SKU: HL.49005481
ISBN 9790001058902. German.
SKU: HL.49005483
ISBN 9790001058933. German.
SKU: HH.HH479-CHS
ISBN 9790708146902.
O Nata Lux is a six-part, a cappella motet. The anonymous tenth-century text is suitable for inclusion throughout the liturgical year. Evoking a deep sense of longing, this contemplative motet would enhance any concert programme of a capella choral music.
SKU: HL.49006150
ISBN 9790001066761.
SKU: HL.49014220
ISBN 9790220120855. UPC: 841886028449. 7.0x10.0x0.029 inches. English.
SKU: HL.49004088
ISBN 9790001041683. 8.25x11.75x0.296 inches. German.
SKU: HL.49013565
ISBN 9790001134743.
SKU: HL.49032068
ISBN 9790001066778.
SKU: HL.49031326
ISBN 9790001046879. German.
SKU: HL.49031822
ISBN 9790001058919. German.
SKU: HL.49005486
ISBN 9790001058964. German.
SKU: HL.49006149
ISBN 9790001066754.
SKU: HL.49005485
ISBN 9790001058957. German.
SKU: HL.49005482
ISBN 9790001058926. German.
SKU: CA.633000
ISBN 9790007159627. Key: D major. Language: German. Text: Holzschuher, Heinrich. Text: Heinrich Holzschuher.
SKU: CA.205390
ISBN 9790007165819. Key: D major. Language: German. Text: Jorissen, Matthias.
Score available separately - see item CA.205300.
SKU: CA.711900
ISBN 9790007014063. Language: German.
SKU: HH.HH549-CHS
ISBN 9790708185642.
An intimate, six-part motet which would enhance a Christmas or Advent programme, and would also be suited for Marian Feasts. It has haunting, lullaby-like motives and harmonies which evoke light coming out of darkness.
SKU: CA.970240
ISBN 9790007089801. Key: F minor. Language: German. Text: Heermann, Johann. Text: Johann Heermann.
Score available separately - see item CA.970200.
SKU: CA.331570
ISBN 9790007172121. Key: D minor. Text language: Latin.
SKU: CA.1520100
ISBN 9790007031428. Language: German.
SKU: CA.916900
ISBN 9790007187439. Language: French. Text: Baudelaire, Charles.
SKU: CA.331040
ISBN 9790007173104. Key: A flat major. Text language: Latin.
SKU: HL.48025430
ISBN 9798350126297. UPC: 196288210825. 6.75x10.5 inches.
“Walo yo Yamoni (We Overcome the Wind)†is the grand finale to Christopher Tin's second album 'The Drop That Contained the Sea'. The lyrics are a setting of a Lango rainmaking prayer. It was commissioned by the St. Matthews Chamber Orchestra, and recorded by the Royal Philharmonic Orchestra with the Soweto Gospel Choir. New York Concert Review wrote of the Carnegie Hall premiere “The audience reacted after the final notes with the loudest and longest standing ovation I have ever heard at any concertâ€, while The York Press wrote “We Overcome The Wind was an outpouring of joy; a unanimous standing ovation evinced the sense of togetherness at the heart of this concert.â€.