Singer's Choice - Professional Tracks for Serious Singers-The Singer's Choice series allows you to have a real professional backing track to accompany the sheet music letting you Sing The Songs of the incomparable Pianist and songwriter Fats Waller. As one of jazz music's greatest pianists Fats Waller gained world renown. However he was also an incredible songwriter with two of his compositions being know today as some of the greatest ever. With this Book and CD you can learn nine of his best songs and then sing along to the professionally recorded backing track putting you right back there in the Jazz Age with all the greats.

Par MARSH LIN. Singbook is an inspirational resource for all singing leaders working with children and young people, and contains 12 songs by some of today's most exciting songwriters. Suitable for established singing leaders seeking new repertoire, and those leading singing groups for the first time. Inspires young people with an exciting and vibrant mix of styles. Celebrates our cultural diversity, combining songs from Gujarati, Chinese and Albanian music with the best of the UK. Each song includes warm-ups, learning strategies and interviews with the songwriters. All vocal parts and lyric sheets are photocopiable. The songs are graded and colour-coded into three levels - Starting, Developing and Challenging. This edition features full Piano scores for those wishing to accompany their singers themselves, or for Piano-based rehearsal. To be used alongside Singbook (Catalogue No. 0571523986) Produced in association with Youth Music and NASUWT / Date parution : 2005-06-23/ Recueil / Voix

Là où il ya des cours de chant ou d'une chorale, a changé les leçons de musique, sa revue avec les élèves et son importance pour l'école. 'Chanter est grand' est la force motrice derrière cette réussite, et cela dès le début. Avec 'Le chant est un grand 5/6' Ralf Schnitzer et Harald Schneider établir de nouvelles normes: Un nouveau matériau pour les enseignants explique étape par étape l'enseignement des cours de chant dans les classes 5 et 6, les caractéristiques vidéo avec des situations d'enseignement typiques et une assistance méthodologique aux questions autour de la voix. Un cahier de l'élève illustre les vocalises et fournit en profondeur des tâches ainsi que des chansons de tous les styles. En tant que fonds répertoire ajoutées à tout moment le chant choral grand-livre doit être utilisé - un ensemble, comme il est de trouver nulle part complète. / Voix

La communauté Songbook offre 100 chansons avec des mots, des cordes et des accompagnements piano. English songs, chansons écossais, irlandais chansons, chansons gallois, chants sacrés, chansons festives, chansons de plantation, chansons américains, comptines, tours et captures, chansons de mer et soldat chansons. Un livre essentiel ' poche ' récemment réédité./ Recueil / Voix

A fresh approach-This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately as begun in Sight-Singing 1.Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch sequences singing a lower part ties awareness of chord structure canons chromatic movement modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs.Part 2 consists of 16 solo pieces which are presented in the treble clef and aim to develop the singer???s ability to pitch independently from their accompaniment. These shortpieces are based on chords intervals the Dorian mode pentatonic scales melodic minor scales chromatic movement and changing time signatures.The aim of this volume is to develop a secure sense of pitch providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ???vocalise??? a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ???hear??? a phrase before it is sung or played is especially useful.- 95 solo/2-part exercises- 16 accompanied solos- 1 wide range of challenging styles- valuable both to singers and instrumentalists

A new collection to complement ABRSM?s bestselling Songbooks the Songbook Plus series features a wealth of material from ABRSM?s 2018 Singing syllabus at Grades 1 to 5. The unrivalled choice of repertoire in a huge variety of styles will inspire singers of all ages. The books include a diverse range of pieces from core classics to songs from stage and screen as well as fresh new arrangements newly commissioned editions and English singing translations. They also include notes on the songs to aid practice and performance. The books feature:  Three pieces from each of Lists A and B and six from List C for Grades 1 and 2  Four pieces from each of Lists A and B and six from List C for Grades 3 4 and 5

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 4 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 4 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation. Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 4 and includes: Workouts along with simple songs to buildthe required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 1 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 1 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation. Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 1 and includes: Workouts along with simple songs to buildthe required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 3 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 3 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation.   Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 3 and includes:   Workoutsalong with simple songs to build the required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun   Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Soprano/Alto Edition. Par EMERSON ROGER. The Hal Leonard Vocal Method is designed for anyone interested in learning the basics of singing, using vocal exercises and popular songs. Complete with demonstration audio tracks, accompaniment tracks, and step-by-step video instruction, this easy-to-use beginner's guide serves as an introduction to everything needed to begin singing with proper technique. Topics covered include: posture, breathing, warm-ups, consonants, vowels, phrasing, vibrato and range extension. Songs in this edition for soprano and alto singers include: At Last · Dancing Queen · Don't Know Why · I Will Remember You · Rolling in the Deep · A Thousand Years · and more. Audio and video are accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Méthode / Soprano ou Alto

This book/CD includes full performances by professional children working in New York and also piano accompaniments. Contents: Baby Mine ? Cruella De Vil ? Edelweiss ? Getting to Know You ? I Got the Sun in the Morning ? My Favorite Things ? Some Day My Prince Will Come ? Someone's Waiting for You ? We're All in This Together ? Wouldn't It Be Loverly.

Là où il ya des cours de chant ou d'une chorale, a changé les leçons de musique, sa revue avec les élèves et son importance pour l'école. 'Chanter est grand' est la force motrice derrière cette réussite, et cela dès le début. Avec 'Le chant est un grand 5/6' Ralf Schnitzer et Harald Schneider établir de nouvelles normes: Un nouveau matériau pour les enseignants explique étape par étape l'enseignement des cours de chant dans les classes 5 et 6, les caractéristiques vidéo avec des situations d'enseignement typiques et une assistance méthodologique aux questions autour de la voix. Un cahier de l'élève illustre les vocalises et fournit en profondeur des tâches ainsi que des chansons de tous les styles. En tant que fonds répertoire ajoutées à tout moment le chant choral grand-livre doit être utilisé - un ensemble, comme il est de trouver nulle part complète. / Voix

Collection for Young Voices Singer Edition 10-Pak-From Illumination Entertainment comes an animated comedy about finding the music that lives inside all of us. Sing tells the story of Buster Moon an eternally optimistic koala who puts on the world's greatest singing competition to save his crumbling theater and the five contestants that emerge for their chance to shine. The arrangements in this collection have been carefully adapted for young unison voices with optional harmonies for added fun and are sure to be an unforgettable musical experience for singers and audiences alike! This value-packed collection of songs and professionally-produced recordings are perfect for group singing in the classroom choir or community. Songsinclude: Don't You Worry 'Bout a Thing Faith Hallelujah I'm Still Standing Set It All Free. Suggested for grades 4-8.

Die 20 schönsten Weihnachtslieder zum Mitsingen und Mitspielen-Twenty of the finest Christmas carols for singing and playing along.Christmas time is the season for singing and music making above all others. And now nobody need sing alone any longer. This book contains the best-loved Christmas carols with recordings on the CD in two versions: once with voices and once just with the accompaniment for you to sing along to. There are also chord symbols above the music so that you can play along to the songs too.