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Les Misérables - Choral Selections From The Movie
7.10
Les Misérables - Choral Selections From The Movie
Chorale SATB
SATB, Piano
[Partition]
Hal Leonard
Placée dans le contexte du 19e siècle en France, Les Misérables raconte une h...
(+)
Placée dans le contexte du 19e siècle en France, Les Misérables raconte une histoire passionnante de rêves brisés et de l'amour non partagé, de passion, de sacrifice et de la rédemption - un témoignage intemporel à la survie de l'esprit humain.Maintenant, un film épique, vous fera vibrer les chansons aimées et histoire à travers cette vitrine chorale spectaculaire de 20 minutes pour choeur SATB avec accompagnement de piano, classés par Mac Huff. Les chansons incluent: At the End of the Day, Suddenly, I Dreamed a Dream, Master of the House, Castle on a Cloud, On My Own, One Day More, Empty Chairs at Empty Tables, Bring Him Home, Finale - Do You Hear the People Sing? / Choeur Mixte (SATB) Et Piano
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Miserables Medley SATB Schonberg
6.00
Miserables Medley SATB Schonberg
Chorale SATB
SATB, Piano
Hal Leonard
Un medley de la fonction primé, Tony adaptation musicale du roman classique de ...
(+)
Un medley de la fonction primé, Tony adaptation musicale du roman classique de Victor Hugo. Disponible séparément: SATB, SAB, SSA, CD ShowTrax. Parties rythmiques disponibles numériquement (syn, RTM, b, dm). Durataion: 15:30. / Chant Et Piano
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Nightfall
9.10
Nightfall
Chorale SATB
SATB A Cappella
Boosey and Hawkes
The composer states:'Nightfall is an incantatory piece inspired by how light cha...
(+)
The composer states:'Nightfall is an incantatory piece inspired by how light changes at the end of a day: the adding and subtracting of colours and shadow- the slowly building and diminishing dynamics- the shifting texture as the sun intensifies and then disappears over the horizon.Nightfall should be sung without vibrato so that the vocal colours and their translucent quality remain pure and clear. Recalling Baroque passacaglia procedure, the bass line underpins the entire work.Nightfall requires a chorus of no less than 26 voices with at least two basses. It's important to keep the parts balanced as the texture thickens so that all the lines are always clearly heard.? / Choeur Mixte A Cappella
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Confetti and Cake: Mixed Choir: Vocal Album
14.99
Confetti and Cake: Mixed Choir: Vocal Album
Chorale SATB
SATB A Cappella
[Conducteur]
Boosey and Hawkes
Music for the perfect wedding day... religious service civil ceremony & recepti...
(+)
Music for the perfect wedding day... religious service civil ceremony & reception-Whether it be a traditional white wedding in church or a contemporary civil ceremony in non-religious surroundings everyone wants their wedding day to be perfect. The pieces in the Confetti and Cake volume will help wedding couples and choirs alike choose the most appropriate and effective music for any occasion.There is music that caters for all tastes and abilities offering plenty of balance and variety. Pieces range from very simple to the somewhat more complex. Standard sacred repertoire (Bach Gounod Mozart Walford Davies etc.) is followed by some contemporary church anthems one (by Will Todd) written specially for this book; favourites such as theperennial Flower Duet appear alongside other enticing non-religious music; finally we have some secular romantic love songs (Jerome Kern Swingle numbers and even some G&S!) which cannot fail to capture the mood of the day. Sing these either at the ceremony itself or perhaps later at the reception.There are notes at the end of the book which provide very brief background information: eg texts (with translation where appropriate) dates and approximate timings so the ceremony can be planned meticulously.Whatever the circumstances and size of your choir there will be a something within this volume that will suit you. But more than that the versatility of the Concerts for Choirs series is such that it can be used as an invaluable resource for choral material whatever your requirements.
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Eric Whitacre: Collection: SATB: Vocal Score
13.99
Eric Whitacre: Collection: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Chester
This a cappella collection of pieces for mixed choir by Eric Whitacre is the fir...
