Par KOONCE FRANK. A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. For the uninitiated, just knowing where to start can be difficult. This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Guitare Tablatures Classique

50 solos de guitare fantastique dans les notes et les onglet de 18 compositeurs baroques, y compris de Bach, Corelli, Couperin, Haendel, Purcell, Rameau, Scarlatti, Telemann et autres. / Guitare

This edition features modern electric Guitar transcriptions from the Baroque era. The first section features 17 short repeatable passages from Baroque literature. Other sections include 16 unaccompanied solos 10 duets and 4multi-movement arrangements for electric Guitar and Piano including Pachelbel's Canon and the Vivaldi Mandolin Concerto in its entirety. The final section includes Guitar parts for the Piano - Guitar arrangements. Thetranscriptions are meant to be performed with a pick in a variety of techniques such as: alternate picking economy and circle picking sweep picking hybrid picking right handed tapping string skipping rest strokes and palmmuting. Many of the selections are available on video at www.youtube.com/johnkieferguitar in the electric baroque playlist.

Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Bach, Weiss, Kellner and Corbetta amongst others, it presents a carefully selected range of works, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies and teaching notes on all of the works, and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience, or those of grades 7-8 level. / Guitare

John Kiefer's Beginning Baroque for Guitar is the first instalment in a new series of transcriptions. This instalment features simplified arrangements of Baroque music.The pieces are monodic forthe most part and can be performed with either a pick or fingers. The music in this book has been notated without fingering positions or tablature to promote musical literacy and to encourage all fingering possibilities.Inaddition to the tunes formatted with melody/chord symbols four canons and five duets are included. This book is an excellent supplement for basic Guitar methods Guitar classes and Guitar ensemble courses.

Le troisième volume de la série Guitar Anthology baroque contient 16 oeuvres originales de compositeurs des 17ème et 18ème siècles, transcrites pour guitare par le co-auteur Stuart Willis. Y compris les pièces de Weiss, de Visée, Hagen et Daube, entre autres, il présente une sélection soignée de travail, et, comme dans les autres volumes de la série, est idéal pour tous les joueurs intéressés à acquérir un aperçu de la richesse et de la variété des la guitare baroque et le répertoire de luth.Le livre contient des biographies de compositeurs et des notes pédagogiques sur l'ensemble des oeuvres, et est accompagnée d'enregistrement d'un CD de toutes les pièces jouées par Jens Franke. Convient aux étudiants de ca. 6-7 ans d'expérience de jeu, ou ceux de niveau Grades 5-6. / Guitare

Guitar arrangements by Frederic Noad of two Baroque orchestral pieces. The Handel Minuet is reminiscent of his Musical Clock suite. The Gluck Ballet from Orpheus and Euridice has a similar 'music-box' simplicity.

The Julian Bream Guitar Library Volume 1: The Baroque Era includes works by Bach, Purcell and Froberger scored for classical guitar together with a reference guide to the symbols used. / Instrumental Music / Recueil / Guitare

Famous Baroque Pieces by various composers for Alto Recorder and Keyboard. Complied and edited by Ichiro Tada.

25 ?uvres originales et transcriptions. Par . L?auteur de la fameuse série \'Anthologie de la guitare romantique\', Jens Franke, revient avec un nouveau recueil de pièces des XVIIe et XVIIIe siècles. Le premier volume de\' l?Anthologie de la guitare baroque\' contient 25 pièces magnifiques et rares, transcrites pour la guitare par le coauteur Stuart Willis ; il comprend des ?uvres de Gaspar Sanz, David Kellner et Robert de Visée. S?adressant aux élèves d?environ 2-3 ans d?expérience, le volume contient en outre la biographie des compositeurs, des notes pédagogiques sur chaque pièce et un CD contenant les enregistrements de toutes les ?uvres, interprétées par Jens Franke. / Date parution : 2022-10-12/ Recueil / Guitare

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Arrangé par Mosóczi MiklósInstrument: GuitareSérie: Musica per chitarraGenre: BaroquePages: 48 ppDate du parution: Juin 1978