en 1700. Ces sonates sont un recueil de violon de son temps et jeté les bases de compositions pour violon futures.Au fil des années, les sonates ont été publiés dans près de 100 éditions, tous basés sur la première édition de Corelli qui ne contient que la ligne de violon solo au-dessus d'une ligne de basse latente. Aujourd'hui, les sonates sont bien connus dans de nombreuses réalisations continuo modernes. Cependant, une réalisation de l'époque de Corelli par Antonio Tonelli existe également et est présenté ici pour la première fois dans une édition moderne performant. Ce constat est surprenant en ce qu'il contient des accords complets, parfois joués par les deux mains.En outre, la nouvelle édition savante critique de Bärenreiter comprend de nombreux embellissements. Pour la plupart, ils ont été trouvés dans des documents manuscrits par Tartini, Geminiani, McGibbon, Dubourg et Roger (à partir d'une réimpression de la sonates de c. 1710). Ces embellissements sont présentés dans un livret distinct lequel les joueurs peuvent placer à côté original de Corelli sur le stand de la musique.En complément de cette édition Urtext sont une introduction historique, un commentaire critique et une annexe contenant des préludes aux sonates pour clavier par Tonelli, ainsi qu'une sélection de mouvements de clavier embellies par les contemporains de Corelli.- Score à la réalisation de la basse continue par Tonelli ainsi que la ligne de basse chiffrée latente de Corelli- Avec une partie de violon de Urtext séparé- Avec un latente partie de continuo figuré distinct- Comprend un livret séparé avec des embellissements- Annexe aux descriptions des sources, des commentaires critiques (Eng) et préludes pour instrument à clavier par Tonelli / Violon Et Basse Continue
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6 Sonaten (HASSE JOHANN ADOLF)
73.10
6 Sonaten (HASSE JOHANN ADOLF)
Violon, Basse continue
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Carus Verlag
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present fi...
(+)
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present first edition of the Six Violin Sonatas by Johann Adolf Hasse is the only instrumental work by this composer whose authorship can be verified through his handwritten entries in a manuscript copy. The composer gave these pieces a profile completely tailored to the instrument, a fact which places them in sharp contrast to those compositions which can be played by various melody instruments./ Répertoire / Violon et Basse Continue
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Sämtliche Sonaten Für Violoncello Und Basso Continuo (VIVALDI ANTONIO)
43.50
Sämtliche Sonaten Für Violoncello Und Basso Continuo (VIVALDI ANTONIO)
Violoncelle, Basse continue
[Conducteur et Parties séparées]
Barenreiter
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical editio...
(+)
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
27.00
Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violon, Basse continue
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Guerrieri A. - Sonate Op. 1 - Violon
29.16
Guerrieri A. - Sonate Op. 1 - Violon
Violon, Basse continue
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(Venezia, 1673)
- 3 sonate per violino e b.c..
- 1 sonata per arpa do...
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(Venezia, 1673)
- 3 sonate per violino e b.c..
- 1 sonata per arpa doppia o tiorba. 8 sonate per 2 violini e b.c.. 1 sonata per violino, arpa doppia o tiorba e b.c..
- 3 sonate per 3 violini e b.c..
- 1 sonata per 2 violini, basso di viola e b.c..
- 1 sonata per 2 violini, tiorba e b.c. (di A. M. Turati). 2 sonate a 4 (di cui una di A. M. Turati).
- 2 balletti da camera per 2 violini e b.c..
- partite sopra Ruggiero per 2 violini b.c.
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
9.50
Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncelle, Basse continue
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
(+)
It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
18.50
Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violon, Basse continue
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
(+)
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Complete Violin Sonatas (HAENDEL GEORG FRIEDRICH)
18.80
Complete Violin Sonatas (HAENDEL GEORG FRIEDRICH)
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Par HAENDEL GEORG FRIEDRICH. The Sonatas for Violin and Basso Continuo are among...
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Par HAENDEL GEORG FRIEDRICH. The Sonatas for Violin and Basso Continuo are among some of Handel's most beautiful writings for the Violin, and are a beautiful addition to the repertoire of any advancing violinist. These sonatas are clearly presented with detailed editorial markings and suggestions, along with a commentary on each work. This edition has been edited by Terence Best and the Basso Continuo has been realized by Peter Holman. The solo violin and basso continuo parts are also included on separate inserts. / Niveau : Intermédiaire à Avancé / Répertoire / Violon et Piano
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