(+)
This a cappella collection of pieces for mixed choir by Eric Whitacre is the first available printed music compilation of its kind for the composer. The book includes pieces of varying difficulty wide-rangingin theme from the iconic Sleep and Water Night to the quietly angelic Lux Aurumque (Light and Gold) and the recent Nox Aurumque (Night and Gold). A Boy and a Girl and ThisMarriage are both wonderfully tender pieces and the inclusion of the early Go Lovely Rose marks the beginning of a journey through Whitacre's choral output from this first success to the present day.Eric Whitacre is a Los Angeles-based composer and conductor who is held in the highest esteem everywhere inspiring and motivating a new generation of singers and musicians. His music creates a visceral impassioned response in audiences and performers. In 2008 the all-Whitacre choral CD 'Cloudburst' released by the British ensemble Polyphony on Hyperion Records became and unexpected international best-seller topping theclassical charts and earning a Grammy nomination. The BBC raves that 'what hits you straight between the eyes is the honesty optimism and sheer belief that passes any pretension. This is music that can actually make yousmile'.
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Patti Drennan: A Great Day in Gloryland: SATB: Vocal Score
13.75
Patti Drennan: A Great Day in Gloryland: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
If your congregation isn't on its feet at the end of this rousing medley they m...
(+)
If your congregation isn't on its feet at the end of this rousing medley they must be glued to the pews! Glory! Hallelujah! This boisterous anthem looks with great anticipation to the days in the sweet by and by! A Great Dayin Gloryland is upbeat uptempo and uplifting – it may lift the roof right off the building!
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Novello Choral Pops : Sixties Hits
16.00
Novello Choral Pops : Sixties Hits
Chorale SATB
SATB, Piano
Novello & Co Ltd.
The Mamas and The Papas' hymn to the West Coast state California Dreamin ' was a...
(+)
The Mamas and The Papas' hymn to the West Coast state California Dreamin ' was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous. Simon and Garfunkel were New York through and through and Simon's jaunty song about the Queensboro Bridge - aka Feelin' Groovy - uses its local colloquial name. Skeeter Davis, born Mary Frances Penick, was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter's subsequent solo career. In My Room saw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can't Buy Me Love , from the film Hard Day's Night, gave The Beatles yet another number one in the US charts. Novello Choral Pops: Sixties Hits contains these five decade-defining hits, newly arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano
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Carols For Choirs 2 (WILLCOCKS DAVID / RUTTER JOHN)
31.40
Carols For Choirs 2 (WILLCOCKS DAVID / RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Fifty Carols for Christmas and Advent. Par WILLCOCKS DAVID / RUTTER JOHN. Un deu...
(+)
Fifty Carols for Christmas and Advent. Par WILLCOCKS DAVID / RUTTER JOHN. Un deuxième recueil de 50 chants de Noël, principalement pour SATB, certains non accompagnés, et quelques accompagnements ayant pour piano, ou un organe, ou un orchestre, ou ensemble de cuivres. Beaucoup de chants de Noël sont à partir de sources traditionnelles, réarrangées: parmi les éléments composée spécialement pour ce volume sont des chants par William Walton, Benjamin Britten, Richard Rodney Bennett et William Mathias. Matériau instrumental pour la plupart des articles accompagnés est disponible à la location. Huit Chants pour cuivres pour les 5 et 8 cuivres partie (pour accompagner des chants des chorales de chants de 1 et Carols for Choirs 2) sont également en vente. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe./ Recueil / Chant
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Novello Choral Pops: Sixties Hits: SATB: Vocal Score
8.99
Novello Choral Pops: Sixties Hits: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
The Mamas & The Papas’ hymn to the West Coast state California Dreaminâ...
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The Mamas & The Papas’ hymn to the West Coast state California Dreamin’ was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous.Simon & Garfunkel were New York through and through and Simon’s jaunty song about the Queensboro Bridge — aka Feelin’ Groovy — uses its local colloquial name. Skeeter Davis born Mary Frances Penick was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter’s subsequent solo career.In My Roomsaw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can’t Buy Me Love from the film Hard Day’s Night gave The Beatles yet another number one in the US charts.Novello Choral Pops: Sixties Hits contains these five decade-defining hits newly arranged for SATB Choir with Piano accompaniment.
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The Oxford Book Of Carols (DEARMER PERCY / VAUGHAN WILLIAMS RALPH)
41.70
The Oxford Book Of Carols (DEARMER PERCY / VAUGHAN WILLIAMS RALPH)
Chorale SATB
[Partition]
Oxford University Press
Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pen...
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Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pendant de nombreuses années, il s'agit d'une collection classique des chants traditionnels. Au cours des cinquante années écoulées depuis sa mort, Vaughan Williams est venu à être considéré comme l'un des meilleurs compositeurs britanniques du 20e siècle. Il dispose d'un catalogue particulièrement vaste d'oeuvres, y compris les oeuvres chorales, symphonies, concertos et opéras. Ses recherches et son imagination visionnaire, combiné avec une flexibilité dans l'écriture pour tous les niveaux de la création musicale, a signifié que sa musique est aussi populaire aujourd'hui qu'il l'a jamais été./ Recueil / Chant
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Triptych (Vocal Score)
18.40
Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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The New Church Anthem Book (DAKERS LIONEL)
37.40
The New Church Anthem Book (DAKERS LIONEL)
Chorale SATB
[Partition]
Oxford University Press
Paperback. Par DAKERS LIONEL. La collection définitive de 100 hymnes, surtout p...
