A Cycle of Six Songs on Texts of Chana Bloch-Mezzo-Soprano Piano. Del Tredici D

Par CHARPENTIER GUSTAVE. 'Depuis le Jour où je me suis donnee' (French text) in F/ Répertoire / Mezzo-Soprano et Piano

Cheryl Frances-Hoad's One Life Stand for Mezzo-Soprano with Piano accompaninment sets a text by Sophie Hannah. 'The idea for One Life Stand originated from a discussion over lunch in Cambridge with my friend Jennifer Johnston. She was bemoaning the fact that although she loved to sing Schumann’s Frauen-Liebe und Leben (Women’s Lives and Loves) and was always being asked to do so she did find Chamisso’s words rather outdated and suggested I write an updated version. I jumped at the chance and by pudding we were already thinking about whose poetry I might set. A few weekslater during a meeting with Chris Gribble (Chief Executive of Writers’ Centre Norwich) he told us that the crime writer and poet Sophie Hannah had recently moved to Cambridge and had many suitable poems. It wasn’t long before we all met up for lunch and began discussing the contenders for a series of poems that might portray a modern woman’s life and loves. To begin with I had a list of about twenty five poems that I would have liked to set taken from four of Sophie’s poetry collections (The Hero and the Girl Next Door (1995) Hotels like Houses (1996) First of the Last Chances (2003) and Pessimism for Beginners (2007: all published by Carcanet Press) but the final eight in my view come together to form a narrative that is clear yet open to interpretation and contains the whole gamut of complex emotions (both serious and humorous) that made the poems such a dream to set to music. Although the idea for the work originated as a reaction to Chamisso’s poetry in the course of composing the cycle I found much inspiration from Schumann’s song cycle and many of the songs in my work are based very closely on either the harmony and/or the motivic material of what in my view is the “corresponding” song in Frauen-Liebe und Leben.' - Cheryl Frances-Hoad

10 Galgenlieder - Version for Mezzo-Soprano and Piano by Anders Brødsgaard (2015). Lyrics by the German poet Christian Morgenstern (1871-1914).

POD-Day Turned Into Night is a work by Iain Bell for Mezzo-Soprano and Piano Accompaniment. The work is in five sections each setting a different extract from Queen Victoria's writingsconcerning her love for Prince Albert. 

From the opera Lysistrata-This is Myrrhine's aria from Adamo's recent opera Lysistrata. For Mezzo-Soprano and Piano.

Celebrated arias for Mezzo Soprano/Alto and Piano selected from operas by a range of composers. Includes When I am laid in earth (Dido and Aeneas) Una voce poco fa (The Barber Of Seville) and Non Piu di Fiori (La Clemenza di Tito) among others. Compiled by Kurt Adler.

Complet avec des traductions et des conseils sur la prononciation. ' Comme chaque chanteur et amant de l'opéra français sait, Editions de même les plus célèbres arias opéra français sont difficile - et parfois cher - à obtenir. Sélection scrupuleusement équilibrée de Roger Nichols des airs français du XIXe siècle donne le point de départ idéal pour l'exploration plus large. Nichols, qui a défendu la musique française dans ses écrits, les pourparlers et les émissions de radio plus de trois décennies avec éloquence et de la bourse, est le guide idéal pour ce répertoire qui, aujourd'hui encore, est souvent négligée, mal compris ou mal exécutée. / Voix Et Piano

Ten songs from Bernstein's famous stage works, now available for each voice type! Each voice type has a unique song list. The editions include access to online piano accompaniments for streaming or download. / Mezzo-Soprano Et Piano

Gebet. Par KREUTZER CONRADIN. Gebet (Og 68)/ Répertoire / Mezzo-Soprano et Piano

F-Dur (Hos 163). Par GOUNOD CHARLES / BACH JOHANN SEBASTIAN. / Répertoire / Mezzo-Soprano et Piano