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| Missa In A-Dur
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Missa in A-Dur qui a été écrite pourSoli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5183 . / Soli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Missa In G-Dur
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Missa in G-Dur qui a été écrite pourSoli (SATB), Choeur Mixte (SATB), Orchestre Et Orgue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5185 . / Soli (SATB), Choeur Mixte (SATB), Orchestre Et Orgue / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Cantata BWV 4 Christ Lag
In Todes Banden: Mixed
Choir:
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshro...(+)
Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshrouded / Christ lay in grim death's prison ) BWV 4Cantata for Easter SundayUrtext of the New Bach Edition.Original German text with English singing translation.Idiomatic and easy-to-play Piano reduction.Performance material (BA10004) vocal score (BA10004-90) & study score (TP1004) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprisingconsidering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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| Johann Sebastian Bach:
Cantata BWV 31 Der Himmel
Lacht!: Mixed Choir:
Vocal
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exult...(+)
Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter DayPerformance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Our editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardlysurprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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| Johann Sebastian Bach:
Cantata BWV 45 Es Ist Dir
Gesagt: Mixed Choir:
Vocal
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Tr...(+)
Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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| Johann Sebastian Bach:
Cantata BWV 12 Weinen
Klagen Sorgen Zagen:
Voice &
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate - Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for sale Barenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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| Johann Sebastian Bach:
Cantata BWV 208 Was mir
behagt: Soprano: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Barenreiter
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...(+)
Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partie séparée]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Magnificat D BWV 243:
Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Peters
Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and O...(+)
Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and Orchestra.
Délais: En Stock |
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Voice: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
Délais: En Stock |
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| Johann Sebastian Bach:
Cantata BWV 140 Wachet
auf ruft uns die Stimme:
Mixed
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...(+)
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the NewBach Edition Study score format 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
Délais: En Stock |
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| St John Passion (Vocal
Score) - Old Novello
Edition
Soli, choeur mixte et accompagnement [Vocal Score]
Novello & Co Ltd.
Vocal score for Johann Sebastian Bach's The Passion Of Our Lord for SATB soli, S...(+)
Vocal score for Johann Sebastian Bach's The Passion Of Our Lord for SATB soli, SATB chorus, orchestra and organ. This volume contains all vocal parts and a piano accompaniment. / Chant/Vocal/Choeur
Délais: En Stock |
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| Missa In D (ALTNICKOL
JOHANN-CHRISTOPH)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Kyrie-Gloria-Messe. Par ALTNICKOL JOHANN-CHRISTOPH. The Missa in d, composed aro...(+)
Kyrie-Gloria-Messe. Par ALTNICKOL JOHANN-CHRISTOPH. The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Cantata BWV 132 Bereitet
Die Wege: Mixed Choir:
Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Barenreiter
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 13...(+)
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 132Cantata for the 4th Sunday of Advent.The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for thatoccasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.- Urtext of the New Bach Edition- Full score & performance material (BA10132) vocal score (BA10132-90) available for sale.
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| Johann Sebastian Bach:
Johannespassion: SATB
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier [Partition]
Carus Verlag
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Pass...(+)
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach?s Leipzig years. In contrast to his other large-scale choral works however Bach never gave this work a definitive final form. Rather for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach?s direction in 1749. At the same time with the aid of the appendix it is possibleto perform the work in the traditional ?mixed version.?
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| Johann Sebastian Bach:
Cantata No. 132 Bereitet
Die Wege: SATB: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the...(+)
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.
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| Johann Sebastian Bach:
Cantata Bwv 78 Jesu Der
Du Meine Seele: Mixed
Choir:
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the ...(+)
Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freely remodelled as ariasand recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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| Johann Sebastian Bach:
Weihnachts Oratorium BWV
248: Mixed Choir: Vocal
Score
Soli, choeur mixte et accompagnement [Partition]
Peters
Vocal Score of Johann Sebastian Bach's Christmas Oratorio BWV 248 for Soli Cho...(+)
Vocal Score of Johann Sebastian Bach's Christmas Oratorio BWV 248 for Soli Chorus and Orchestra.
Délais: En Stock |
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| Johann Sebastian Bach:
Johannes-Passion (St.
John Passion) BWV 245:
Mixed Choir:
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Barenreiter
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Writ...(+)
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
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| Johann Sebastian Bach:
Ascension Oratorio BWV
11: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
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| Johann Sebastian Bach:
Ascension Oratorio BWV
11: Mixed Choir:
Instrument Pack
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
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| Johann Sebastian Bach:
Ascension Oratorio BWV
11: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
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| Johann Sebastian Bach:
Ascension Oratorio BWV
11: Mixed Choir: Vocal
Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
Urtext edition-Vocal score and performance material available for sale.Lavishly ...(+)
Urtext edition-Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
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