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Improve Your Sight - Reading! 1 - 5 (HARRIS PAUL)
9.90 €
Improve Your Sight - Reading! 1 - 5 (HARRIS PAUL)
Basson
[Partition]
-
Facile
Faber Music Limited
Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an es...
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Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help young musicians overcome the nerves that often cause sight-reading problems, by giving them thorough technical grounding as well as confidence boosting strategies. This book is designed especially for bassoon players working for the Grades 1-5 examinations. Step by step it helps the player to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of a prepared piece with associated questions for the student to answer, then finally to the real, unprepared sight-reading test itself. / Niveau : Facile / Etude / Basson
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The Joy of Woodwind Quintets - Volume Two: Bassoon Solo: Instrumental Album
19.99 €
The Joy of Woodwind Quintets - Volume Two: Bassoon Solo: Instrumental Album
Basson
[Partition + CD]
Music Minus One
Music Minus One Bassoon-A fabulous selection of woodwind quintets from such mast...
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Music Minus One Bassoon-A fabulous selection of woodwind quintets from such masters as Beethoven Haydn Mozart Lefebvre Colomer and Barthe. Contains pieces of varying lengths and complexities for a broad range of technical abilities. This is truly a treasure-trove for any bassoonist. Includes a high-quality printed music score and a compact disc containing accompaniments to each piece minus the soloist. Accompaniment: Camerata Woodwind Quintet: Gerald Carey flute George Townsend clarinet Roger Collins french horn Robert Koper bassoon
19.99 GBP - vendu par Musicroom GB
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Improve Your Sight-Reading! Bassoon Gr. 1-5 (HARRIS PAUL)
13.31 €
Improve Your Sight-Reading! Bassoon Gr. 1-5 (HARRIS PAUL)
Basson
Faber Music Limited
New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learni...
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New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Bassoon Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up acomplete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-sellingImprove your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Bassoon Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria. / Niveau : 1-5 / Etudes et exercices / Etude / Basson
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G. Sheen: Mr Sheen'S Miscellany For Bassoon: Bassoon: Instrumental Album
6.50 €
G. Sheen: Mr Sheen'S Miscellany For Bassoon: Bassoon: Instrumental Album
Basson
[Partition]
Spartan Press
Grade 3-This collection of pieces was written for the Trinity Guildhall Examinat...
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Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.
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Cornish Pastiche: Bassoon: Instrumental Album
12.50 €
Cornish Pastiche: Bassoon: Instrumental Album
Basson, Piano (duo)
-
Intermédiaire
Spartan Press
Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself dow...
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Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
12.50 GBP - vendu par Musicroom GB
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Si C - B Advanced Ensemble Development
13.26 €
Si C - B Advanced Ensemble Development
Basson
Alfred Publishing
Sound Innovations: Ensemble Development for Advanced Concert Band builds upon th...
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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon,Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. / Basson
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Rubank Elementary Method - Bassoon: Bassoon Solo: Instrumental Tutor
7.99 €
Rubank Elementary Method - Bassoon: Bassoon Solo: Instrumental Tutor
Basson
Rubank Publications
One of the most widely used series of methods for individual or like-instrument ...
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One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales arpeggios technical studies studies for musicianship articulation studies solos duets and studies devoted to the special needs of each instrument this series provides a fantastic wealth of material for all student musicians.
7.99 GBP - vendu par Musicroom GB
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The Contrabassoon (INCONIS RAIMONDO)
39.43 €
The Contrabassoon (INCONIS RAIMONDO)
Basson
-
Intermédiaire
Ricordi
History and Technique. Par INCONIS RAIMONDO. The aim of this book is to provide ...
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History and Technique. Par INCONIS RAIMONDO. The aim of this book is to provide the student with a thorough knowledge of the technical and expressive fundamentals of the contrabassoon. It is the ideal book to accompany students throughout their professional career, acting as a constant guideand offering assistance to improve and perfect the skills required to build a career in the world of music. The book also addresses the needs of teachers, offering useful suggestions for the entire academic period including fingering and trills, basic and advanced exercises, orchestral excerpts, how to construct reeds, and the history of the contrabassoon. / Niveau : Intermédiaire / Méthode / Date parution : 1905-07-04/ Méthode / Basson
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Sunset Song
23.21 €
Sunset Song
Basson, Piano (duo)
Hal Leonard
Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the...
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Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art, Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen) and like Hexen it is also dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano.Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy, sensuous, obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the first performance during which the piece underwent revisions.The piece starts with an introduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost Middle Eastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone, with a pitch written two octaves above the official limit of the instrument's register. The title Sunset Song was inspired by California's sunsets and the sun setting on the Pacific Ocean. / Basson Et Piano
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Concerto For Bassoon and Orchestra (PAUER JIRI)
34.22 €
Concerto For Bassoon and Orchestra (PAUER JIRI)
Basson, Piano (duo)
[Partition]
Barenreiter
Par PAUER JIRI. The Concerto for Bassoon was the first solo wind concerto penned...
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Par PAUER JIRI. The Concerto for Bassoon was the first solo wind concerto penned by the major Czech composer Jirà Pauer (1919-2007). It was composed in 1949 and after some re-working the final version was premiered in 1952 by Czech bassoonist Karel Bidlo and the Czech Philharmonic. Although technically very demanding, the concerto is written with a detailed knowledge of the bassoon's character and possibilities, making full use of the instrument's wide range of expression.This edition adopts the musical text of the first print from 1967 (Supraphon), the solo part has been revised. A Preface on performance practice has been supplied by Ondrej Sindelár, bassoonist of the Czech Philharmonic./ Répertoire / Basson et Piano
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Pastime With Good Company: Bassoon Ensemble: Instrumental Album
19.95 €
Pastime With Good Company: Bassoon Ensemble: Instrumental Album
3 Bassons
[Conducteur]
Spartan Press
Bassoon trios selected and arranged from the Renaissance Baroque Classical Ro...
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Bassoon trios selected and arranged from the Renaissance Baroque Classical Romantic and Modern eras by Graham Sheen (principal bassoon B.B.C. Symphony Orchestra). Seven substantial new pieces comprising score parts and detailed notes which teachers will find provide a wide range of technical and musical challenges while bon viveurs will enjoy an amusing and not too taxing prelude to the easing of the corks. Above all great fun! '... Splendid stuff Spartan!' - Double Reed News.Grade: 5 - 8
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Sheen: Miscellany (Grade 1): Bassoon: Instrumental Album
5.50 €
Sheen: Miscellany (Grade 1): Bassoon: Instrumental Album
Basson, Piano (duo)
[Partition]
-
Facile
Spartan Press
Mr Sheen's Miscellany For Bassoon was written for the Trinity Guildhall Examinat...
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Mr Sheen's Miscellany For Bassoon was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Mr Sheen's Miscellany For Bassoon - Grade 1 contains three pieces for bassoon and piano by Graham Sheen.Polka-dots.There are three contrasting types of expression for the bassoonist here. The opening phrase is staccato which is followed (at bar 11) by a sustained counter melody. Finally (at bar 19) both these effects are combined in a second melody which needs very clear dynamicplaying.Monkey Puzzle.Sustaining the sound while re-articulating the notes is important in this piece. In other words the opening should be played almost slurred. Be aware of the changing harmonies underneath the held notes in the bassoon part.Serious Song.Long but separate notes contrast with real legato. The main theme is marked tenuto so full value for each note especially ending notes. Even the quavers aren't very short at this speed. Try to make the richest sound you can like for example a fine Russian baritone.
5.50 GBP - vendu par Musicroom GB
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