Instrumentation: Piccolo Flute 1&2 Oboe 1&2 Bb Clarinet 1&2 Bassoon 1&2 Contrabassoon Horn in F 1&2 Horn in F 3&4 Bb Trumpet 1&2 Tenor Trombone 1&2 Bass Trombone Tuba Timpani Harp Strings and Full Score. Note: this orchestral version uses slightly different wind/brass parts than the wind ensemble version. Parts are not interchangeable*****

Instrumental Accompaniment Set-Includes: 2 Flutes 2 Oboes B-Flat Clarinet Bassoon 2 Horns 2 Trumpets Timpani Percussion Harp Strings and Full Score

Instrumental Accompaniment Set-Contents: Full Score Flute Oboe Bb Clarinet Horn in F Bassoon and Harp

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe or a quintet of flute oboe clarinet horn in F and bassoon.

Instrumental Accompaniment Set-Includes: 2 Flute Piccolo Oboe 2 Clarinet 3 Trumpet Horn 2 Trombones Tuba Wind Chimes Snare Orchestral Bells Tambourine Chimes Sus. Cymbals Timpani Strings Organ and Full Score

This is a beautiful arrangement for mixed voices with keyboard flute and clarinet with text by Fanny Crosby.

Traditional-Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe or for a quintet of flute oboe clarinet horn in F bassoon and a harp. Try this piece alone in worship or concert or as a set in combination with HMC2260 and HMC2262.

Beautiful octavo with clarinet and keyboard accompaniment text based on 1 Peter 4:8-9

LULLABY from The Unicorns (1967/82/86) 'The Lullaby from ‘The Unicorns’ arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six movement suite from it called The Unicorns. There arethree songs and three instrumental numbers and the first performance was given with Elisabeth Söderström and Solna Brass under Lars-Gunnar Björklund at Ekensbergskyrkan Solna Sweden on 31 October 1982. This version was recorded (Albany TROY 760) and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith (Albany TROY365). The career of the Lullaby continued with a version for clarinet and piano which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis and Duke Dobing and I have recorded it for flute and piano (Naxos 8.572287). Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo which I have recorded.' - Peter Dickinson

Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)

The Clod And The Pebble was composed by Bo Holten in 1982. For 2 Choruses (both SATB) 3 Clarinets and Percussion. Text by William Blake. Parts available: WH29700A

Here's a wonderful new treatment of the well-known American hymn from David Schwoebel. Utilizing a bluesy chromatic harmony and an optional clarinet obbligato this classic sings in a place it has not visited before - and it isdelightful. Supported by a brilliant piano accompaniment and full of great vocal lines this is a beautiful church choir anthem.

Arranged simply for mixed voices, clarinet and piano four-hands, the lovely Brahms cradle song becomes a work for reflection, healing and introspection, especially appropriate as a quiet encore or choral benediction. Optional 1 piano, 4 hands included with octavo. / Choeur Mixte (SSATB) Et Piano

For chorus (SSATB) 2 clarinets 4 violins violoncello contrabass and basso continuo.