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Paperback. Par DAKERS LIONEL. La collection définitive de 100 hymnes, surtout pour les voix SATB, de l'époque Tudor à nos jours, y compris les favoris de chaque période, et des morceaux moins connus. Réductions clavier sont inclus pour la musique non accompagnés, et des accompagnements d'orgue sont toujours pratiques. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983./ Recueil / Chant
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James Whitbourn: Beatus Vir: SATB: Vocal Score
3.25
James Whitbourn: Beatus Vir: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Chester
James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for re...
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James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for rehersal. Commissioned for the Choir of St Matthew’s Church Northampton. First performed on StMatthew’s Day 21 September 2017 conducted by Justin Miller. 'With the wedding season soon to be upon church musicians James Whitbourn’s new five-minute wedding anthem Set me as a seal upon thineheart deserves a warm welcome. It would be easy to learn quickly if rehearsal time is limited with vocal lines that are not demanding and helpfully supported by the organ. But the music itself has a haunting intense beauty thatis very special. Judge for yourself with the performance on YouTube that appears to have been made at the wedding for which it was written. St Matthew Northampton for which Walter Hussey commissioned so notably continues an enterprising music commissioning policy most recently with Whitbourn’s setting of Beatus Vir. The commission was for the feast day of St Matthew last September and the published score describes the text asbeing the Gradual for St Matthew. But that rather limits what is simply the first two verses of Psalm 112 and deserves to be sung throughout much of the church year. Forget Monteverdi and other lively settings of Beatus vir:here we have a contemplation on how blest is the person who trusts in the Lord. Despite a dramatic outburst on ‘potens in terra’ (‘mighty in the land’) the work ends as it began with an extended gentlesetting of the word ‘Beatus’.' - Sunday by Sunday
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Anne Boyd: Jesus Reassures His Mother: SATB: Vocal Score
7.95
Anne Boyd: Jesus Reassures His Mother: SATB: Vocal Score
Chorale SATB
[Vocal Score]
University Of York Music Press
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymo...
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Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75thanniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd’s personal musical aestheticwhich she describes as the intersection of Christian Love with Buddhist silence.
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In The Bleak Midwinter
4.00
In The Bleak Midwinter
Chorale SATB
SATB A Cappella
Boosey and Hawkes
In the bleak midwinter is a setting for four-part choir of the famous poem by Ch...
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In the bleak midwinter is a setting for four-part choir of the famous poem by Christina Rossetti. This poem came to mind when I was walking down a Cornish lane on a cold, bleak November day, and I began to put the words to music as I walked. I was a little hesitant to write a setting of this text in the light of other much loved versions, but I felt inspired so decided to go for it! An atmosphere of cold, winter stillness is conveyed in this piece with its gentle dissonances and slow, homophonic movement, and the music follows the natural rhythm of the words, resulting in frequent changes of bar-length. Each verse is set to the same music, but in the final verse the music responds to the climax of the poem, with the words 'give my heart' repeated three times, rising in intensity but then falling away again to finish as the piece began, in quiet stillness. A natural shape and line to each phrase should be led by the text, with subtle shading off and no hurrying at the end of lines. Likewise, the poem's punctuation should guide breathing. Overall, a sense of space should prevail but without the tempo dragging. / Choeur Mixte (SATB) A Cappella
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Anna R. Matthews Frederick Niven: From Flanders: Mixed Choir: Vocal Score
Chorale SATB
SATB, Orgue
Recital Music
Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in...
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Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in 1914. On Christmas Day a truce was spontaneously enacted by the two sides fighting in Flanders in World War One. This was five months into the war which until this point many in Britain had confidently believed would be over by that time. When the two sides lay down their weapons in the name of humanity and met in the middle of no-man's-land they would not have realised the bloodshed that was to come as the war dragged on for a further four years - a conflict so atrocious that it came to be known as 'the war to end all wars'.This carol conveys the unknowing innocence of thosemen and the joy of Christmas yet explores the sinister context in which they met and the future which was to come. Ultimately the events of the 1914 Christmas truce came to symbolise the universality of hope and peace at Christmas. This carol brings this message into the twenty-first century.' Anna R. Matthews is a composer living in Exeter England. Born in Devon Anna studied music at Durham University where she was awarded the Rosalind Dickinson Prize. She enjoys working with some of today's most talented and creative ensembles: from Psappha to EXAUDI and from cathedral choirs to youth ensembles. Her music has been broadcast on BBC Radio 3 and she has been a featured new music composer in Choir & Organ magazine. Anna was a finalist in the 2011 King James Bible Composition Awards and is a 2013/24 Arts Council England fellow on the Clore Leadership Programme. She is also a fellow of the Royal Society of Arts.
