Instrument : orchestraType : study score CDSeries : Eulenburg Audio ScoreNombre de Pages : 88Wer liest, hört mehr. Wer eine Komposition wirklich begreifen will, greift zur Studienpartitur. Die Feinheiten einer Komposition erschließen sich erst über den Notentext. Die Reihe Eulenburg Audio Score zeichnet sich durch lesefreundliches Format und ausgezeichnetes Druckbild, hochwertiges Papier und ein zweisprachiges Vorwort in Deutsch und Englisch aus. Wir liefern Ihnen nicht nur eine Partitur, sondern gleichzeitig die Musik dazu. Alle Bände enthalten eine CD von Naxos mit hervorragenden Einspielungen der Werke.Content : Preface - Vorwort - Horn Suite in F: 1. Ouverture. Largo-Allegro - 2. Adagio e staccato - 3. Allegro-Andante - 4. Presto - 5. Air - 6. Minuet for the French Horn - 7. Bourée. Presto - 8. Hornpipe - 9. ... - 10F. ... - 11F. Alla Hornpipe - . - Trumpet Suite in D: 10D. Allegro - 11D. ... - 12. Trumpet Minuet - 13. Lentement - 14. ... - . - Flute Suite in G - 15. ... - 16. Presto - 17. Menuet - 18. ... - 19. Country Dance

The Mouvements Perpetuels is a short three-movement suite originally composed for solo Piano by the French composer Francis Poulenc premiered in Paris in December 1918 when Poulenc was only19. The suite was an immediate success with public and performers and it remains one of the composer's most popular works.Each of the three pieces in the suite ends inconclusively leaving the music unresolved to lingerin our ears and minds. The suite takes about five minutes in performance. The light-hearted miniature is adapted here for an ensemble of 9 instruments Flute Oboe Clarinet Bassoon Horn Violin Viola Cello C Bass whichgives it more dimension and makes it even more interesting.Francis Poulenc was a French composer and pianist. In his early works Poulenc became known for his high spirits and irreverence. During the 1930sa much more serious side to his nature emerged particularly in the religious music he composed from 1936 onwards which he alternated with his more light-hearted works.

'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera