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Prelude To The Afternoon Of A Faun For Orchestra
37.20
Prelude To The Afternoon Of A Faun For Orchestra
Orchestre
[Conducteur]
Barenreiter
'Prélude à l'Après-midi d'Faune de l'ONU', souvent désigné comme la premiè...
(+)
'Prélude à l'Après-midi d'Faune de l'ONU', souvent désigné comme la première composition de l'ère 'moderne', est l'un des plus populaires de Debussy et fréquemment interprété des oeuvres orchestrales. La pièce vient jusqu'à nous dans un large éventail de sources, et plusieurs autres importants sont dessinés sur pour la première fois dans la nouvelle érudition Bärenreiter-édition critique.La plupart des éditions actuellement disponibles sont basées sur la première édition de 1895 qui, pourtant, contient des erreurs graveur nombreuses. Lorsque les parties correspondantes orchestre sont également pris en considération, les écarts innombrables sont révélés.Bärenreiter Urtext édition incorpore de lectures d'un exemplaire imprimé de la note de C. 1908 qui montre les corrections et les corrections par le compositeur. Ces changements importants, trouvé dans aucune autre source, notamment indications métronomiques, des hauteurs différentes et les notes complémentaires, ainsi que le tempo ajoutée et les marquages ??d'articulation, ce qui rehausse subtilement tous les travaux finement sculpté de Debussy. Il ya même une marque de souffle ajouté au passage fameux solo de flûte qui ouvre le travail.- Edition savante critique avec de nombreuses corrections dans la partition et parties orchestrales- Une présentation claire des parties orchestrales dans un format agrandi, 25,5 cm x 32,5 cm / Orchestre
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Prelude To The Afternoon Of A Faun (DEBUSSY CLAUDE)
14.50
Prelude To The Afternoon Of A Faun (DEBUSSY CLAUDE)
Orchestre
[Partition]
Barenreiter
Par DEBUSSY CLAUDE. 'Prélude à l'aprés-midi d'un faune', souvent désigné co...
(+)
Par DEBUSSY CLAUDE. 'Prélude à l'aprés-midi d'un faune', souvent désigné comme la première composition de l'ère 'moderne', est l'un des plus populaires de Debussy et souvent interprété des oeuvres orchestrales. La pièce vient jusqu'à nous dans un réseau de sources, et plusieurs autres importantes sont tirées sur pour la première fois dans la nouvelle Bärenreiter savante critique édition. La plupart des éditions actuellement disponibles sont basées sur la première édition de 1895 qui, cependant, contient des erreurs graveur de nombreux. Lorsque les parties correspondantes d'orchestre sont également pris en considération, les écarts sont révélés innombrables. Bärenreiter Urtext édition incorpore de lectures d'un exemplaire imprimé de la note de c. 1908, qui montre les corrections et corrections par le compositeur. Ces changements importants, qui se trouvent dans aucune autre source, notamment les indications métronomiques, des terrains de différentes et des notes complémentaires, ainsi que le tempo et marques d'articulation ajouté, qui subtilement améliorer le travail finement sculpté de Debussy. Il est même une marque souffle ajouté au passage flûte solo célèbre qui ouvre les travaux. - Edition savante critique avec de nombreuses corrections dans la partition et les parties orchestrales - Présentation claire des parties d'orchestre dans un format agrandi, 25,5 cm x 32,5/ Répertoire / Orchestre
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La Mer
124.80
La Mer
Orchestre
[Conducteur et Parties séparées]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Orchestre
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Wine, Women And Song
16.70
Wine, Women And Song
Orchestre
[Conducteur d'étude / Miniature]
Barenreiter
'Prélude à l'aprés-midi d'un faune', souvent désigné comme la première com...
(+)
'Prélude à l'aprés-midi d'un faune', souvent désigné comme la première composition de l'ère 'moderne', est l'un des plus populaires de Debussy et souvent interprété des oeuvres orchestrales. La pièce vient jusqu'à nous dans un réseau de sources, et plusieurs autres importantes sont tirées sur pour la première fois dans la nouvelle Bärenreiter savante critique édition.La plupart des éditions actuellement disponibles sont basées sur la première édition de 1895 qui, cependant, contient des erreurs graveur de nombreux. Lorsque les parties correspondantes d'orchestre sont également pris en considération, les écarts sont révélés innombrables.Bärenreiter Urtext édition incorpore de lectures d'un exemplaire imprimé de la note de c. 1908, qui montre les corrections et corrections par le compositeur. Ces changements importants, qui se trouvent dans aucune autre source, notamment les indications métronomiques, des terrains de différentes et des notes complémentaires, ainsi que le tempo et marques d'articulation ajouté, qui subtilement améliorer le travail finement sculpté de Debussy. Il est même une marque souffle ajouté au passage flûte solo célèbre qui ouvre les travaux.- Edition savante critique avec de nombreuses corrections dans la partition et les parties orchestrales- Présentation claire des parties d'orchestre dans un format agrandi, 25,5 cm x 32,5 / Orchestre
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La Mer
179.00
La Mer
Orchestre
[Conducteur]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Ensemble A Vent
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La Mer
11.70
La Mer
Orchestre
[Partie séparée]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I
11.70 EUR - vendu par LMI-partitions
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La Mer
11.70
La Mer
Orchestre
[Partie séparée]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse
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La Mer
11.70
La Mer
Orchestre
[Partie séparée]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto
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La Mer
11.70
La Mer
Orchestre
[Partie séparée]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II
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Claude Debussy: Children's Corner: Orchestra: Score
49.99
Claude Debussy: Children's Corner: Orchestra: Score
Orchestre
[Conducteur]
Wilhelm Hansen
Claude Debussy Children's Corner orchestrated by Hans Abrahamsen (2011). Dedicat...