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Tom Recknell: My God Why Hast Thou Forsaken Me?: SATB: Vocal Score
3.99
Tom Recknell: My God Why Hast Thou Forsaken Me?: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
For mixed SATB chorus unaccompanied. Includes a Piano part on the score for reh...
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For mixed SATB chorus unaccompanied. Includes a Piano part on the score for rehearsal purposes only.'My God why hast thou forsaken me?' was originally written in the summer of 2006 on a course run by the National Youth Orchestra of Great Britain. It was first performed by the choir of Eton College directed by Ralph Allwood. This motet intends to capture the anguish of Jesus’ final moments on the cross. The opening bars attempt to convey the horrific pain sorrow and tragedy that these words and the climactic moment of Christ's crucifixion mean to Christians worldwide. It is also a human sentiment echoed every day by the needy regardless of their religious views. Thepiece ends with a repetition of the opening phrase followed by a blossoming 'Amen'. This expressive conclusion hints at a glimmer of hope although the final chord is left unresolved; resolution though suggested is not obtained.
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Herbert Howells: Behold O God Our Defender: SATB: Vocal Score
2.25
Herbert Howells: Behold O God Our Defender: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
-
Intermédiaire
Novello & Co Ltd.
Like much of Howells' later work this is a deeply religious choral work that ra...
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Like much of Howells' later work this is a deeply religious choral work that ranks at the top of the English choral tradition. Composed on Christmas Day 1952 Behold O God Our Defender is for mixed choir with Organ or Piano accompaniment.
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Paul Mealor: Selections From A Tender Light: SATB: Vocal Score
11.99
Paul Mealor: Selections From A Tender Light: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Novello & Co Ltd.
A Tender Light is a collection of new choral music by the Welsh composer Paul Me...
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A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor including the Ubi caritas made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA UK Australia France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor this book also contains theluminous She Walks in Beauty the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful'Gramophone Magazine'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias'The New York Times Paul Mealor - A Tender Light by DeccaRecords
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Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
31.40
Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
Chorale SATB
[Partition]
Oxford University Press
Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompan...
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Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompanied. Par DAKERS LIONEL. Les éditeurs ont sélectionné une collection riche et variée de pièces sacrées pour cette période de l'année de l'Eglise, en gardant toujours à l'esprit des considérations pratiques et les besoins liturgiques. Les pièces sont présentées dans l'ordre selon le calendrier de l'Eglise, le déplacement du mercredi des Cendres et le Carême, à travers la Passion et des Rameaux, au jeudi saint, vendredi saint, veille de Pâques, et Pâques elle-même. Le meilleur du répertoire standard est inclus aux côtés de fines, moins familiers, oeuvres. Très différents du XVIe siècle à nos jours, c'est une collection complète et pratique pour les chorales d'église de toutes tailles et de niveaux de capacité. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983. John Scott est né en 1956 à Wakefield dans le Yorkshire, où il était un chantre de cathédrale. En 1974, il devient chercheur d'orgue au Collège St-Jean, à Cambridge. En quittant Cambridge, il fut nommé organiste adjoint à Londres deux cathédrales anglicane St-Paul et de Southwark, devenant finalement organiste et directeur de musique de Saint-Paul en 1990. Il est maintenant directeur de musique de St Thomas Church, Fifth Avenue, New York, et bénéficie également d'une longue carrière comme organiste de concert international. Il a été nommé Lieutenant de l'Ordre royal de Victoria (LVO) durant l'année Palmarès 2004 Nouvelle. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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For St Cecilia Op. 30
29.50
For St Cecilia Op. 30
Chorale SATB
SATB, Orchestre
Boosey and Hawkes
Following the publication of Francis Jackson's organ reduction of Finzi's Requie...
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Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre
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Essential Carol Singer, The. SATB Acc. (PARRY BEN)
6.50
Essential Carol Singer, The. SATB Acc. (PARRY BEN)
Chorale SATB
SATB
[Partition]
-
Facile
Faber Music Limited
Arrangement: Parry Ben. Par PARRY BEN. At long last The Essential Carol Singer p...
