Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Jazz Play-Along Vol.49. Par AEBERSOLD JAMEY. Tous les niveaux de cet enregistrement ' se sent bon. ' Rien ne vaut la ' thumpin'' sonore et la convivialité de l'orgue Hammond. Gens de la grande Jimmy Smith pour les jeunes et passionnant Joey De Francesco ont démontré que c'est une capacité unique à swing dur ! Maintenant, pour la première tou peut profiter de l'occasion de jouer avec deux des plus beaux, Hank Marr et Jimmy Rupp du Jazz. Une fois que vous essayez, vous allez être accro ! La sélection de la chanson est parfaite pour l'orgue, comme beaucoup ont une compétence inhérente ' bluesy 'sonore. Vous y trouverez jouant lly beaucoup plus facile et vous adorerez l'arôme de blues lourd. Ne manquez pas celui-là ! Hank Marr-orgue et synthé., Jimmy Rupp-batterie. / Rép International / Recueil / Tout Instrument

Par WORMS CLAUDE. Ce recueil est dédié à la mémoire de José Peña, qui fut mon premier professeur. Outre mon initiation à la guitare flamenca, je lui dois quelques principes auxquels j'ai tenté de ne pas déroger : la sobriété, et un certain 'classicisme' qui passe par le respect des formes du répertoire traditionnel (leur rythme et leur harmonie bien sûr, mais aussi leur ethos). Je ne conçois pas la guitare flamenca soliste sans une pratique assidue de l'accompagnement du chant. Je dois le peu que je sais de cet art difficile à Maguy Naïmi et Rouben Haroutunian, qui me confient leurs voix depuis tant d'années. Je dois au maître Javier Hinojosa et à mon frère, Gilles Worms, mon goût pour la guitare baroque. J'ai essayé d'en adapter la technique de 'campanella' à l'esthétique et à l'harmonie flamencas. Enfin, les amateurs attentifs reconnaîtront ça ou là quelques brèves citations de Perico el del Lunar, Juan et Pepe Habichuela, Paco et Miguel Angel Cortés, Victor Monge 'Serranito', Manolo Franco, Rafael Riqueni, et, plus généralement, des réminiscences des styles de deux compositeurs que j'affectionne particulièrement, José Luis Monton et Oscar Herrero. Le CD est enregistré sur une guitare de Miguel Rodríguez, qui a appartenu à José Peña, et qui m'a été offerte par son épouse, María Josefa Campos de Peña, et leurs enfants, Sonia, Clara et Alexandre. Cet honneur ne va pas sans quelque devoir. J'espère ne pas avoir trop démérité. Claude Worms Este libro se lo dedico al que fue mi primer Maestro, José Peña. Además de iniciarme en el toque flamenco, José Peña me inculcó unos principios a los que he intentado no derogar : la sobriedad y cierto clasisismo basado en el respeto de las formas del repertorio tradicional (su compás y su armonía por supuesto, pero también su ethos). No concibo el toque flamenco solista sin la práctica constante del acompañamiento del cante. A Maguy Naïmi y a Rouben Haroutunian les debo los pocos conocimientos que tengo en esta práctica tan difícil puesto que llevo muchos años acompañándoles. Al Maestro Javier Hinojosa y a mi hermano Gilles Worms les debo mi afición a la guitarra barroca y he intentado adaptar a la estética y la armonía flamencas su técnica de 'campanella'. Los aficionados reconocerán algunas alusiones en mis composiciones, al toque de Perico el del Lunar, Juan y Pepe Habichuela, Paco y Miguel Ángel Cortés, Victor Monge 'Serranito', Manolo Franco, Rafael Riqueni... y de manera más general reminiscencias de los estilos de dos compositores a los que soy particularmente aficionado, José Luis Montón y Oscar Herrero. El CD lo grabé en una guitarra de Miguel Rodríguez que perteneció a José Peña y que me fue regalada por su viuda María Josefa Campos de Peña y sus hijos Sonia, Clara y Alexandre Peña. Fue para mí un honor tocar en ella y espero haber estado a la altura de las circunstancias. Claude Worms / Niveau : Fin Du 2ème Cycle / classique / Tablatures / Guitare Tablatures Flamenca

for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - 'Flamenco puro' - it also conveys the authentic sound and the pulsating 'compás' of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes / Méthode / Méthode / Guitare

Par WORMS CLAUDE. / Niveau : Intermédiaire / classique / Recueil / Guitare Flamenca

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files and clear illustrations: Because musicians everywhere learn by listening and playing together, our authors have also included audio for every piece. This allows you to play along with other musicians, while learning at the same time. Tim and Jens (the authors) believe in keeping it simple, which is why they have included clear illustrations and kept the explanatory texts to a minimum. The focus will always be on playing music that makes you feel good, right from the outset. Passport to Play Guitar is great for Beginners, includes TAB alongside the standard notation, and also includes accompaniments for ensemble playing./ Tablatures / Guitare