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Claude Debussy Children's Corner orchestrated by Hans Abrahamsen (2011). Dedicated with affection to Amalie Malling and Michael Schønwandt. I Doctor Gradus ad Parnassum II Jimbo’s Lullaby III Serenade of the Doll IV The Snow is Dancing V The little Shepherd VI Golliwogg’s Cake Walk The orchestration by Hans Abrahamsen of Children’s Corner by Claude Debussy was commissioned by Radio KamerFilharmonie to celebrate Debusy at 150 in 2012. Arranged in 2011 it was then premiered by the Radio KamerFilharmonie conducted by Michael Schønwandt in Utrecht in February2012. Debussy’s six movement work for piano has been cherished the world over for its whimsical charm and the way in which they are evocative of childhood. Abrahamsen expands on these traits in his orchestration of the six little masterpieces; be it the mystical heaviness of Jimbo’s Lullaby the icy pirouettes in The Snow is Dancing or the buoyant ending: Golliwogg’s Cakewalk
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Claude Debussy: Première Rhapsodie: Orchestra: Part
4.00
Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestre
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
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For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Claude Debussy: Première Rhapsodie: Orchestra: Part
45.00
Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestre
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
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For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Claude Debussy: Première Rhapsodie: Orchestra: Part
4.00
Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestre
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
(+)
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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?uvres pour Orchestre ? Serie V ? vol. 4 (DEBUSSY CLAUDE)
174.00
?uvres pour Orchestre ? Serie V ? vol. 4 (DEBUSSY CLAUDE)
Orchestre
Durand
Dances pour harpe avec orchestre. Par DEBUSSY CLAUDE. / Date parution : 2022-12...
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Dances pour harpe avec orchestre. Par DEBUSSY CLAUDE. / Date parution : 2022-12-12/ Recueil / Orchestre
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3 Etudes De Debussy (JARRELL MICHAEL / DEBUSSY CLAUDE)
28.00
3 Etudes De Debussy (JARRELL MICHAEL / DEBUSSY CLAUDE)
En Français
Orchestre
[Partition]
Lemoine, Henry
Par JARRELL MICHAEL / DEBUSSY CLAUDE. / contemporain / Etude / Orchestre
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Prelude A L'Apres-Midi D'Un Faune
31.30
Prelude A L'Apres-Midi D'Un Faune
Orchestre
Jobert
Debussy écrit dans sa note explicative: 'La musique de ce Prélude est une illu...
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Debussy écrit dans sa note explicative: 'La musique de ce Prélude est une illustration très libre du beau poème de Mallarmé - elle ne prétend pas en être une synthèse. Il s'agit plutôt de fonds successifs sur lesquels se meuvent les désirs et les rêves du faune dans la chaleur de cet après-midi.'Le succès fut si vif que Gustave Doret, qui dirigeait l'orchestre lors de la création, dut bisser l'ouvrage.L'éditeur / Orchestre
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Fille Aux Cheveux De Lin Pour Orchestre Partition Et Parties (DEBUSSY CLAUDE / MOREL)
44.70
Fille Aux Cheveux De Lin Pour Orchestre Partition Et Parties (DEBUSSY CLAUDE / MOREL)
Orchestre
Notissimo
Par DEBUSSY CLAUDE / MOREL. / Répertoire / Orchestre
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3 Great Orchestra Works (DEBUSSY CLAUDE)
44.40
3 Great Orchestra Works (DEBUSSY CLAUDE)
Orchestre
[Partition]
Dover Publications
Par DEBUSSY CLAUDE. Prelude l' Apres-midi d'un Faune', 'Nocturnes' and 'La Mer'....