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Arrangement: Parry Ben. Par PARRY BEN. At long last The Essential Carol Singer provides the solution to the endless problem of too many books and not enough hands! It includes thirty of the most popular carols in one book, all SATB, unaccompanied, with no divisi. This pocket-sized, lightweight volume is easy to read and the short score layout allows for optional accompaniment if required. All the carols are arranged in alphabetical order for ease of use, with one carol per page. Offering simple arrangements in practical keys, The Essential Carol Singer is every singer's companion for Christmas. / Niveau : Assez Facile / Date parution : 2002-08-22/ Feuillet / Voix Mixtes
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Kate Johnson: Angele Dei (Novello New Choral Series): SATB: Vocal Score
2.99
Kate Johnson: Angele Dei (Novello New Choral Series): SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Novello & Co Ltd.
An inspiring selection of new works from a range of contemporary composers the ...
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An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Angele Dei (Angel of God) is a prayer to the guardian angel suitable for general liturgical use in particular as an introit anthem or blessing at the Feast of the Holy Archangels or for concert performance.‘This piece was composed as a partinggift for my great friend and colleague Harriet Gedge. Recorded by the BBC Singers conducted by Bob Chilcott on 19 November 2010 at St Paul’s Church Knightsbridge London it was subsequently sung at Harrriet’s funeral in Brecon Cathedral on 16 December 2010.’ - Kate Johnson Kate Johnson - Angele Dei by musicroom Text.Angele Dei qui custos es mei me tibi commissum pietate superna hodie illumina custodi rege et guberna.Amen. Angel of God my guardian dear to whom God's love commits me here ever this day be at my side to light and love to rule and guide.Amen.The text is attributed to Reginald
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Libera Me Domine: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schott
As a singing teacher choir director and not least as a passionate professional ...
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As a singing teacher choir director and not least as a passionate professional choir singer Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning over a musicaltapestry woven by the remaining voices - and taken up again by all tenors at the end is ideal for ambitious amateur choirs.The idea behind this work says the composer is 'the human reflection on the uncertain on death on Judgment Day or on what is inexplicable to us. Such as humility excitement fear and atonement. The chant ends without ending there is no solution. Life goes on because we ask the following question again and again: What will happen next''
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Wherever You Are - SATB Version (25-Pack)
107.70
Wherever You Are - SATB Version (25-Pack)
Chorale SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
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Wherever You Are - SATB Version (10-Pack)
49.40
Wherever You Are - SATB Version (10-Pack)
Chorale SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
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Christmas Caroling Songbook SATB
7.10
Christmas Caroling Songbook SATB
Chorale SATB
SATB
[Sheet music]
Hal Leonard
Tout le monde aime à chanter des chants de Noël! Donc faire simple avec ce fac...
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Tout le monde aime à chanter des chants de Noël! Donc faire simple avec ce facile à utiliser la collection contient 50 chants de Noël bien connus arrangé pour toute combinaison de voix. Idéal pour des vacances chantent en choeur, la communauté ou rencontres familiales, ou une maison à maison de chant. Includes: Bring a Torch, Jeannette, Isabella - Deck the Hall - The First Noel - Go Tell It on the Mountain - God Rest Ye Merry, Gentlemen - Hark! The Herald Angels Sing - Here We Come A-Caroling - The Holly and the Ivy - I Saw Three Ships - It Came upon the Midnight Clear - Joy to the World - O Christmas Tree - O Come All Ye Faithful - Silent Night - We Wish You a Merry Christmas - and more. (6? x 9?) / Voix
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Carols For Choirs 3 (WILLCOCKS DAVID / RUTTER JOHN)
31.40
Carols For Choirs 3 (WILLCOCKS DAVID / RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Fifty Carols. Par WILLCOCKS DAVID / RUTTER JOHN. Un troisième recueil de 50 cha...
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Fifty Carols. Par WILLCOCKS DAVID / RUTTER JOHN. Un troisième recueil de 50 chants de Noël, principalement pour SATB, certains non accompagnés, et quelques accompagnements ayant pour piano ou orgue ou orchestre. Les chants de Noël reflètent une diversité de styles et d'époques, tout en restant dans la capacité d'un groupe moyen des interprètes amateurs. Comprend des compositions et des arrangements de Britten, Holst, Howells, Hurford, Vaughan Williams, et Walton. Accompagnements d'orchestre et cuivres pour la plupart des articles sont disponibles en location. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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