Wagners Brautchor Aus 'lohengrin'-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Brautchor aus Lohengrin von Richard Wagner. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16159O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

(Edition 1842-1880)-This new publication presents Wagner’s much-loved opera in its entirety with a detailed preface by Egon Voss. The new Urtext Edition replaces the familiar edition by the conductor Felix Weingartner published in 1897 and it was this version that which all later editions were based upon. Throughout its creation both during Wagner’s lifetime and thereafter The Flying Dutchman has gone through many revisions making this new edition essential to any opera lover and a welcome addition to the repertoire.

Doug Wagner pairs a light calypso feel with Latin text. Every part in this piece gets its moment in the spotlight and sings together with carefully planned voice leading. A persistent bass line runs throughout with colorfuladditions of an optional string bass bongos shaker and claves. Appealing for both general and Christmas performances. Available separately: SATB percussion 1 & 2 string bass; StudioTrax CD. Duration: ca. 2:25.

Pilgrim's Chorus from Wagner's Tannhauser arranged for SATB chorus with piano accompaniment by Louis Koemmenich.

Par WAGNER ALEXANDER. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: Gebet, Vater unser - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Choeur Mixte

For use during Lent and Holy Week the solemnity of the season is vividly represented by And No Bird Sang. Clearly describing the scene on Calvary “calm was the wind and dark was the sky ” the epitome of thismelancholy setting is that “no bird sang.” This one thought captures the despair of the crucifixion. Tremendously well-received when first published in 1983 Douglas Wagner's acute sensitivity expressed through thetext and accompaniment have resulted in a musical masterpiece. Profoundly affecting.

Full of energy this original anthem by Douglas Wagner will be enjoyed by singers and congregation alike. The idea of running to the stable to see the newborn baby will create an exciting time of worship during the Christmas season. Duration: ca. 2:00.

Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB

A superb collection of sixteen works by the greatest nineteenth-century German and Austrian composers for choir compiled and edited by Ralph Allwood. This volume includes works by Reger Wagner Rheinberger Wolf and Schubert.

When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could nothave imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at theLast Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also astatement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protectinga free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the Britishnational anthem.This version is arranged by contemporary composer and friend Eaton Fanning who made changes to the famous semiquaver flourishes.