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Par DEBUSSY CLAUDE. Prelude l' Apres-midi d'un Faune', 'Nocturnes' and 'La Mer'. Authoritative French edition./ Répertoire / Orchestre
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Images For Orchestra (DEBUSSY CLAUDE)
119.70
Images For Orchestra (DEBUSSY CLAUDE)
Orchestre
[Conducteur]
Barenreiter
Par DEBUSSY CLAUDE. / Répertoire / Orchestre
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Images In Full Score (DEBUSSY CLAUDE)
24.20
Images In Full Score (DEBUSSY CLAUDE)
Orchestre
[Partition]
Dover Publications
Par DEBUSSY CLAUDE. / Répertoire / Orchestre
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Clair De Lune (DEBUSSY CLAUDE / CAILLIET LUCIEN)
27.40
Clair De Lune (DEBUSSY CLAUDE / CAILLIET LUCIEN)
Orchestre
[Partition]
Jobert
Par DEBUSSY CLAUDE / CAILLIET LUCIEN. / Classique / Répertoire / Orchestre
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Proses Lyriques (DEBUSSY CLAUDE)
57.00
Proses Lyriques (DEBUSSY CLAUDE)
Orchestre
[Conducteur]
Ricordi
Trascrizione Per Piccola Orchestra (U. Benedetti Michelangeli). Par DEBUSSY CLAU...
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Trascrizione Per Piccola Orchestra (U. Benedetti Michelangeli). Par DEBUSSY CLAUDE. Langue: English(US)/Deutsch/Français/Nederlands/Nihongo / Date parution : 1905-06-28/ Répertoire / Orchestre
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La Mer (DEBUSSY CLAUDE)
14.60
La Mer (DEBUSSY CLAUDE)
Orchestre
[Conducteur]
Zen-On
Par DEBUSSY CLAUDE. / Répertoire / Orchestre
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Claude Debussy: La Mer: Orchestra: Miniature Score
9.10
Claude Debussy: La Mer: Orchestra: Miniature Score
Orchestre
Eulenburg
3 Symphonic Sketches-'Maybe you don't know that I was intended for the fine care...
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3 Symphonic Sketches-'Maybe you don't know that I was intended for the fine career of a sailor…' was what Debussy wrote in a letter in which he tells about his work on La Mer. His passion for the sea remained despite his different career and brought him to compose the three symphonic sketches for orchestra. The initially conservative criticism of La Mer which can probably be attributed to the difference in style compared to the successful work 'Pelléas' could be reversed through a performance directed by Debussy in 1908 with overwhelming success.
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Claude Debussy: La Mer: Orchestra: Miniature Score
19.00
Claude Debussy: La Mer: Orchestra: Miniature Score
Orchestre
Barenreiter
Trois Esquisses Symphoniques-New Urtext edition with numerous corrections in com...
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Trois Esquisses Symphoniques-New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Following the recent publication of the full score and performance material to Debussy?s La Mer (BA 7880) Bärenreiter now presents the study score edition of this ?impressionistic? masterpiece.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new editionincludes the famous ?fanfare? in Movement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.
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Claude Debussy Karl Aage Rasmussen: Fourteen Preludes: Orchestra: Score
68.99
Claude Debussy Karl Aage Rasmussen: Fourteen Preludes: Orchestra: Score
Orchestre
Wilhelm Hansen
Claude Debussy's Fourteen Preludes expertly arranged for eight musicians by the ...
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Claude Debussy's Fourteen Preludes expertly arranged for eight musicians by the Danish composer Niels Rosing-Schow. Parts are available on hire: hire@ewh.dk
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Claude Debussy: La Mer: Orchestra
Orchestre
Zen-on
Pocket or Study Score. Debussy C
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Debussy C. - La Mer - Conducteur Poche
21.00
Debussy C. - La Mer - Conducteur Poche
Orchestre
Breitkopf & Härtel
EDITION URTEXT Compositeur : Debussy, Claude Instrumentation : Orch Nombre de pa...
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EDITION URTEXT Compositeur : Debussy, Claude Instrumentation : Orch Nombre de pages : 152
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Claude Debussy: Prélude à l'après-midi d'un faune: Orchestra: Miniature Score
12.99
Claude Debussy: Prélude à l'après-midi d'un faune: Orchestra: Miniature Score
Orchestre
Eulenburg
'Prélude à l'après-midi d'un faune' not only is the first masterpiece of youn...
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'Prélude à l'après-midi d'un faune' not only is the first masterpiece of young Achille-Claude Debussy but can also be regarded as one of the most important starting points of modern music. One can already imagine some characteristic and colourful instrumental sounds which he would use in his later works.
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Charles Fussell: Three Processionals: Orchestra: Study Score
29.99
Charles Fussell: Three Processionals: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Study Score No. 127-Charles Fussel's Three Processionals for Orchestra.Three Pro...
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Study Score No. 127-Charles Fussel's Three Processionals for Orchestra.Three Processionals is drawn from ideas contained in an earlier work by the composer Voyages based on the poetry of HartCrane.'In this work I was interested in connecting Hart Crane's use of sea images as a basic vocabulary for his cycle of love poems with Debussy's orchestral sea poem La Mer. The third processional concludes with adirect quote from Debussy. Hart Crane's poems in their profound concentrated language first warn the child that his beautiful and joyous seashore games touch a vast ocean whose depths are cruel And in the following poem loveitself is the great force which sweeps over and moves every aspect of life. To survive this 'tidal wedge' is a fearful and exhilarating struggle and we are frequently 'over-taken' by its power plus the knowledge of ourlimits'. - Charles Fussel
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