POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Francis Poulenc. This new edition is based on a second manuscript by Poulenc dated 16th March 1928. Edited by Sandro Caldini in 2016. From the preface: The Trio pour piano hautbois et basson by Francis Poulenc (1899-1963) represents a milestone in the repertoire of music for double-reed instruments. It was written between March and April 1926 during a long stay in Côte d'Azur and it was immediately published by Edition Wilhelm Hansen AS Copenhagen in the same year. The composition was influenced by the composer's friendship with Igor Stravinskyand was dedicated to Manuel de Falla. I was lucky to locate a second manuscript (due to the courtesy of the American composer Ned Rorem and his niece Mary Marshall) on which this new edition is based. When I compared this manuscript with the first edition (WH19245) it became evident that there were many differences. The second manuscript is dated 16th March 1928 and clearly states Brouillon definitif (final copy)... Sandro Caldini 2016

Bassoon-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan'      - Philip Venables     

Music Minus One Bassoon-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes the complete solo part for the Bassoon printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Accompaniment: Harriet Wingreen piano New Art Wind Quintet:Mel Kaplan oboe Tina DiDario bassoon Murray Panitz flute Aldo Simonelli clarinet

Ode For Saint Cecilia's Day Basson Timpani Flute Oboe 1 and Trumpet 1& 2 parts only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.£2.50 each instrument. Please specify which instruments you require and the quantity.

Music Minus One Bassoon-A marvelous and eclectic assortment of pieces for woodwind quintet from Bach Haydn Mozart and others. Includes a high-quality printed music score and a compact disc featuring each piece performed twice: first with soloist then without. Accompaniment: Camerata Woodwind Quintet: Roy Lawrence oboe Gerald Carey flute Roger Collins french horn Robert Koper bassoon

Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. / 2 Hautbois, 2 Cors Et 2 Bassons

for Double Wind Quintet. Par CESARINI FRANCO. Les danses folkloriques sont très répandues dans toute la Grèce. Dans cette pièce, Franco Cesarini a voulu utiliser quelques danses typiques de la tradition populaire grecque. Il a sélectionné trois chansons folkloriques traditionnelles, les adaptant librement. Le premier mouvement est un kalamatianos, une danse festive qui a des racines remontant à l'antiquité, dans les premiers écrits d'Homère. Elle est considérée comme la danse nationale grecque. Sa caractéristique la plus distinctive est le rythme irrégulier en 7/8. Selon l'occasion et l'habileté des danseurs, certains pas peuvent être exécutés en sautant et en s'accroupissant. Le deuxième mouvement représente un zeibekiko. Contrairement à la plupart des danses traditionnelles grecques, le zeibekiko n'est pas une danse exécutée en groupe ; il n'y a pas d'étapes particulières à suivre, seulement certaines figures. Le troisième mouvement, un hasapiko, est une danse traditionnelle avec des racines à Constantinople. Le hasapiko, qui a inspiré le sirtaki, est une danse qui passe d'un rythme lent à un rythme plus rapide. Le hasapiko est dansé en ligne ou en cercle ouvert, chaque danseur plaçant ses mains sur les épaules du voisin. / Date parution : 2022-04-01/ Répertoire / Double Quintette de Vents

Arrgt: Vireton Eric. Par SATIE ERIK. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 3/6 - Intermédiaire. Durée : '2' 05'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : SATIE Erik. Arrangeur : VIRETON Eric / Niveau : Intermédiaire / Classique / Répertoire / Hautbois et Basson

Piano [Keyboard / Organ] + Play Back / Play Along CD optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Hautbois et Basson

Arrgt: Vireton Eric. Par MOZART WOLFGANG AMADEUS. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 2/6 - Facile. Durée : '50'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : MOZART Wolfgang Amadeus. Arrangeur : VIRETON Eric / Niveau : Facile / Classique / Répertoire / Hautbois et Basson