This famous jazz piano piece by Vince Guaraldi has been a top-selling SATB arrangement and is now available in new voicings that will fit almost any choral ensemble. Challenging yet accessible this piece will be a surefirenovelty hit for the holiday season or any time of year!

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.

Prayer and Alleluia-The text for this piece is from the opening statement of the liturgical prayer central to Jewish faith The Shema. This arrangement by Barbara Wolfman for four-part treble choir and piano is a gentle flowing interpretation of the prayer. Sung in Hebrew and English.

A delightful adaptation of Mascagni's Chorus from Cavalleria Rusticana for Treble Voices with Piano accompaniment adapted and with words by Sigmund Spaeth. In its original operatic setting it is a triumphant song sung by the people of a small Sicilian Town. Spaeth has captured this spiritual exuberence in a wonderful hymn to the awakening and re-birth that are the essence of the Spring season.

Deep Down In The Ocean from 'The Little Mermaid'. Version for equal voices SSSSAA and Piano. Text: H.C. Andersen and Edward Broadbridge.

A major work for a mature larger women's choir the concept of this piece is inspired by the composer's never-forgotten visit to the Yad Vashem Centre in Israel. The combined text is from Genesis original text by the composer and names of children of the Holocaust. Both dramatic and intimate this work would be an important experience for your choir and the audience alike. Instrumental accompaniment (score and parts) available separately (harp piano viola handbells or chimes crotales). Duration: ca. 7:20.

It is the words to the famous English carol you expect but the music is a pleasant surprise. The rolling piano part is reminiscent of a harp and sets the dance in motion. The vocal lines are buoyant and flowing. The harmonies are not what you expect from Burchard and the unexpected change is delightful.

The text of this reflective and expressive work provides a rich metaphor for healing as it suggests that difficulty and sorrow can be used redemptively in our lives. At the point in the text where the phrase a frail bell posed a chime is heard the unmetered voices evoke the sound of a wind chime building to a forte then gradually diminishing to a quiet conclusion. With piano wind chimes and finger cymbal.

Originally set for mixed voices with piano (HMC2409) this piece has become one of the most popular works in the Hinshaw catalog. It's energy has been a hit for both adult and high school choirs. Here Peter Anglea sets the piece for 4 part treble voices-a wonderful new addition for treble choirs.

Joni Jensen Choral Series-This text is most famous for being set by Samuel Barber. This setting for piano cello and women's choir is lush and distinct for its contemporary harmonies and constant motion in the accompaniment. Utilizing the full range of the female voice and wide dynamics this is perfect for the mature women's choir.

A lively and fun selection in Spanish for women's chorus. Featuring a piano accompaniment characteristic of Cuban rhythms and harmonies. Accessible to many different levels of treble choirs. Lynne Gackle Choral Series.