| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Alto et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
20.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Alto et Orchestre [Conducteur] Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
42.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| That Subtle Knot Violon, Alto Et Orchestre Schott
Casken's inspired double concerto for violin and viola makes reference to a John...(+)
Casken's inspired double concerto for violin and viola makes reference to a John Donne poem depicting two lovers on the bank of a river with their hands entwined. The dialogue between soloists is organic in its complexity with the orchestra providing a fragmented yet driving backdrop. / Violon, Alto Et Orchestre
44.32 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Michael Nyman: Drowning
By Numbers: Chamber
Ensemble: Score Violon, Alto et Orchestre [Conducteur d'étude / Miniature] Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...(+)
Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
34.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Benjamin Britten: Double
Concerto: Violin & Viola:
Study Score Violon, Alto et Orchestre [Conducteur d'étude / Miniature] Chester
Study score for Britten's early and ambitious three-movement work (1932) for Vio...(+)
Study score for Britten's early and ambitious three-movement work (1932) for Violin Viola and Orchestra brought to light and edited by Colin Matthews for it first performance at the 1997 Aldeburgh Festival.
16.99 GBP - vendu par Musicroom GB Délais: En Stock |
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