El Método Visual de la Guitarra Flamenca es el primer método interactivo multicámara sobre la guitarra flamenca en el que se hace un repaso a los estilos y la técnica de este instrumento. Mediante la herramienta 'Ángulo de visión' del reproductor de odrá escoger en cada momento el plano de la cámara que más le interese. Plano general de Manuel Granados (ángulo 1), plano de la mano izquierda (ángulo 2), plano de la mano derecha (plano 3), viendo en todo momento la partitura. Este primer volumen rlos fundamentos teóricos (afinación, técnica preliminar, colocación del instrumento, análisis musical, estructuras y modo flamenco) e históricos de la guitarra flamenca. Colocación del instrumento tres tipos: antigua, clásica y actual, con ejemplos fficos de las distintas épocas - Descripción del instrumento: Conocer todas y cada una de las parte de que consta la Guitarra Flamenca y el tipo de madera o maderas generalmente utilizadas. Mostrando los diferentes tipos de Guitarras Flamencas que exis / Guitare

Aprende a Tocar Flamenco-El flamenco ha traspasado nuestras fronteras siendo admirado y respetado por músicos y aficionados de todo el mundo. Este nuevo método de guitarra flamenca creado por David Leiva no es sólo para autodidactas si no también es una novedosa guía para escuelas de flamenco y conservatorios.El libro abarca todos los estilos principales como soleá siguiriya serrana soleá por bulerías alegrías tientos tangos bulerías verdiales rumba taranto farruca guajiras malagueña sevillanas granaína y fandangos. Cada estilo está clasificado por 6 niveles de dificultad con lafinalidad de tener un gran conocimiento de cada palo. Al principio del libro hay una parte teórica y un apartado técnico mostrando todas las técnicas principales de la guitarra flamenca.Al final del libro hay 3 estudios: Uno de arpegios por bulería otro de picado y el tercero un estudio de trémolo. El cd que incluye el método contiene todos los ejercicios para que tengamos una referencia musical. Esta nueva metodología es una de la mejores que ha creado David Leiva muy contemporánea y totalmente complementaria con sus otros métodos de guitarra.

Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas, Europe, and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles, from Tokyo to Paris. But despite its increasing popularity, many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past, the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one might connect with as many authentic musicians as possible; learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth, the need for concise, well written, and organized materials, written by someone who knows and lives this type of music is also essential. We at ADG, believe that Mr. Campos' books are doing exactly that. We believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music', and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa & Afro Cuban Montunos for Guitar by Carlos Campos. Finally the first instructional book showing guitarists how to play Salsa styles. Following on from his highly successful Salsa piano/keyboard instructional books Carlos Campos has created a book for guitarists with over 400 examples (60 examples recorded) with each example for 2-3 and 3-2 clave. There is both written music and tablature These Salsa patterns can be used for Jazz, Latin Jazz and Flamenco musical styles. Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas, Europe, and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles, from Tokyo to Paris. But despite its increasing popularity, many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past, the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth, the need for concise, well written, and organized materials, written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music', and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa & Afro Cuban Montunos for Guitar by Carlos Campos. Finally the first instructional book showing guitarists how to play Salsa styles. Following on from his highly successful Salsa piano/keyboard instructional books Carlos Campos has created a book for guitarists with over 400 examples (60 audio examples recorded) with each example for 2-3 and 3-2 clave. There is both written music and tablature These Salsa patterns can be used for Jazz, Latin Jazz and Flamenco musical styles./ Recueil / Guitare

Par SANLUCAR MANOLO. por Claude Worms THE WORLD OF THE FLAMENCO GUITAR AND ITS FORMS IIIThe decision to publish the transcription of The World of the Flamenco Guitar and its Forms is the decision to disseminate a major work. Now, all those who wish to learn about and explore this gem ofsh music that has laid unnoticed for too long are able to do so. Manolo Sanlúcar's album trilogy is not only apt for flamenco or Spanish musicians but for guitarists worldwide since it constitutes the greatest of the many master classes this maestro ven in his long career. The original, authentic and unmistakably flamenco music in your hands today has stood the test of time, transcending fashion and trends. Immersing oneself in this magical document is to cross the erstwhile unreachable thresholne of the most dazzling chapters in the history of the flamenco guitar./ Méthode / Guitare

Déjà une référence, cet ouvrage vous familiarisera avec la guitare gitane et flamenca, tant d?un point de vue rythmique, harmonique, mélodique que technique. Cet ouvrage s?appuie avant tout sur les styles dits a compás , c?est à dire basés sur des cycles métriques fixes comportant un ou plusieurs systèmes d?accents rythmiques obligés : la soleá, la siguiriya, les tangos, les fandangos de Huelva et leurs dérivés. Le CD reprend tous les exemples du livre pour en faciliter la compréhension.
Support média : Compact disc
Langue : en français

Twelve captivating songs for children arranged for voice, piano and guitar, suitable for either individual or classroom use.This collection provides opportunities for actions, mask-making, mime and project work.Ideal concert use, these songs can be performed in any order.Words by Carol Barratt, music by Carol Barratt and Karl Jenkins.Suitable for pianists from grade 3. / Piano, Voix Et Guitare

Leichte Stücke Für Gitarre. Par SCHWERTBERGER GERALD. Git / Niveau : Débutant à Facile / Répertoire / Guitare