Popular and well-loved classical themes. Includes 'Bolero' (Ravel), 'Nimrod' (Elgar) and 'Radetzky March' (Strauss), plus many famous symphonies. / Saxophone

L'oeuvre musicale qui a pour support une Partition a pour titre Variations On Atheme By Sweelinck Sax Quartet. C'est une partition musicale qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation Saxophone vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Saxophone / Partition

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Add unique saxophone sounds to your palette of colours! The saxophone is capable of a great range of sounds from laughs and growls to multiphonics and percussion effects. This book shows you how to do 19 different inventiveeffects with etudes that put them in a musical context. The accompanying CD provides play-along tracks for the etudes and examples of each sound effect in isolation.

All of the ultimate secret agent's greatest theme tunes arranged for intermediate Tenor Saxophone. Includes the themes and songs from 20 Bond films as well as the classic 'James Bond Theme'. The pieces may either be performed as solos with the CD of recorded accompaniments or as an ensemble with the other members of this set.

Peter Wastall?s award-winning series of tutor books for woodwind and brass instruments, now available in revised and refreshed editions to instruct and inspire the next generation of musicians, guiding them from beginner level to Grade 3 standard.Divided into units that provide clear explanations of each new stage of learning, alongside plentiful exercises and graded concert pieces, the LEARN AS YOU PLAY method is simple to understand and easy to use. Demonstration and accompaniment audio tracks and printable piano accompaniments are accessible online. / Saxophone / Boosey and Hawkes

Arr. James Curnow. A versatile collection of original pieces for the beginner. The CD will keep them interested in practising and provide lots of fun. The pieces are arranged in order of difficulty. / Niveau : Très Facile à Facile / Recueil / Saxophone

This transcription of Bach's Six Suites makes them available to jazz players as well as classical recitalists. This edition features well thought out key changes and page turns, making the suites much more playable. / Saxophone

A must for all jazz fans this is an essential resource for anyone studying jazz. In this series of DVDs some of the most important jazz artists are presented in a unique master class setting. They perform they talk about their lives and work students play for them and they instruct those students. Viewers will observe learning taking place and come to understand how great artists think perform and teach.

THIS METHOD IS DIVIDED INTO 2 SECTIONS: THE FIRST SECTION CONSISTS OF 12 EXERCISES WHICH STRESS VARIOUS RHYTHMIC PATTERNS. THESE PATTERNS ARE THEN DEVELOPED THROUGH A MELODIC SONG APPROACH SO THAT THE PLAYER LEARNS THEM IN AN INTERESTING MANNER. THE SECOND SECTION CONSISTS OF 10 TUNES WHICH UTILIZE ALL OF THE MATERIAL PRESENTED IN THE EXERCISES. LANGUE : EN ANGLAIS

Daily Exercises - Tägliche Übungen-Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Evocations 1969. As with his other wind compositions, Evocations for Solo Saxophone was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Evocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Saxophone en Mib

25 Themes Celebres Adaptes. Par PROUST PASCAL. / Niveau : 2ème CYCLE / Répertoire / Saxophone

A collection of the very best themes and movements by John Williams. The pieces are arranged to be performed by solo Alto Sax with the CD of backing tracks and demonstrations. Alternatively all parts in the series are fully compatible and may be performed as a larger ensemble.