Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano

The 2nd edition of this popular activity book features new songs new games new puzzles and other music activities. It includes dozens of well-loved classics and popular songs including Almost There • The Bare Necessities • Can You Feel the Love Tonight • How Far I'll Go • I See the Light • Lava • Let It Go • You've Got a Friend in Me and more. This book can be used by beginning keyboard players guitarists vocalists and other C instrument players.

You Should Play on The Piano-This collection contains 50 Beatles favourites arranged for the Piano in an easy-to-read and play format with lyrics and chords. First 50 Songs by the Beatles You Should Play on the Piano includes the hits: Blackbird Can't Buy Me Love Day Tripper Eleanor Rigby The Fool on the Hill Good Day Sunshine Hey Jude I Want to Hold Your Hand Let It Be Michelle Penny Lane Sgt. Pepper's Lonely Hearts Club Band Twist and Shout We Can Work It Out Yesterday and more.

Par SONDHEIM STEPHEN / RODGERS R.. Partition vocale à la collaboration de Richard Rodgers et Stephen Sondheim seule./ Recueil / Chant et Piano

48 Favourite SongsInstrument : voice and pianoType : song bookNombre de Pages : 110Six outstanding collections of favourite songs. All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos.Ideal for playing at home, in the clasroom, or even as concert items!Songs of the Americas is a collection from north, central and south America and the West Indies including Li'l Liza Jane, Land of the Silver Birch, Banana Boat Song, Deep River and Yankee Doodle.The edition is part of the ABRSM syllabus (grades 1 and 3).Content : A Life on the Ocean Wave - Deep River - Dona Dona - Jamaica Farewell - La Cucaracha - Land of the Silver Birch - Mango Walk - My Old Kentucky Home - Old Folks at Home - One More River - The Erie Canal - The Gypsey Davey - The Wreck of Sloop John B - Water Come a Me Eye - Angelico - Banana Boat Song - Carmen Carmela - Clementine - Dixie - Donkey Riding - Drill ye tarriers - Farewell My Own True Love, - Jeannie with the Light Brown Hair - Jennie Jenkins - John Brown's Body - Li'l Liza Jane - Linstead Market - Marching through Georgia - My Grandfather's Clock - No Other Moon - Nobody Knows the Trouble I've Seen - Patrick on the Railroad - Pay Me My Money Down - Riddles - Sambalele - Santy Anno - Shenandoah - Simple Gifts - Steal Away - Swing Low sweet Chariot - The Greenland Whale Fishery - The Old Man Who Lived in the Wood - The Shanty-Boys in the Pine - The Streets of Laredo - The Yellow Rose of Texas - Tortilla Vendor - When Johnny Comes Marching Home - Yankee Doodle

The fall of 1995 witnessed a resurgence of the power- ful cultural phenomenon 'Beatlemania.' This recur-rence was sparked by the release of the first new recordings by The Beatles in decades made possible by Paul George and Ringo laying down tracks over an existing vocal track John had recorded. 'Free as a Bird' is one of these new tunes and it premiered to millions in a network TV special on the band. There was a two-volume retrospective CD set released in conjunction with this special and these songbooks feature selections from the The Beatles Anthology Volumes I II and III. Volume I includes 'Free As A Bird' and 26 more Beatles classics: Can't Buy Me Love · From Meto You · A Hard Day's Night · Hello Little Girl · I Want to Hold Your Hand · Love Me Do · Money · Please Please Me · She Loves You · Twist and Shout · You Really Got a Hold on Me · You'll Be Mine · and more.

Specifically designed for singers this book offers 8 songs from the show in their original keys. The sheet music includes the vocal line and lyrics along with a Piano accompaniment that's a reduction of the original orchestral score. Singers can have a live pianist accompany them using the music in the book or use the CD which features a full performance of each Piano accompaniment. Songs: In His Eyes • It's a Dangerous Game • A New Life • No One Knows Who I Am • Once upon a Dream • Someone like You • Take Me as I Am • This Is the Moment.

76 Selections from Musicals Movies Folksongs Novelty Songs and Popular Standards-This must-own collection contains 76 songs from musical theatre  and the movies as well as folksongs and standards that will delight any budding vocalist. An accompanying Piano part is included for each song so you can sound like a real professional! The Giant Book Of Children's Vocal Solos includes the songs: Baby Face The Bare Necessities Beauty and the Beast Born to Entertain Castle on a Cloud Do-Re-Mi Do You Want to Build a Snowman? Edelweiss Getting to Know You How Much Is That Doggie in the Window I Whistle a Happy Tune Let Me Entertain You Let There Be Peace on Earth Little People Mairzy Doats My Favorite Things NeverNever Land Over the Rainbow Puff the Magic Dragon The Rainbow Connection Red Ryder(R) Carbine Action BB Gun Simple Gifts Tomorrow When I Grow Up Where Is Love? You've Got a Friend in Me and more.

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Third Edition-40 songs for the Broadway belter. All songs have been especially chosen for this voice type with careful attention to range and key. This expanded third edition contaians And All That Jazz (from CHICAGO) • And I Am Telling You I'm Not Going (from DREAMGIRLS) • Another Hundred People (from COMPANY) • Astonishing (from LITTLE WOMEN) • Broadway Baby (from FOLLIES) • Burn (from HAMILTON) • Cabaret (from CABARET) • A Change in Me (from BEAUTY AND THE BEAST: THE BROADWAY MUSICAL) • Defying Gravity (from WICKED) • Don't Cry for Me Argentina (from EVITA) • Don't Rain on My Parade (from FUNNY GIRL) • Everything's Coming UpRoses (from GYPSY) • Fly Fly Away (from CATCH ME IF YOU CAN) • Gimme Gimme (from THOROUGHLY MODERN MILLIE) • Heaven Help My Heart (from CHESS) • The History of Wrong Guys (from KINKY BOOTS) and many more!

Par SONDHEIM STEPHEN. Toute personne peut Whistle est définie dans une ville imaginaire qui a fait faillite, il se concentre sur la maire tough, impopulaire, Cora Hoover Hooper, qui, déterminés à sauver de la ruine financière, avec ses affidés politiques crée une attraction touristique par feindre un miracle - eaux curatives débiter d'une roche dans la ville de carrés. Ils trouveront contesté par les sceptiques Fay Apple, une infirmière à la sanitarium local, qui a l'intention d'utiliser ses patients à réfuter la réclamation. Sur le devant de la scène vient j. Bowden Hapgood, un patient confondu avec un psychiatre, qui divise la ville en deux groupes, la saine et le loony, mais refuse de divulguer qui est qui. Point de l'histoire est que ' normale ' est un euphémisme pour la maîtrise de soi, de conformité et d'ordre, et son moral est que le vrai miracle simplement est plein de vie. Ce songbook caractéristiques huit chansons du spectacle arrangé pour voix et piano./ Recueil / Chant et Piano