Twenty-four carols in easy arrangements for the classical Guitar, playable by one or two guitarists. / Guitare Ou Guitare Classique

29 pièces transcrites en notation standard et tablature de guitare. CD inclus. / Guitare Tablatures

Arrangements faciles avec onglet de favoris Albeniz, Granados, DORS, Tarrega, et d'autres. / Guitare

New and Well-Known Pieces - Leicht. Par COLES PAUL. Vol. 2 of Paul Coles’ “Classical Guitar Album“ contains 28 easy and well-known pieces for the developing guitarist. Our author used accessible keys for all pieces and many classical guitar techniques so that practicing – whether in class or at home – is easy and makes fun. He also introduces playing techniques from different styles such as Flamenco. All three volumes include helpful playing instructions, fingering suggestions for both hands as well as a glossary of technical terms. / Recueil / Guitare

Cette anthologie présente Dimitris Fampas ' guitare musique - la Grèce plus célébré guitaristes-compositeurs classiques et professeur. Son talent artistique atteint bien au-delà des frontières de son pays et pendant longtemps, il était considéré comme un des acteurs principaux du monde. Aussi acclamé comme compositeur, il a enrichi du répertoire de la guitare avec nombreuses oeuvres magnifiques et originales, pleins de belles mélodies et vif, excitant des rythmes, principalement influencées par la tradition musicale de son pays natal. Guitaristes de tous les niveaux de découvrir et apprécier l'originalité et la beauté des oeuvres des Fampas ainsi que la qualité des compositions qui couvrent une grande variété de styles. De la première pièce 'Triplet mémoire' (pour Emilio Pujol) qui est rempli avec des influences de l'Amérique latine à la dernière bref, mais très attrayant trémolo ' The Windsong, ' son lutrins comme un être très romantique, coloré habilement écrite pour la guitare. Comprend également deux rythmiques et animés grecs danses ' Sirtos ' et ' Ballos ', le très... / Guitare Classique / 96 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

Featuring some of the worlds most beautiful classical pieces by Bach, Beethoven, Bizet, Dvorak, Greig, Mozart, Puccini, Strauss, Tchaikovsky, Vivaldi and more, this 34-piece collection also includes traditional Guitar repertoire by Albeniz and Tárrega. / Guitare

This book contains a selection of ten pieces for Trinity Classical Guitar Grade 6 exams, carefully chosen, graded and edited for the 2020'2023 syllabus by a panel of experts. Encompassing a wide range of styles at every level, our progressive series offers teachers and learners a wealth of engaging repertoire, whether working towards Trinity exams or studying with other guitar methods.

A collection of 27 beautiful solos for acoustic guitar. Peaceful Guitar Playlist presents 27 beautiful solos for acoustic guitar, transcribed in standard notation and tablature. Featuring a range of pieces from Nivana and Bob Marley to Cole Porter and J.S. Bach, there is something for everyone in this stunning collection.

This book contains a selection of ten pieces for Trinity Classical Guitar Grade 8 exams, carefully chosen, graded and edited for the 2020'2023 syllabus by a panel of experts. Encompassing a wide range of styles at every level, our progressive series offers teachers and learners a wealth of engaging repertoire, whether working towards Trinity exams or studying with other guitar methods.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 76 Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: - Experienced composers with a concern for writing idiomatically for the guitar. - Guitarists who are commissioning a work from a composer who has never written for the instrument. - Libraries that wish to add this essential sourcebook to their music reference section. The very structure of the book reflects the composer's own intuition by addressing such questions as: - How is the guitar constructed? - What does successful guitar music look like? - How is the guitar played? - How does the guitarist interpret music and express emotion? - Which musical elements and gestures are most effective? - How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.

Mariachi music for most of its 200 or so years has primarily been an aural tradition passing songs down from generation to generation ear to ear. This collection puts many popular tunes from the genre in print for any classicalguitarist to play. Author Laura Sobrino has been a professional mariachi and is familiar with the stylistic intricacies that truly make this Mexican traditional and popular music unique. Written in standard notation and tablature.

of Guitar Solos-Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study.Stylistically his compositions synthesize his classical background Afro-Brazilian rhythms traditional Brazilian music and American jazz. This collection presents Almeida's solos preserving the original left and right handfingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.

Here?s yet another book that should be in every serious classical and flamenco guitarist?s library; this time Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolotechnique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andrés Segovia John Williams SharonIsbin Christopher Parkening Pepe Romero Scott Tennant David Russell Narciso Yepes Stanley Yates Stepan Rak Juan Serrano Manolo Sanlucar Manolo Franco José Antonio Rodriguez Paco Serrano and many more. Characteristically Anastassakis presents an exhaustive analysis of the different tremolo patterns: 4-note 5-note 5-note extended melody tremolo 6-note tremolo 8-note tremolo and continuous extended tremolo. A comprehensivebibliography of classical and flamenco guitar pieces that utilize traditional and/or extended tremolo techniques is also included. Written in standard notation and tablature.