The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

Condensed Score-The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

Czech composer Antonin Dvorak is best-known for his beautiful string-quartets his symphonies (especially nr.9 'From the New World') and his Slavonic Dances Op. 46 and 72. Dutch composer and arrranger Jan Bosveld adapted two dances (nrs. 4 and 7) from his opus 46 to the wind-band medium. Alternating between the virtuoso and the melancholy these lovely little pieces for orchestra above all provoke responses of instant recognition with your audiences. Uit de Slavische Dansen Opus 46 bewerkte Jan Bosveld op kleurrijke wijze de 4e en 6e dans. De weemoed passie en vreugde straalt af van zijn prachtige muziek en nu dus ook voor concertband.